Quotes by William Shakespeare

Go to, they are not men o’ their words: they told me I was everything; ’tis a lie, I am not ague-proof. GLOUCESTER. The trick of that voice I do well remember: Is’t not the King? LEAR. Ay, every inch a king. When I do stare, see how the subject quakes. I pardon that man’s life. What was thy cause? Adultery? Thou shalt not die: die for adultery! No: The wren goes to’t, and the small gilded fly Does lecher in my sight. Let copulation thrive; For Gloucester’s bastard son was kinder to his father Than my daughters got ’tween the lawful sheets. To’t, luxury, pell-mell! for I lack soldiers. Behold yond simp’ring dame, Whose face between her forks presages snow; That minces virtue, and does shake the head To hear of pleasure’s name. The fitchew nor the soiled horse goes to’t with a more riotous appetite. Down from the waist they are centaurs, though women all above. But to the girdle do the gods inherit, beneath is all the fiend’s; there’s hell, there’s darkness, there is the sulphurous pit; burning, scalding, stench, consumption. Fie, fie, fie! pah, pah! Give me an ounce of civet, good apothecary, to sweeten my imagination. There’s money for thee. GLOUCESTER. O, let me kiss that hand! LEAR. Let me wipe it first; it smells of mortality. GLOUCESTER. O ruin’d piece of nature, this great world Shall so wear out to naught. Dost thou know me? LEAR. I remember thine eyes well enough. Dost thou squiny at me? No, do thy worst, blind Cupid; I’ll not love. Read thou this challenge; mark but the penning of it. GLOUCESTER. Were all the letters suns, I could not see one. EDGAR. I would not take this from report, It is, and my heart breaks at it. LEAR. Read. GLOUCESTER. What, with the case of eyes? LEAR. O, ho, are you there with me? No eyes in your head, nor no money in your purse? Your eyes are in a heavy case, your purse in a light, yet you see how this world goes. GLOUCESTER. I see it feelingly. LEAR. What, art mad? A man may see how the world goes with no eyes. Look with thine ears. See how yon justice rails upon yon simple thief. Hark, in thine ear: change places; and, handy-dandy, which is the justice, which is the thief?

daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno’s eyes Or Cytherea’s breath; pale primroses, That die unmarried ere they can behold Bright Phoebus in his strength (a malady Most incident to maids); bold oxlips and The crown imperial; lilies of all kinds, The flower-de-luce being one. O, these I lack, To make you garlands of; and my sweet friend, To strew him o’er and o’er! FLORIZEL. What, like a corse? PERDITA. No, like a bank for love to lie and play on; Not like a corse; or if, not to be buried, But quick, and in mine arms. Come, take your flowers. Methinks I play as I have seen them do In Whitsun pastorals. Sure this robe of mine Does change my disposition. FLORIZEL. What you do Still betters what is done. When you speak, sweet, I’d have you do it ever. When you sing, I’d have you buy and sell so, so give alms, Pray so; and, for the ord’ring your affairs, To sing them too. When you do dance, I wish you A wave o’ th’ sea, that you might ever do Nothing but that, move still, still so, And own no other function. Each your doing, So singular in each particular, Crowns what you are doing in the present deeds, That all your acts are queens. PERDITA. O Doricles, Your praises are too large. But that your youth, And the true blood which peeps fairly through ’t, Do plainly give you out an unstained shepherd, With wisdom I might fear, my Doricles, You woo’d me the false way. FLORIZEL. I think you have As little skill to fear as I have purpose To put you to ’t. But, come; our dance, I pray. Your hand, my Perdita. So turtles pair That never mean to part. PERDITA. I’ll swear for ’em. POLIXENES. This is the prettiest low-born lass that ever Ran on the green-sward. Nothing she does or seems But smacks of something greater than herself, Too noble for this place. CAMILLO. He tells her something That makes her blood look out. Good sooth, she is The queen of curds and cream. CLOWN. Come on, strike up. DORCAS. Mopsa must be your mistress: marry, garlic, to mend her kissing with!

Give me leave To tell you once again that at my birth The front of heaven was full of fiery shapes, The goats ran from the mountains, and the herds Were strangely clamorous to the frighted fields. These signs have mark’d me extraordinary, And all the courses of my life do show I am not in the roll of common men. Where is he living, clipp’d in with the sea That chides the banks of England, Scotland, Wales, Which calls me pupil or hath read to me? And bring him out that is but woman’s son Can trace me in the tedious ways of art, And hold me pace in deep experiments. HOTSPUR. I think there is no man speaks better Welsh. I’ll to dinner. MORTIMER. Peace, cousin Percy, you will make him mad. GLENDOWER. I can call spirits from the vasty deep. HOTSPUR. Why, so can I, or so can any man, But will they come when you do call for them? GLENDOWER. Why, I can teach you, cousin, to command the devil. HOTSPUR. And I can teach thee, coz, to shame the devil By telling truth; tell truth, and shame the devil. If thou have power to raise him, bring him hither, And I’ll be sworn I have power to shame him hence. O, while you live, tell truth, and shame the devil! MORTIMER. Come, come, no more of this unprofitable chat. GLENDOWER. Three times hath Henry Bolingbroke made head Against my power; thrice from the banks of Wye And sandy-bottom’d Severn have I sent him Bootless home and weather-beaten back. HOTSPUR. Home without boots, and in foul weather too! How ’scapes he agues, in the devil’s name! GLENDOWER. Come, here’s the map, shall we divide our right According to our threefold order ta’en? MORTIMER. The archdeacon hath divided it Into three limits very equally: England, from Trent and Severn hitherto, By south and east is to my part assign’d: All westward, Wales beyond the Severn shore, And all the fertile land within that bound, To Owen Glendower: and, dear coz, to you The remnant northward lying off from Trent. And our indentures tripartite are drawn, Which being sealed interchangeably, A business that this night may execute, Tomorrow, cousin Percy, you and I, And my good Lord of Worcester will set forth To meet your father and the Scottish power, As is appointed us, at Shrewsbury.

