Quotes by Romain Rolland

In the great, dusty street, shaken by the wheels of the heavy autobusses, she was wandering in her thought under the vaults of the forest in that Burgundian countryside where she had spent her happy childhood, and her nostrils caught the odor of bark and moss. She was walking over the fallen autumn leaves. A rain-laden wind swept through the stripped branches, brushing her cheek with its damp wing; a bird's song flowed magically through the silence; the rain-laden wind passed her. . . . Through these woods the young Annette passed also with her weeping lover, and there was the hawthorne hedge, there were the bees about the abandoned house. . . . Joys and sorrows. . . . So far away! She smiled at her own youthful image to which suffering was still so new. . . . "Wait, my poor Annette, you are only at the beginning. . . ." "Do you regret nothing?" "Nothing!" "Neither what you have done nor what you have failed to do?" "Nothing, deceitful spirit! Were you trying to spy out my regrets? You will find that your labor is lost! I accept everything, everything I have had and everything I have not had, my whole lot, wise and foolish. Everything has been as it should have been, the wise and the foolish. One makes mistakes: that is life. But it is never quite a mistake to have loved. Although age is overtaking me, my heart, at least, has no wrinkles. And although it has suffered, it is happy to have loved." And her grateful mind turned, with a smile, to those whom she had loved. There was much tenderness in this smile and not a little French irony. Touched as she was at the thought of them, Annette perceived, curiously enough, the ridiculous side of all these torments, her own and those of others . . . that pitiful fever of desire and waiting! For what was she waiting? An end of love, for herself. For the others, too, in their turn! She saw the others, her son, with his burning hands, quivering to grasp the uncertain future; Philippe, dissatisfied with the commonplace food that society offered his devouring hunger; Sylvie, trying to forget and looking to the future that would fill the gaping emptiness of her heart; the multitude of ordinary people yawning over the boredom of their life; and youth, restless youth, wandering and waiting. . . .

No doubt that was all the better for them! Christophe had no desire to make them understand. He did not ask others to confirm his ideas by thinking as he did: he was sure of his own thoughts. He asked them to let him know their thoughts, and to love their souls. He asked always to know and to love more, to see and to learn how to see. He had reached the point not only of admitting in others tendencies of mind that he had once combated, but also of rejoicing in them, for they seemed to him to contribute to the fecundity of the universe. He loved Georges the more because he did not take life tragically, as he did. Humanity would be too poor and too gray in color if it were to be uniformly clad in the moral seriousness, and the heroic restraint with which Christophe was armed. Humanity needed joy, carelessness, irreverent audacity in face of its idols, all its idols, even the most holy. Long live "the Gallic salt which revives the world"! Skepticism and faith are no less necessary. Skepticism, riddling the faith of yesterday, prepares the way for the faith of to-morrow.... How clear everything becomes to the man who stands away from life, and, as in a fine picture, sees the contrasting colors merge into a magical harmony, where, when they were closely seen, they clashed. Christophe's eyes had been opened to the infinite variety of the material, as of the moral, world. It had been one of his greatest conquests since his first visit to Italy. In Paris he especially sought the company of painters and sculptors; it seemed to him that the best of the French genius was in them. The triumphant audacity with which they pursued and captured movement, vibrant color, and tore away the veils that cover life, made his heart leap with delight. The inexhaustible riches that he who has eyes to see can find in a drop of light, a second of life! Against such sovereign delights of the mind what matters the vain tumult of dispute and war?... But dispute and war also are a part of the marvelous spectacle. We must embrace everything, and, valiantly, joyously, fling into the crucible of our burning hearts both the forces of denial and the forces of affirmation, enemies and friends, the whole metal of life.

Have you any idea how many wretched beings have been sustained in their suffering by the beauty of an idea, by a winged song? Every man to his own trade! You French people, like the generous scatterbrains that you are, are always the first to protest against the injustice of, say, Spain or Russia, without knowing what it is all about. I love you for it. But do you think you are helping things along? You rush at it and bungle it and the result is nil,--if not worse.... And, look you, your art has never been more weak and emaciated than now, when your artists claim to be taking part in the activities of the world. It is the strangest thing to see so many little writers and artists, all dilettante and rather dishonest, daring to set themselves up as apostles! They would do much better if they were to give the people wine to drink that was not so adulterated.--My first duty is to do whatever I am doing well, and to give you healthy music which shall set new blood coursing in your veins and let the sun shine in upon you." * * * * * If a man is to shed the light of the sun upon other men, he must first of all have it within himself. Olivier had none of it. Like the best man of to-day, he was not strong enough to radiate force by himself. But in unison with others he might have been able to do so. But with whom could he unite? He was free in mind and at heart religious, and he was rejected by every party political and religious. They were all intolerant and narrow and were continually at rivalry. Whenever they came into power they abused it. Only the weak and the oppressed attracted Olivier. In this at least he agreed with Christophe's opinion, that before setting out to combat injustice in distant lands, it were as well to fight injustice close at hand, injustice everywhere about, injustice for which each and every man is more or less responsible. There are only too many people who are quite satisfied with protesting against the evil wrought by others, without ever thinking of the evil that they do themselves. At first he turned his attention to the relief of the poor. His friend, Madame Arnaud, helped to administer a charity.

turning the head of one of his pupils among the people of the town, should suddenly have chosen a girl of the people--poor, uneducated, without beauty, a girl who could in no way advance his career. But Melchior was one of those men who always do the opposite of what is expected of them and of what they expect of themselves. It is not that they are not warned--a man who is warned is worth two men, says the proverb. They profess never to be the dupe of anything, and that they steer their ship with unerring hand towards a definite point. But they reckon without themselves, for they do not know themselves. In one of those moments of forgetfulness which are habitual with them they let go the tiller, and, as is natural when things are left to themselves, they take a naughty pleasure in rounding on their masters. The ship which is released from its course at once strikes a rock, and Melchior, bent upon intrigue, married a cook. And yet he was neither drunk nor in a stupor on the day when he bound himself to her for life, and he was not under any passionate impulse; far from it. But perhaps there are in us forces other than mind and heart, other even than the senses--mysterious forces which take hold of us in the moments when the others are asleep; and perhaps it was such forces that Melchior had found in the depths of those pale eyes which had looked at him so timidly one evening when he had accosted the girl on the bank of the river, and had sat down beside her in the reeds--without knowing why--and had given her his hand. Hardly was he married than he was appalled by what he had done, and he did not hide what he felt from poor Louisa, who humbly asked his pardon. He was not a bad fellow, and he willingly granted her that; but immediately remorse would seize him again when he was with his friends or in the houses of his rich pupils, who were disdainful in their treatment of him, and no longer trembled at the touch of his hand when he corrected the position of their fingers on the keyboard. Then he would return gloomy of countenance, and Louisa, with a catch at her heart, would read in it with the first glance the customary reproach; or he would stay out late at one inn or another, there to seek self-respect or kindliness from others. On such evenings he would return shouting with laughter, and this was more doleful for Louisa than the hidden reproach and gloomy rancor that prevailed on other days. She felt that she was to a certain extent responsible for the fits of madness in which the small remnant of her husband's sense would disappear, together with the household money.