That timeI thought I could notgo any closer to griefwithout dyingI went closer,and I did not die.Surely Godhad his hand in this,as well as friends.Still, I was bent,and my laughter,as the poet said,was nowhere to be found.Then said my friend Daniel,(brave even among lions),“It’s not the weight you carrybut how you carry it -books, bricks, grief -it’s all in the wayyou embrace it, balance it, carry itwhen you cannot, and would not,put it down.”So I went practicing.Have you noticed?Have you heardthe laughterthat comes, now and again,out of my startled mouth?How I lingerto admire, admire, admirethe things of this worldthat are kind, and maybealso troubled -roses in the wind,the sea geese on the steep waves,a loveto which there is no reply?
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The Fourth Sign of The Zodiac (Part 3) by Mary OliverI know, you never intended to be in this world.But you’re in it all the same.So why not get started immediately.I mean, belonging to it.There is so much to admire, to weep over.And to write music or poems about.Bless the feet that take you to and fro.Bless the eyes and the listening ears.Bless the tongue, the marvel of taste.Bless touching.You could live a hundred years, it’s happened.Or not.I am speaking from the fortunate platformof many years,none of which, I think, I ever wasted.Do you need a prod?Do you need a little darkness to get you going?Let me be as urgent as a knife, then,and remind you of Keats,so single of purpose and thinking, for a while,he had a lifetime.Mary oliver
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Oh Lord of melons, of mercy, though I am not ready, nor worthy, I am climbing towards you.
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You are young. So you know everything. You leap into the boat and begin rowing. But, listen to me. Without fanfare, without embarrassment, without doubt,I talk directly to your soul. Listen to me.
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I want to write something so simply about love or about pain that even as you are reading you feel it and as you read you keep feeling it and though it be my story it will be common, though it be singular it will be known to you so that by the end you will think—no, you will realize—that it was all the while yourself arranging the words, that it was all the time words that you yourself, out of your heart had been saying.
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No, I mean really listen. Heres a story, and you dont have to visit manyhouses to find it. One person is talking,the other one is not really listening.someone can look like they are but theyreactually thinking about something they want to say, or their minds are justwandering. Or theyre looking at thatlittle box people hold in their hands thesedays. And people get discouraged, so theyquit trying. And the very quiet people,you may have noticed, are often the sadpeople.
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I believe you did not have a happy life.I believe you were cheated.I believe your best friends were loneliness and misery.I believe your busiest enemies were anger and depression.I believe joy was a game you could never play without stumbling.I believe comfort, though you craved it, was forever a stranger.I believe music had to be melancholy or not at all.I believe no trinket, no precious metal, shone so bright as your bitterness.I believe you lay down at last in your coffin none the wiser and unassuaged.Oh, cold and dreamless under the wild, amoral, reckless, peaceful flowers of the hillsides.
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Imagination is better than a sharp instrument. To pay attention, this is our endless and proper work.
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Of course! the path to heavendoesnt lie down in flat miles.Its in the imaginationwith which you perceive this world,and the gestureswith which you honor it.-from The Swan
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Its very important to write things down instantly, or you can lose the way you were thinking out a line. I have a rule that if I wake up at 3 in the morning and think of something, I write it down. I cant wait until morning -- itll be
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After a cruel childhood, one must reinvent oneself. Then reimagine the world.
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DAISIESIt is possible, I suppose that sometimewe will learn everythingthere is to learn: what the world is, for example,and what it means. I think this as I am crossingfrom one field to another, in summer, and themockingbird is mocking me, as one who eitherknows enough already or knows enough to beperfectly content not knowing. Song being bornof quest he knows this: he must turn silentwere he suddenly assaulted with answers. Insteadoh hear his wild, caustic, tender warbling ceaselesslyunanswered. At my feet the white-petalled daisies displaythe small suns of their center piece, their -- if you dontmind my saying so -- their hearts. Of courseI could be wrong, perhaps their hearts are pale andnarrow and hidden in the roots. What do I know?But this: it is heaven itself to take what is given,to see what is plain; what the sun lights up willingly;for example -- I think thisas I reach down, not to pick but merely to touch --the suitability of the field for the daisies, and thedaisies for the field.
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I learned from Whitman that the poem is a temple--or a green field--a place to enter, and in which to feel.
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Language is rich, and malleable. It is a living, vibrant material, and every part of a poem works in conjunction with every other part - the content, the place, the diction, the rhythm, the tone-as well as the very sliding, floating, thumping, rapping sounds of it.
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Listen, whatever you see and love—that’s where you are.
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I mean, by such flightiness, something that feels unsatisfied at the center of my life — that makes me shaky, fickle, inquisitive, and hungry. I could call it a longing for home and not be far wrong. Or I could call it a longing for whatever supersedes, if it cannot pass through, understanding. Other words that come to mind: faith, grace, rest. In my outward appearance and life habits I hardly change — there’s never been a day that my friends haven’t been able to say, and at a distance, “There’s Oliver, still standing around in the weeds. There she is, still scribbling in her notebook.” But, at the center: I am shaking; I am flashing like tinsel. Restless. I read about ideas. Yet I let them remain ideas. I read about the poet who threw his books away, the better to come to a spiritual completion. Yet I keep my books. I flutter; I am attentive, maybe I even rise a little, balancing; then I fall back.
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I would like people to remember of me, howinexhaustible was her mindfulness.
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Its not a competition, its a doorway.
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To interrupt the writer from the line of thought is to wake the dreamer from the dream. The dreamer cannot enter that dream, precisely as it was unfolding, ever again.
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Be prepared. A dog is adorable and noble.A dog is a true and loving friend. A dogis also a hedonist.
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