Nay sit, nay sit, good cousin Capulet, For you and I are past our dancing days; How long is’t now since last yourself and I Were in a mask? CAPULET’S COUSIN. By’r Lady, thirty years. CAPULET. What, man, ’tis not so much, ’tis not so much: ’Tis since the nuptial of Lucentio, Come Pentecost as quickly as it will, Some five and twenty years; and then we mask’d. CAPULET’S COUSIN. ’Tis more, ’tis more, his son is elder, sir; His son is thirty. CAPULET. Will you tell me that? His son was but a ward two years ago. ROMEO. What lady is that, which doth enrich the hand Of yonder knight? SERVANT. I know not, sir. ROMEO. O, she doth teach the torches to burn bright! It seems she hangs upon the cheek of night As a rich jewel in an Ethiop’s ear; Beauty too rich for use, for earth too dear! So shows a snowy dove trooping with crows As yonder lady o’er her fellows shows. The measure done, I’ll watch her place of stand, And touching hers, make blessed my rude hand. Did my heart love till now? Forswear it, sight! For I ne’er saw true beauty till this night. TYBALT. This by his voice, should be a Montague. Fetch me my rapier, boy. What, dares the slave Come hither, cover’d with an antic face, To fleer and scorn at our solemnity? Now by the stock and honour of my kin, To strike him dead I hold it not a sin. CAPULET. Why how now, kinsman! Wherefore storm you so? TYBALT. Uncle, this is a Montague, our foe; A villain that is hither come in spite, To scorn at our solemnity this night. CAPULET. Young Romeo, is it? TYBALT. ’Tis he, that villain Romeo. CAPULET. Content thee, gentle coz, let him alone, A bears him like a portly gentleman; And, to say truth, Verona brags of him To be a virtuous and well-govern’d youth. I would not for the wealth of all the town Here in my house do him disparagement. Therefore be patient, take no note of him, It is my will; the which if thou respect, Show a fair presence and put off these frowns, An ill-beseeming semblance for a feast. TYBALT. It fits when such a villain is a guest: I’ll not endure him.

Under an oak, whose boughs were mossed with age And high top bald with dry antiquity, A wretched ragged man, o’ergrown with hair, Lay sleeping on his back; about his neck A green and gilded snake had wreathed itself, Who with her head, nimble in threats, approached The opening of his mouth. But suddenly, Seeing Orlando, it unlinked itself And with indented glides did slip away Into a bush; under which bush’s shade A lioness, with udders all drawn dry, Lay couching, head on ground, with catlike watch When that the sleeping man should stir. For ’tis The royal disposition of that beast To prey on nothing that doth seem as dead. This seen, Orlando did approach the man And found it was his brother, his elder brother. CELIA. O, I have heard him speak of that same brother, And he did render him the most unnatural That lived amongst men. OLIVER. And well he might so do, For well I know he was unnatural. ROSALIND. But, to Orlando: did he leave him there, Food to the sucked and hungry lioness? OLIVER. Twice did he turn his back and purposed so; But kindness, nobler ever than revenge, And nature, stronger than his just occasion, Made him give battle to the lioness, Who quickly fell before him; in which hurtling From miserable slumber I awaked. CELIA. Are you his brother? ROSALIND. Was it you he rescued? CELIA. Was’t you that did so oft contrive to kill him? OLIVER. ’Twas I; but ’tis not I. I do not shame To tell you what I was, since my conversion So sweetly tastes, being the thing I am. ROSALIND. But, for the bloody napkin? OLIVER. By and by. When from the first to last betwixt us two Tears our recountments had most kindly bathed— As how I came into that desert place— In brief, he led me to the gentle Duke, Who gave me fresh array and entertainment, Committing me unto my brother’s love, Who led me instantly unto his cave, There stripped himself, and here upon his arm The lioness had torn some flesh away, Which all this while had bled; and now he fainted, And cried in fainting upon Rosalind. Brief, I recovered him, bound up his wound, And after some small space, being strong at heart, He sent me hither, stranger as I am, To tell this story, that you might excuse His broken promise, and to give this napkin, Dyed in his blood, unto the shepherd youth That he in sport doth call his Rosalind.

