For he had a turn for mechanics; had invented a plough in his district, had ordered wheel-barrows from England, but the coolies wouldn’t use them, all of which Clarissa knew nothing whatever about. The way she said “Here is my Elizabeth!”--that annoyed him. Why not “Here’s Elizabeth” simply? It was insincere. And Elizabeth didn’t like it either. (Still the last tremors of the great booming voice shook the air round him; the half-hour; still early; only half-past eleven still.) For he understood young people; he liked them. There was always something cold in Clarissa, he thought. She had always, even as a girl, a sort of timidity, which in middle age becomes conventionality, and then it’s all up, it’s all up, he thought, looking rather drearily into the glassy depths, and wondering whether by calling at that hour he had annoyed her; overcome with shame suddenly at having been a fool; wept; been emotional; told her everything, as usual, as usual. As a cloud crosses the sun, silence falls on London; and falls on the mind. Effort ceases. Time flaps on the mast. There we stop; there we stand. Rigid, the skeleton of habit alone upholds the human frame. Where there is nothing, Peter Walsh said to himself; feeling hollowed out, utterly empty within. Clarissa refused me, he thought. He stood there thinking, Clarissa refused me. Ah, said St. Margaret’s, like a hostess who comes into her drawing-room on the very stroke of the hour and finds her guests there already. I am not late. No, it is precisely half-past eleven, she says. Yet, though she is perfectly right, her voice, being the voice of the hostess, is reluctant to inflict its individuality. Some grief for the past holds it back; some concern for the present. It is half-past eleven, she says, and the sound of St. Margaret’s glides into the recesses of the heart and buries itself in ring after ring of sound, like something alive which wants to confide itself, to disperse itself, to be, with a tremor of delight, at rest--like Clarissa herself, thought Peter Walsh, coming down the stairs on the stroke of the hour in white. It is Clarissa herself, he thought, with a deep emotion, and an extraordinarily clear, yet puzzling, recollection of her, as if this bell had come into the room years ago, where they sat at some moment of great intimacy, and had gone from one to the other and had left, like a bee with honey, laden with the moment.

Her beauty bore the marks of intelligence; her manner was not enough self-contained to be called courtly; yet it was easy, and carried its own certificate of culture; it yielded too much to natural affection to deserve the term dignified. One listening to her, and noticing the variableness of her mood, which in almost the same instant could pass from gay to serious without ever reaching an extreme, would pronounce her too timid for achievement outside the purely domestic; at the same time he would think she appeared lovable to the last degree, and might be capable of loving in equal measure. She was dressed in Byzantine fashion. In crossing the street from her father's house, she had thrown a veil over her head, but it was now lying carelessly about her neck. The wooden sandals with blocks under them, like those yet worn by women in Levantine countries to raise them out of the dust and mud when abroad, had been shaken lightly from her feet at the top of the stairs. Perfectly at home, she advanced to the table, and put one of her bare arms around the old man's neck, regardless of the white locks it crushed close down, and replied: "Thou flatterer! Do I not know beauty is altogether in the eye of the beholder, and that all persons do not see alike? Tell me why, knowing the work was to be done, you did not send for me to help you? Was it for nothing you made me acquainted with figures until--I have your authority for the saying--I might have stood for professor of mathematics in the best of the Alexandrian schools? Do not shake your head at me--or"-- With the new idea all alight in her face, she ran around the table, and caught up one of the diagrams. "Ah, it is as I thought, father! The work I love best, and can do best! Whose is the nativity? Not mine, I know; for I was born in the glad time when Venus ruled the year. Anael, her angel, held his wings over me against this very wry-faced, snow-chilled Saturn, whom I am so glad to see in the Seventh House, which is the House of Woe. Whose the nativity, I say?" "Nay, child--pretty child, and wilful--you have a trick of getting my secrets from me. I sometimes think I am in thy hands no more than tawdry lace just washed and being wrung preparatory to hanging in the air from thy lattice.

Wondrously near and clear the great warm fires Stare from the blue; so shows the cottage light To the field labourer whose heart desires The old folk by the nook, the welcome bright From the house-wife long parted from at dawn-- So the star villages in God's great depths withdrawn. Nearer to Thee, not by delusion led, Though there no house fires burn nor bright eyes gaze, We rise, but by the symbol charioted, Through loved things rising up to Love's own ways By these the soul unto the vast has wings And sets the seal celestial on all mortal things. SUNG ON A BY-WAY What of all the will to do? It has vanished long ago, For a dream-shaft pierced it through From the Unknown Archer's bow. What of all the soul to think? Some one offered it a cup Filled with a diviner drink, And the flame has burned it up. What of all the hope to climb? Only in the self we grope To the misty end of time: Truth has put an end to hope. What of all the heart to love? Sadder than for will or soul, No light lured it on above; Love has found itself the whole. THE HUNTER Twilight, a timid fawn, went glimmering by, And night, the dark blue hunter, followed fast: Ceaseless pursuit and flight were in the sky, But the long chase had ceased for us at last. We watched together while the driven fawn Hid in the golden thicket of the day: We from whose hearts pursuit and flight were gone Knew on the hunter's breast her refuge lay. THE VISION OF LOVE The twilight fleeted away in pearl on the stream, And night, like a diamond dome, stood still in our dream. Your eyes like burnished stones or as stars were bright With the sudden vision that made us one with the night. We loved in infinite spaces, forgetting here The breasts that were lit with life and the lips so near; Till the wizard willows waved in the wind and drew Me away from the fulness of love and down to you. Our love was so vast that it filled the heavens up: But the soft white form I held was an empty cup, When the willows called me back to earth with their sigh, And we moved as shades through the deep that was you and I.