Quotes by Mary Oliver

But I want to extol not the sweetness nor the placidity of the dog, but the wilderness out of which he cannot step entirely, and from which we benefit. For wilderness is our first home too, and in our wild ride into modernity with all its concerns and problems we need also all the good attachments to that origin that we can keep or restore. Dog is one of the messengers of that rich and still magical first world. The dog would remind us of the pleasures of the body with its graceful physicality, and the acuity and rapture of the senses, and the beauty of forest and ocean and rain and our own breath. There is not a dog that romps and runs but we learn from him.The other dog—the one that all its life walks leashed and obedient down the sidewalk—is what a chair is to a tree. It is a possession only, the ornament of a human life. Such dogs can remind us of nothing large or noble or mysterious or lost. They cannot make us sweeter or more kind.Only unleashed dogs can do that. They are a kind of poetry themselves when they are devoted not only to us but to the wet night, to the moon and the rabbit-smell in the grass and their own bodies leaping forward.

EVERY DOG’S STORYI have a bed, my very own.It’s just my size.And sometimes I like to sleep alonewith dreams inside my eyes.But sometimes dreams are dark and wild and creepyand I wake and am afraid, though I don’t know why.But I’m no longer sleepyand too slowly the hours go by.So I climb on the bed where the light of the moonis shining on your faceand I know it will be morning soon.Everybody needs a safe place.

But very little of it can do morethan start you on your way to the real, unimaginablydifficult goal of writing memorably. That work is doneslowly and in solitude, and it is as improbable as carryingwater in a sieve.

Athletes take care of their bodies. Writers must similarly take care of the sensibility that houses the possibility of poems. There is nourishment in books, other art, history, philosophies—in holiness and in mirth. It is in honest hands-on labor also; I dont mean to indicatea preference for the scholarly life. And it is in the green world—among people, and animals, and trees for that matter, if one genuinely cares about trees.

Look, hasnt my body already felt like the body of a flower?

MYSTERIES, YES Truly, we live with mysteries too marvelous to be understood. How grass can be nourishing in the mouths of the lambs. How rivers and stones are forever in allegiance with gravity while we ourselves dream of rising. How two hands touch and the bonds will never be broken. How people come, from delight or the scars of damage, to the comfort of a poem. Let me keep my distance, always, from those who think they have the answers. Let me keep company always with those who say Look! and laugh in astonishment, and bow their heads.

Love, love, love, says Percy.And hurry as fast as you canalong the shining beach, or the rubble, or the dust.Then, go to sleep.Give up your body heat, your beating heart.Then, trust.

LITTLE DOGS RHAPSODY IN THE NIGHT(PERCY THREE)He puts his cheek against mineand makes small, expressive sounds.And when Im awake, or awake enoughhe turns upside down, his four pawsin the airand his eyes dark and fervent.Tell me you love me, he says.Tell me again.Could there be a sweeter arrangement?Over and overhe gets to ask it.I get to tell.

I have a little dog who likes to nap with me.He climbs on my body and puts his face in my neck.He is sweeter than soap.He is more wonderful than a diamond necklace,which cant even bark...

Because of the dogs joyfulness, our own is increased. It is no small gift. It is not the least reason why we should honor as well as love the dog of our own life, and the dog down the street, and all the dogs not yet born. What would the world be like without music or rivers or the green and tender grass? What would this world be like without dogs?

And it is exceedingly short, his galloping life. Dogs die so soon. I have my stories of that grief, no doubt many of you do also. It is almost a failure of will, a failure of love, to let them grow old—or so it feels. We would do anything to keep them with us, and to keep them young. The one gift we cannot give.

It does no good to bark at the television,I said. I’ve tried it too. So he stopped.

The man who has many answersis often foundin the theaters of informationwhere he offers, graciously,his deep findings.While the man who has only questions,to comfort himself, makes music.

The PondAugust of another summer, and once again I am drinking the sunand the lilies again are spread across the water. I know now what they want is to touch each other. I have not been here for many yearsduring which time I kept living my life. Like the heron, who can only croak, who wishes he could sing, I wish I could sing. A little thanks from every throat would be appropriate. This is how it has been, and this is how it is: All my life I have been able to feel happiness, except whatever was not happiness, which I also remember. Each of us wears a shadow. But just now it is summer againand I am watching the lilies bow to each other, then slide on the wind and the tug of desire, close, close to one another, Soon now, Ill turn and start for home. And who knows, maybe Ill be singing.

Come with me into the woods where spring isadvancing, as it does, no matter what,not being singular or particular, but oneof the forever gifts, and certainly visible.

Do you think the wren ever dreams of a better house?

The sea can do craziness, it can do smooth, it can lie down like silk breathing or toss havoc shoreward; it can give gifts or withhold all; it can rise, ebb, froth like an incoming frenzy of fountains, or it can sweet-talk entirely. As I can too, and so, no doubt, can you, and you.

Winter walks up and down the town swinging his censer, but no smoke or sweetness comes from it, only the sour, metallic frankness of salt and snow.

This morning the green fists of the peonies are getting readyto break my heartas the sun rises, as the sun strokes them with his old, buttery fingersand they open —pools of lace, white and pink —and all day the black ants climb over them,boring their deep and mysterious holesinto the curls, craving the sweet sap, taking it awayto their dark, underground cities —and all dayunder the shifty wind, as in a dance to the great wedding,the flowers bend their bright bodies, and tip their fragrance to the air, and rise, their red stems holdingall that dampness and recklessness gladly and lightly, and there it is again — beauty the brave, the exemplary,blazing open. Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath?Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers,with their honeyed heaviness, their lush trembling, their eagernessto be wild and perfect for a moment, before they arenothing, forever?

When it’s over, I want to say: all my lifeI was a bride married to amazement.I was a bridegroom, taking the world into my arms.When it’s over, I don’t want to wonderif I have made of my life something particular, and real.I don’t want to find myself sighing and frightenedor full of argument.I don’t want to end up simply having visited this world.