a great arithmetician, One Michael Cassio, a Florentine, A fellow almost damn’d in a fair wife, That never set a squadron in the field, Nor the division of a battle knows More than a spinster, unless the bookish theoric, Wherein the toged consuls can propose As masterly as he: mere prattle without practice Is all his soldiership. But he, sir, had the election, And I, of whom his eyes had seen the proof At Rhodes, at Cyprus, and on other grounds, Christian and heathen, must be belee’d and calm’d By debitor and creditor, this counter-caster, He, in good time, must his lieutenant be, And I, God bless the mark, his Moorship’s ancient. RODERIGO. By heaven, I rather would have been his hangman. IAGO. Why, there’s no remedy. ’Tis the curse of service, Preferment goes by letter and affection, And not by old gradation, where each second Stood heir to the first. Now sir, be judge yourself Whether I in any just term am affin’d To love the Moor. RODERIGO. I would not follow him, then. IAGO. O, sir, content you. I follow him to serve my turn upon him: We cannot all be masters, nor all masters Cannot be truly follow’d. You shall mark Many a duteous and knee-crooking knave That, doting on his own obsequious bondage, Wears out his time, much like his master’s ass, For nought but provender, and when he’s old, cashier’d. Whip me such honest knaves. Others there are Who, trimm’d in forms, and visages of duty, Keep yet their hearts attending on themselves, And throwing but shows of service on their lords, Do well thrive by them, and when they have lin’d their coats, Do themselves homage. These fellows have some soul, And such a one do I profess myself. For, sir, It is as sure as you are Roderigo, Were I the Moor, I would not be Iago: In following him, I follow but myself. Heaven is my judge, not I for love and duty, But seeming so for my peculiar end. For when my outward action doth demonstrate The native act and figure of my heart In complement extern, ’tis not long after But I will wear my heart upon my sleeve For daws to peck at: I am not what I am.

Therefore, I say, ’tis meet we all go forth To view the sick and feeble parts of France. And let us do it with no show of fear; No, with no more than if we heard that England Were busied with a Whitsun morris-dance; For, my good liege, she is so idly king’d, Her sceptre so fantastically borne By a vain, giddy, shallow, humorous youth, That fear attends her not. CONSTABLE. O peace, Prince Dauphin! You are too much mistaken in this king. Question your Grace the late ambassadors With what great state he heard their embassy, How well supplied with noble counsellors, How modest in exception, and withal How terrible in constant resolution, And you shall find his vanities forespent Were but the outside of the Roman Brutus, Covering discretion with a coat of folly; As gardeners do with ordure hide those roots That shall first spring and be most delicate. DAUPHIN. Well, ’tis not so, my Lord High Constable; But though we think it so, it is no matter. In cases of defence ’tis best to weigh The enemy more mighty than he seems, So the proportions of defence are fill’d; Which, of a weak and niggardly projection, Doth, like a miser, spoil his coat with scanting A little cloth. FRENCH KING. Think we King Harry strong; And, Princes, look you strongly arm to meet him. The kindred of him hath been flesh’d upon us; And he is bred out of that bloody strain That haunted us in our familiar paths. Witness our too much memorable shame When Cressy battle fatally was struck, And all our princes captiv’d by the hand Of that black name, Edward, Black Prince of Wales; Whiles that his mountain sire, on mountain standing, Up in the air, crown’d with the golden sun, Saw his heroical seed, and smil’d to see him, Mangle the work of nature and deface The patterns that by God and by French fathers Had twenty years been made. This is a stem Of that victorious stock; and let us fear The native mightiness and fate of him. Enter a Messenger. MESSENGER. Ambassadors from Harry King of England Do crave admittance to your Majesty.

To know my deed, ’twere best not know myself. [_Knocking within._] Wake Duncan with thy knocking! I would thou couldst! [_Exeunt._] SCENE III. The same. Enter a Porter. Knocking within. PORTER. Here’s a knocking indeed! If a man were porter of hell gate, he should have old turning the key. [_Knocking._] Knock, knock, knock. Who’s there, i’ th’ name of Belzebub? Here’s a farmer that hanged himself on the expectation of plenty: come in time; have napkins enow about you; here you’ll sweat for’t. [_Knocking._] Knock, knock! Who’s there, i’ th’ other devil’s name? Faith, here’s an equivocator, that could swear in both the scales against either scale, who committed treason enough for God’s sake, yet could not equivocate to heaven: O, come in, equivocator. [_Knocking._] Knock, knock, knock! Who’s there? Faith, here’s an English tailor come hither, for stealing out of a French hose: come in, tailor; here you may roast your goose. [_Knocking._] Knock, knock. Never at quiet! What are you?—But this place is too cold for hell. I’ll devil-porter it no further: I had thought to have let in some of all professions, that go the primrose way to th’ everlasting bonfire. [_Knocking._] Anon, anon! I pray you, remember the porter. [_Opens the gate._] Enter Macduff and Lennox. MACDUFF. Was it so late, friend, ere you went to bed, That you do lie so late? PORTER. Faith, sir, we were carousing till the second cock; and drink, sir, is a great provoker of three things. MACDUFF. What three things does drink especially provoke? PORTER. Marry, sir, nose-painting, sleep, and urine. Lechery, sir, it provokes and unprovokes; it provokes the desire, but it takes away the performance. Therefore much drink may be said to be an equivocator with lechery: it makes him, and it mars him; it sets him on, and it takes him off; it persuades him, and disheartens him; makes him stand to, and not stand to; in conclusion, equivocates him in a sleep, and giving him the lie, leaves him. MACDUFF. I believe drink gave thee the lie last night.

