You have to respect who the character is. It has its own internal truth, and you cant betray that. And if you dont betray that, it will not betray you.
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Spielberg read the Understudy and decided that was the voice he wanted to write Smash. He wanted a story that had humanity and humor and high-stakes dreams.
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Its one of the central problems of American culture: telling you if youre younger, more beautiful, more famous, whatever, that then youll be happy.
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I remember when I was at Brandeis, Geoffrey Wolff, he was a great fiction-writing teacher. He was the writer-in-residence, and for those of us who wanted to be writers, you were so excited to be in the same hallway as him.
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The movies are all about visual, and television is all about character and dialogue.
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