Quotes by Mary Oliver

Though I play at the edges of knowing, truly I know our part is not knowing, but looking, and touching, and loving

The poet dreams of the mountainSometimes I grow weary of the days, with all their fits and starts.I want to climb some old gray mountains, slowly, takingThe rest of my lifetime to do it, resting often, sleepingUnder the pines or, above them, on the unclothed rocks.I want to see how many stars are still in the skyThat we have smothered for years now, a century at least.I want to look back at everything, forgiving it all,And peaceful, knowing the last thing there is to know.All that urgency! Not what the earth is about!How silent the trees, their poetry being of themselves only.I want to take slow steps, and think appropriate thoughts.In ten thousand years, maybe, a piece of the mountain will fall.

The sweetness of dogs (fifteen) What do you say, Percy? I am thinkingof sitting out on the sand to watchthe moon rise. Full tonight.So we goand the moon rises, so beautiful it makes me shudder, makes me think abouttime and space, makes me takemeasure of myself: one iotapondering heaven. Thus we sit,I thinking how grateful I am for the moon’s perfect beauty and also, oh! How richit is to love the world. Percy, meanwhile, leans against me and gazes up intomy face. As though I werehis perfect moon.

On the beach, at dawn:Four small stones clearlyHugging each other.How many kinds of loveMight there be in the world,And how many formations might they makeAnd who am I everTo imagine I could knowSuch a marvelous business?When the sun brokeIt poured willingly its lightOver the stonesThat did not move, not at all,Just as, to its always generous term,It shed its light on me,My own body that loves, Equally, to hug another body.

In your handsThe dog, the donkey, surely they know They are alive.Who would argue otherwise?But now, after years of consideration, I am getting beyond that.What about the sunflowers? What about The tulips, and the pines?Listen, all you have to do is start and There’ll be no stopping.What about mountains? What about water Slipping over rocks?And speaking of stones, what about The little ones you can Hold in your hands, their heartbeats So secret, so hidden it may take yearsBefore, finally, you hear them?

How heron comesIt is a negligence of the mindnot to notice how at duskheron comes to the pond andstands there in his death robes, perfectservant of the system, hungry, his eyesfull of attention, his wingspure light

Tom Dancer’s gift of a whitebark pine coneYou never know What opportunity Is going to travel to you, Or through you.Once a friend gave me A small pine cone- One of a few He found in the scatOf a grizzly In Utah maybe, Or Wyoming. I took it homeAnd did what I supposed He was sure I would do- I ate it, ThinkingHow it had traveled Through that rough And holy body. It was crisp and sweet.It was almost a prayer Without words. My gratitude, Tom Dancer, For this gift of the world I adore so much And want to belong to. And thank you too, great bear

I read the way a person might swim, to save his or her life. I wrote that way too.

Instructions for living a life. Pay attention. Be astonished. Tell about it.

Things take the time they take.Dont worry.How many roads did St. Augustine follow before he became St. Augustine?

How perfect to be aboard a ship withmaybe a hundred years still in my pocket.But its late, for all of us,and in truth the only ship there isis the ship we are all onburning the world as we go.

There are things you can’t reach. ButYou can reach out to them, and all day long.The wind, the bird flying away. The idea of god.And it can keep you busy as anything else, and happier.I look; morning to night I am never done with looking.Looking I mean not just standing around, but standing aroundAs though with your arms open.

Intellectual work sometimes, spiritual work certainly, artistic work always — these are forces that fall within its grasp, forces that must travel beyond the realm of the hour and the restraint of the habit. Nor can the actual work be well separated from the entire life. Like the knights of the Middle Ages, there is little the creatively inclined person can do but to prepare himself, body and spirit, for the labor to come — for his adventures are all unknown. In truth, the work itself is the adventure. And no artist could go about this work, or would want to, with less than extraordinary energy and concentration. The extraordinary is what art is about.

Every springI hear the thrush singingin the glowing woodshe is only passing through.His voice is deep,then he lifts it until it seemsto fall from the sky.I am thrilled.I am grateful.Then, by the end of morning,hes gone, nothing but silenceout of the treewhere he rested for a night.And this I find acceptable.Not enough is a poor life.But too much is, well, too much.Imagine Verdi or Mahlerevery day, all day.It would exhaust anyone.

I stood like Adam in his lonely gardenOn that first morning, shaken out of sleep,Rubbing his eyes, listening, parting the leaves,Like tissue on some vast, incredible gift.

I could not be a poet without the natural world. Someone else could. But not me. For me the door to the woods is the door to the temple.

You do not have to be good.You do not have to walk on your kneesfor a hundred miles through the desert, repenting.You only have to let the soft animal of your body love what it loves.

Wild GeeseYou do not have to be good.You do not have to walk on your kneesfor a hundred miles through the desert, repenting.You only have to let the soft animal of your body love what it loves.Tell me about despair, yours, and I will tell you mine.Meanwhile the world goes on.Meanwhile the sun and the clear pebbles of the rainare moving across the landscapes,over the prairies and the deep trees,the mountains and the rivers.Meanwhile the wild geese, high in the clean blue air,are heading home again.Whoever you are, no matter how lonely,the world offers itself to your imagination,calls to you like the wild geese, harsh and exciting –over and over announcing your placein the family of things.

A carpenter is hired- a roof repaired, a porch built. Everything that can be fixed. June, July, August. Everyday we hear their laughter. I think of the painting by van Gogh, the man in the chair. Everything wrong, and nowhere to go. His hands over his eyes.

And now youll be telling storiesof my coming backand they wont be false, and they wont be truebut theyll be real