It shall be to your good, for my father’s house and all the revenue that was old Sir Rowland’s will I estate upon you, and here live and die a shepherd. Enter Rosalind. ORLANDO. You have my consent. Let your wedding be tomorrow. Thither will I invite the Duke and all’s contented followers. Go you and prepare Aliena; for, look you, here comes my Rosalind. ROSALIND. God save you, brother. OLIVER. And you, fair sister. [_Exit._] ROSALIND. O my dear Orlando, how it grieves me to see thee wear thy heart in a scarf! ORLANDO. It is my arm. ROSALIND. I thought thy heart had been wounded with the claws of a lion. ORLANDO. Wounded it is, but with the eyes of a lady. ROSALIND. Did your brother tell you how I counterfeited to swoon when he showed me your handkercher? ORLANDO. Ay, and greater wonders than that. ROSALIND. O, I know where you are. Nay, ’tis true. There was never anything so sudden but the fight of two rams, and Caesar’s thrasonical brag of “I came, saw and overcame.” For your brother and my sister no sooner met but they looked; no sooner looked but they loved; no sooner loved but they sighed; no sooner sighed but they asked one another the reason; no sooner knew the reason but they sought the remedy; and in these degrees have they made pair of stairs to marriage, which they will climb incontinent, or else be incontinent before marriage. They are in the very wrath of love, and they will together. Clubs cannot part them. ORLANDO. They shall be married tomorrow, and I will bid the Duke to the nuptial. But O, how bitter a thing it is to look into happiness through another man’s eyes! By so much the more shall I tomorrow be at the height of heart-heaviness, by how much I shall think my brother happy in having what he wishes for. ROSALIND. Why, then, tomorrow I cannot serve your turn for Rosalind? ORLANDO. I can live no longer by thinking. ROSALIND. I will weary you then no longer with idle talking. Know of me then—for now I speak to some purpose—that I know you are a gentleman of good conceit. I speak not this that you should bear a good opinion of my knowledge, insomuch I say I know you are. Neither do I labour for a greater esteem than may in some little measure draw a belief from you, to do yourself good, and not to grace me.

Thou dost conspire against thy friend, Iago, If thou but think’st him wrong’d and mak’st his ear A stranger to thy thoughts. IAGO. I do beseech you, Though I perchance am vicious in my guess, As, I confess, it is my nature’s plague To spy into abuses, and of my jealousy Shapes faults that are not,—that your wisdom From one that so imperfectly conceits, Would take no notice; nor build yourself a trouble Out of his scattering and unsure observance. It were not for your quiet nor your good, Nor for my manhood, honesty, or wisdom, To let you know my thoughts. OTHELLO. What dost thou mean? IAGO. Good name in man and woman, dear my lord, Is the immediate jewel of their souls. Who steals my purse steals trash. ’Tis something, nothing; ’Twas mine, ’tis his, and has been slave to thousands. But he that filches from me my good name Robs me of that which not enriches him And makes me poor indeed. OTHELLO. By heaven, I’ll know thy thoughts. IAGO. You cannot, if my heart were in your hand, Nor shall not, whilst ’tis in my custody. OTHELLO. Ha? IAGO. O, beware, my lord, of jealousy; It is the green-ey’d monster which doth mock The meat it feeds on. That cuckold lives in bliss Who, certain of his fate, loves not his wronger; But O, what damned minutes tells he o’er Who dotes, yet doubts, suspects, yet strongly loves! OTHELLO. O misery! IAGO. Poor and content is rich, and rich enough; But riches fineless is as poor as winter To him that ever fears he shall be poor. Good heaven, the souls of all my tribe defend From jealousy! OTHELLO. Why, why is this? Think’st thou I’d make a life of jealousy, To follow still the changes of the moon With fresh suspicions? No. To be once in doubt Is once to be resolv’d: exchange me for a goat When I shall turn the business of my soul To such exsufflicate and blown surmises, Matching thy inference. ’Tis not to make me jealous, To say my wife is fair, feeds well, loves company, Is free of speech, sings, plays, and dances well; Where virtue is, these are more virtuous: Nor from mine own weak merits will I draw The smallest fear or doubt of her revolt, For she had eyes, and chose me.

And you shall speak In the same pulpit whereto I am going, After my speech is ended. ANTONY. Be it so; I do desire no more. BRUTUS. Prepare the body, then, and follow us. [_Exeunt all but Antony._] ANTONY. O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers. Thou art the ruins of the noblest man That ever lived in the tide of times. Woe to the hand that shed this costly blood! Over thy wounds now do I prophesy, Which, like dumb mouths do ope their ruby lips To beg the voice and utterance of my tongue, A curse shall light upon the limbs of men; Domestic fury and fierce civil strife Shall cumber all the parts of Italy; Blood and destruction shall be so in use, And dreadful objects so familiar, That mothers shall but smile when they behold Their infants quartered with the hands of war; All pity chok’d with custom of fell deeds: And Caesar’s spirit, ranging for revenge, With Ate by his side come hot from Hell, Shall in these confines with a monarch’s voice Cry havoc and let slip the dogs of war, That this foul deed shall smell above the earth With carrion men, groaning for burial. Enter a Servant. You serve Octavius Caesar, do you not? SERVANT. I do, Mark Antony. ANTONY. Caesar did write for him to come to Rome. SERVANT. He did receive his letters, and is coming, And bid me say to you by word of mouth,— [_Seeing the body._] O Caesar! ANTONY. Thy heart is big, get thee apart and weep. Passion, I see, is catching; for mine eyes, Seeing those beads of sorrow stand in thine, Began to water. Is thy master coming? SERVANT. He lies tonight within seven leagues of Rome. ANTONY. Post back with speed, and tell him what hath chanc’d. Here is a mourning Rome, a dangerous Rome, No Rome of safety for Octavius yet. Hie hence, and tell him so. Yet stay awhile; Thou shalt not back till I have borne this corse Into the market-place: there shall I try, In my oration, how the people take The cruel issue of these bloody men; According to the which thou shalt discourse To young Octavius of the state of things. Lend me your hand. [_Exeunt with Caesar’s body.

Time hath not yet so dried this blood of mine, Nor age so eat up my invention, Nor fortune made such havoc of my means, Nor my bad life reft me so much of friends, But they shall find, awak’d in such a kind, Both strength of limb and policy of mind, Ability in means and choice of friends, To quit me of them throughly. FRIAR. Pause awhile, And let my counsel sway you in this case. Your daughter here the princes left for dead; Let her awhile be secretly kept in, And publish it that she is dead indeed: Maintain a mourning ostentation; And on your family’s old monument Hang mournful epitaphs and do all rites That appertain unto a burial. LEONATO. What shall become of this? What will this do? FRIAR. Marry, this well carried shall on her behalf Change slander to remorse; that is some good. But not for that dream I on this strange course, But on this travail look for greater birth. She dying, as it must be so maintain’d, Upon the instant that she was accus’d, Shall be lamented, pitied and excus’d Of every hearer; for it so falls out That what we have we prize not to the worth Whiles we enjoy it, but being lack’d and lost, Why, then we rack the value, then we find The virtue that possession would not show us Whiles it was ours. So will it fare with Claudio: When he shall hear she died upon his words, The idea of her life shall sweetly creep Into his study of imagination, And every lovely organ of her life Shall come apparell’d in more precious habit, More moving, delicate, and full of life Into the eye and prospect of his soul, Than when she liv’d indeed: then shall he mourn,— If ever love had interest in his liver,— And wish he had not so accused her, No, though he thought his accusation true. Let this be so, and doubt not but success Will fashion the event in better shape Than I can lay it down in likelihood. But if all aim but this be levell’d false, The supposition of the lady’s death Will quench the wonder of her infamy: And if it sort not well, you may conceal her,— As best befits her wounded reputation,— In some reclusive and religious life, Out of all eyes, tongues, minds, and injuries. BENEDICK. Signior Leonato, let the friar advise you: And though you know my inwardness and love Is very much unto the Prince and Claudio, Yet, by mine honour, I will deal in this As secretly and justly as your soul Should with your body.

” Our castle’s strength Will laugh a siege to scorn: here let them lie Till famine and the ague eat them up. Were they not forc’d with those that should be ours, We might have met them dareful, beard to beard, And beat them backward home. [_A cry of women within._] What is that noise? SEYTON. It is the cry of women, my good lord. [_Exit._] MACBETH. I have almost forgot the taste of fears. The time has been, my senses would have cool’d To hear a night-shriek; and my fell of hair Would at a dismal treatise rouse and stir As life were in’t. I have supp’d full with horrors; Direness, familiar to my slaughterous thoughts, Cannot once start me. Enter Seyton. Wherefore was that cry? SEYTON. The Queen, my lord, is dead. MACBETH. She should have died hereafter. There would have been a time for such a word. Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life’s but a walking shadow; a poor player, That struts and frets his hour upon the stage, And then is heard no more: it is a tale Told by an idiot, full of sound and fury, Signifying nothing. Enter a Messenger. Thou com’st to use thy tongue; thy story quickly. MESSENGER. Gracious my lord, I should report that which I say I saw, But know not how to do’t. MACBETH. Well, say, sir. MESSENGER. As I did stand my watch upon the hill, I look’d toward Birnam, and anon, methought, The wood began to move. MACBETH. Liar, and slave! MESSENGER. Let me endure your wrath, if’t be not so. Within this three mile may you see it coming; I say, a moving grove. MACBETH. If thou speak’st false, Upon the next tree shalt thou hang alive, Till famine cling thee: if thy speech be sooth, I care not if thou dost for me as much.— I pull in resolution; and begin To doubt th’ equivocation of the fiend, That lies like truth. “Fear not, till Birnam wood Do come to Dunsinane;” and now a wood Comes toward Dunsinane.—Arm, arm, and out!— If this which he avouches does appear, There is nor flying hence nor tarrying here. I ’gin to be aweary of the sun, And wish th’ estate o’ th’ world were now undone.

You must needs have them with a codpiece, madam. JULIA. Out, out, Lucetta, that will be ill-favoured. LUCETTA. A round hose, madam, now’s not worth a pin Unless you have a codpiece to stick pins on. JULIA. Lucetta, as thou lov’st me, let me have What thou think’st meet and is most mannerly. But tell me, wench, how will the world repute me For undertaking so unstaid a journey? I fear me it will make me scandalized. LUCETTA. If you think so, then stay at home and go not. JULIA. Nay, that I will not. LUCETTA. Then never dream on infamy, but go. If Proteus like your journey when you come, No matter who’s displeased when you are gone. I fear me he will scarce be pleased withal. JULIA. That is the least, Lucetta, of my fear. A thousand oaths, an ocean of his tears, And instances of infinite of love, Warrant me welcome to my Proteus. LUCETTA. All these are servants to deceitful men. JULIA. Base men that use them to so base effect! But truer stars did govern Proteus’ birth. His words are bonds, his oaths are oracles, His love sincere, his thoughts immaculate, His tears pure messengers sent from his heart, His heart as far from fraud as heaven from earth. LUCETTA. Pray heav’n he prove so when you come to him. JULIA. Now, as thou lov’st me, do him not that wrong To bear a hard opinion of his truth. Only deserve my love by loving him. And presently go with me to my chamber To take a note of what I stand in need of To furnish me upon my longing journey. All that is mine I leave at thy dispose, My goods, my lands, my reputation; Only, in lieu thereof, dispatch me hence. Come, answer not, but to it presently. I am impatient of my tarriance. [_Exeunt._] ACT III SCENE I. Milan. An anteroom in the Duke’s palace Enter Duke, Thurio and Proteus. DUKE. Sir Thurio, give us leave, I pray, awhile; We have some secrets to confer about. [_Exit Thurio._] Now tell me, Proteus, what’s your will with me? PROTEUS. My gracious lord, that which I would discover The law of friendship bids me to conceal, But when I call to mind your gracious favours Done to me, undeserving as I am, My duty pricks me on to utter that Which else no worldly good should draw from me.

If that thy bent of love be honourable, Thy purpose marriage, send me word tomorrow, By one that I’ll procure to come to thee, Where and what time thou wilt perform the rite, And all my fortunes at thy foot I’ll lay And follow thee my lord throughout the world. NURSE. [_Within._] Madam. JULIET. I come, anon.— But if thou meanest not well, I do beseech thee,— NURSE. [_Within._] Madam. JULIET. By and by I come— To cease thy strife and leave me to my grief. Tomorrow will I send. ROMEO. So thrive my soul,— JULIET. A thousand times good night. [_Exit._] ROMEO. A thousand times the worse, to want thy light. Love goes toward love as schoolboys from their books, But love from love, towards school with heavy looks. [_Retiring slowly._] Re-enter Juliet, above. JULIET. Hist! Romeo, hist! O for a falconer’s voice To lure this tassel-gentle back again. Bondage is hoarse and may not speak aloud, Else would I tear the cave where Echo lies, And make her airy tongue more hoarse than mine With repetition of my Romeo’s name. ROMEO. It is my soul that calls upon my name. How silver-sweet sound lovers’ tongues by night, Like softest music to attending ears. JULIET. Romeo. ROMEO. My nyas? JULIET. What o’clock tomorrow Shall I send to thee? ROMEO. By the hour of nine. JULIET. I will not fail. ’Tis twenty years till then. I have forgot why I did call thee back. ROMEO. Let me stand here till thou remember it. JULIET. I shall forget, to have thee still stand there, Remembering how I love thy company. ROMEO. And I’ll still stay, to have thee still forget, Forgetting any other home but this. JULIET. ’Tis almost morning; I would have thee gone, And yet no farther than a wanton’s bird, That lets it hop a little from her hand, Like a poor prisoner in his twisted gyves, And with a silk thread plucks it back again, So loving-jealous of his liberty. ROMEO. I would I were thy bird. JULIET. Sweet, so would I: Yet I should kill thee with much cherishing. Good night, good night. Parting is such sweet sorrow That I shall say good night till it be morrow. [_Exit._] ROMEO. Sleep dwell upon thine eyes, peace in thy breast.

By heaven I love thee better than myself; For I come hither arm’d against myself. Stay not, be gone, live, and hereafter say, A madman’s mercy bid thee run away. PARIS. I do defy thy conjuration, And apprehend thee for a felon here. ROMEO. Wilt thou provoke me? Then have at thee, boy! [_They fight._] PAGE. O lord, they fight! I will go call the watch. [_Exit._] PARIS. O, I am slain! [_Falls._] If thou be merciful, Open the tomb, lay me with Juliet. [_Dies._] ROMEO. In faith, I will. Let me peruse this face. Mercutio’s kinsman, noble County Paris! What said my man, when my betossed soul Did not attend him as we rode? I think He told me Paris should have married Juliet. Said he not so? Or did I dream it so? Or am I mad, hearing him talk of Juliet, To think it was so? O, give me thy hand, One writ with me in sour misfortune’s book. I’ll bury thee in a triumphant grave. A grave? O no, a lantern, slaught’red youth, For here lies Juliet, and her beauty makes This vault a feasting presence full of light. Death, lie thou there, by a dead man interr’d. [_Laying Paris in the monument._] How oft when men are at the point of death Have they been merry! Which their keepers call A lightning before death. O, how may I Call this a lightning? O my love, my wife, Death that hath suck’d the honey of thy breath, Hath had no power yet upon thy beauty. Thou art not conquer’d. Beauty’s ensign yet Is crimson in thy lips and in thy cheeks, And death’s pale flag is not advanced there. Tybalt, liest thou there in thy bloody sheet? O, what more favour can I do to thee Than with that hand that cut thy youth in twain To sunder his that was thine enemy? Forgive me, cousin. Ah, dear Juliet, Why art thou yet so fair? Shall I believe That unsubstantial death is amorous; And that the lean abhorred monster keeps Thee here in dark to be his paramour? For fear of that I still will stay with thee, And never from this palace of dim night Depart again. Here, here will I remain With worms that are thy chambermaids.

The date is out of such prolixity: We’ll have no Cupid hoodwink’d with a scarf, Bearing a Tartar’s painted bow of lath, Scaring the ladies like a crow-keeper; Nor no without-book prologue, faintly spoke After the prompter, for our entrance: But let them measure us by what they will, We’ll measure them a measure, and be gone. ROMEO. Give me a torch, I am not for this ambling; Being but heavy I will bear the light. MERCUTIO. Nay, gentle Romeo, we must have you dance. ROMEO. Not I, believe me, you have dancing shoes, With nimble soles, I have a soul of lead So stakes me to the ground I cannot move. MERCUTIO. You are a lover, borrow Cupid’s wings, And soar with them above a common bound. ROMEO. I am too sore enpierced with his shaft To soar with his light feathers, and so bound, I cannot bound a pitch above dull woe. Under love’s heavy burden do I sink. MERCUTIO. And, to sink in it, should you burden love; Too great oppression for a tender thing. ROMEO. Is love a tender thing? It is too rough, Too rude, too boisterous; and it pricks like thorn. MERCUTIO. If love be rough with you, be rough with love; Prick love for pricking, and you beat love down. Give me a case to put my visage in: [_Putting on a mask._] A visor for a visor. What care I What curious eye doth quote deformities? Here are the beetle-brows shall blush for me. BENVOLIO. Come, knock and enter; and no sooner in But every man betake him to his legs. ROMEO. A torch for me: let wantons, light of heart, Tickle the senseless rushes with their heels; For I am proverb’d with a grandsire phrase, I’ll be a candle-holder and look on, The game was ne’er so fair, and I am done. MERCUTIO. Tut, dun’s the mouse, the constable’s own word: If thou art dun, we’ll draw thee from the mire Or save your reverence love, wherein thou stickest Up to the ears. Come, we burn daylight, ho. ROMEO. Nay, that’s not so. MERCUTIO. I mean sir, in delay We waste our lights in vain, light lights by day. Take our good meaning, for our judgment sits Five times in that ere once in our five wits.

brightness of her cheek would shame those stars, As daylight doth a lamp; her eyes in heaven Would through the airy region stream so bright That birds would sing and think it were not night. See how she leans her cheek upon her hand. O that I were a glove upon that hand, That I might touch that cheek. JULIET. Ay me. ROMEO. She speaks. O speak again bright angel, for thou art As glorious to this night, being o’er my head, As is a winged messenger of heaven Unto the white-upturned wondering eyes Of mortals that fall back to gaze on him When he bestrides the lazy-puffing clouds And sails upon the bosom of the air. JULIET. O Romeo, Romeo, wherefore art thou Romeo? Deny thy father and refuse thy name. Or if thou wilt not, be but sworn my love, And I’ll no longer be a Capulet. ROMEO. [_Aside._] Shall I hear more, or shall I speak at this? JULIET. ’Tis but thy name that is my enemy; Thou art thyself, though not a Montague. What’s Montague? It is nor hand nor foot, Nor arm, nor face, nor any other part Belonging to a man. O be some other name. What’s in a name? That which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call’d, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for thy name, which is no part of thee, Take all myself. ROMEO. I take thee at thy word. Call me but love, and I’ll be new baptis’d; Henceforth I never will be Romeo. JULIET. What man art thou that, thus bescreen’d in night So stumblest on my counsel? ROMEO. By a name I know not how to tell thee who I am: My name, dear saint, is hateful to myself, Because it is an enemy to thee. Had I it written, I would tear the word. JULIET. My ears have yet not drunk a hundred words Of thy tongue’s utterance, yet I know the sound. Art thou not Romeo, and a Montague? ROMEO. Neither, fair maid, if either thee dislike. JULIET. How cam’st thou hither, tell me, and wherefore? The orchard walls are high and hard to climb, And the place death, considering who thou art, If any of my kinsmen find thee here. ROMEO. With love’s light wings did I o’erperch these walls, For stony limits cannot hold love out, And what love can do, that dares love attempt: Therefore thy kinsmen are no stop to me.

Bondage is hoarse and may not speak aloud, Else would I tear the cave where Echo lies, And make her airy tongue more hoarse than mine With repetition of my Romeo’s name. ROMEO. It is my soul that calls upon my name. How silver-sweet sound lovers’ tongues by night, Like softest music to attending ears. JULIET. Romeo. ROMEO. My nyas? JULIET. What o’clock tomorrow Shall I send to thee? ROMEO. By the hour of nine. JULIET. I will not fail. ’Tis twenty years till then. I have forgot why I did call thee back. ROMEO. Let me stand here till thou remember it. JULIET. I shall forget, to have thee still stand there, Remembering how I love thy company. ROMEO. And I’ll still stay, to have thee still forget, Forgetting any other home but this. JULIET. ’Tis almost morning; I would have thee gone, And yet no farther than a wanton’s bird, That lets it hop a little from her hand, Like a poor prisoner in his twisted gyves, And with a silk thread plucks it back again, So loving-jealous of his liberty. ROMEO. I would I were thy bird. JULIET. Sweet, so would I: Yet I should kill thee with much cherishing. Good night, good night. Parting is such sweet sorrow That I shall say good night till it be morrow. [_Exit._] ROMEO. Sleep dwell upon thine eyes, peace in thy breast. Would I were sleep and peace, so sweet to rest. Hence will I to my ghostly Sire’s cell, His help to crave and my dear hap to tell. [_Exit._] SCENE III. Friar Lawrence’s Cell. Enter Friar Lawrence with a basket. FRIAR LAWRENCE. The grey-ey’d morn smiles on the frowning night, Chequering the eastern clouds with streaks of light; And fleckled darkness like a drunkard reels From forth day’s pathway, made by Titan’s fiery wheels Now, ere the sun advance his burning eye, The day to cheer, and night’s dank dew to dry, I must upfill this osier cage of ours With baleful weeds and precious-juiced flowers. The earth that’s nature’s mother, is her tomb; What is her burying grave, that is her womb: And from her womb children of divers kind We sucking on her natural bosom find. Many for many virtues excellent, None but for some, and yet all different. O, mickle is the powerful grace that lies In plants, herbs, stones, and their true qualities.

I tell you, he that can lay hold of her Shall have the chinks. ROMEO. Is she a Capulet? O dear account! My life is my foe’s debt. BENVOLIO. Away, be gone; the sport is at the best. ROMEO. Ay, so I fear; the more is my unrest. CAPULET. Nay, gentlemen, prepare not to be gone, We have a trifling foolish banquet towards. Is it e’en so? Why then, I thank you all; I thank you, honest gentlemen; good night. More torches here! Come on then, let’s to bed. Ah, sirrah, by my fay, it waxes late, I’ll to my rest. [_Exeunt all but Juliet and Nurse._] JULIET. Come hither, Nurse. What is yond gentleman? NURSE. The son and heir of old Tiberio. JULIET. What’s he that now is going out of door? NURSE. Marry, that I think be young Petruchio. JULIET. What’s he that follows here, that would not dance? NURSE. I know not. JULIET. Go ask his name. If he be married, My grave is like to be my wedding bed. NURSE. His name is Romeo, and a Montague, The only son of your great enemy. JULIET. My only love sprung from my only hate! Too early seen unknown, and known too late! Prodigious birth of love it is to me, That I must love a loathed enemy. NURSE. What’s this? What’s this? JULIET. A rhyme I learn’d even now Of one I danc’d withal. [_One calls within, ‘Juliet’._] NURSE. Anon, anon! Come let’s away, the strangers all are gone. [_Exeunt._] ACT II Enter Chorus. CHORUS. Now old desire doth in his deathbed lie, And young affection gapes to be his heir; That fair for which love groan’d for and would die, With tender Juliet match’d, is now not fair. Now Romeo is belov’d, and loves again, Alike bewitched by the charm of looks; But to his foe suppos’d he must complain, And she steal love’s sweet bait from fearful hooks: Being held a foe, he may not have access To breathe such vows as lovers use to swear; And she as much in love, her means much less To meet her new beloved anywhere. But passion lends them power, time means, to meet, Tempering extremities with extreme sweet. [_Exit._] SCENE I. An open place adjoining Capulet’s Garden.