“There is nothing that makes its way more directly into the soul than beauty.”
It is this that recommends
Variety, where the Mind is every Instant called off to something new,
and the Attention not suffered to dwell too long, and waste it self on
any particular Object. It is this, likewise, that improves what is great
or beautiful, and make it afford the Mind a double Entertainment.
Groves, Fields, and Meadows, are at any Season of the Year pleasant to
look upon, but never so much as in the Opening of the Spring, when they
are all new and fresh, with their first Gloss upon them, and not yet too
much accustomed and familiar to the Eye. For this Reason there is
nothing that more enlivens a Prospect than Rivers, Jetteaus, or Falls of
Water, where the Scene is perpetually shifting, and entertaining the
Sight every Moment with something that is new. We are quickly tired with
looking upon Hills and Vallies, where every thing continues fixed and
settled in the same Place and Posture, but find our Thoughts a little
agitated and relieved at the Sight of such Objects as are ever in
Motion, and sliding away from beneath the Eye of the Beholder.
But there is nothing that makes its Way more directly to the Soul than
Beauty, which immediately diffuses a secret Satisfaction and Complacency
through the Imagination, and gives a Finishing to any thing that is
Great or Uncommon. The very first Discovery of it strikes the Mind with
an inward Joy, and spreads a Chearfulness and Delight through all its
Faculties. There is not perhaps any real Beauty or Deformity more in one
Piece of Matter than another, because we might have been so made, that
whatsoever now appears loathsome to us, might have shewn it self
agreeable; but we find by Experience, that there are several
Modifications of Matter which the Mind, without any previous
Consideration, pronounces at first sight Beautiful or Deformed. Thus we
see that every different Species of sensible Creatures has its different
Notions of Beauty, and that each of them is most affected with the
Beauties of its own Kind. This is no where more remarkable than in Birds
of the same Shape and Proportion, where we often see the Male determined
in his Courtship by the single Grain or Tincture of a Feather, and never
discovering any Charms but in the Colour of its Species.
“Books are the legacies that a great genius leaves to mankind, which are delivered down from generation to generation as presents to the posterity of those who are yet unborn.”
Aristotle tells us that the World is a Copy or Transcript of those Ideas
which are in the Mind of the first Being, and that those Ideas, which
are in the Mind of Man, are a Transcript of the World: To this we may
add, that Words are the Transcript of those Ideas which are in the Mind
of Man, and that Writing or Printing are the Transcript of words.
As the Supreme Being has expressed, and as it were printed his Ideas in
the Creation, Men express their Ideas in Books, which by this great
Invention of these latter Ages may last as long as the Sun and Moon, and
perish only in the general Wreck of Nature. Thus _Cowley_ in his Poem on
the Resurrection, mentioning the Destruction of the Universe, has those
admirable Lines.
'_Now all the wide extended Sky,
And all th' harmonious Worlds on high,
And_ Virgil's _sacred Work shall die_.'
There is no other Method of fixing those Thoughts which arise and
disappear in the Mind of Man, and transmitting them to the last Periods
of Time; no other Method of giving a Permanency to our Ideas, and
preserving the Knowledge of any particular Person, when his Body is
mixed with the common Mass of Matter, and his Soul retired into the
World of Spirits. Books are the Legacies that a great Genius leaves to
Mankind, which are delivered down from Generation to Generation, as
Presents to the Posterity of those who are yet unborn.
All other Arts of perpetuating our Ideas continue but a short Time:
Statues can last but a few Thousands of Years, Edifices fewer, and
Colours still fewer than Edifices. _Michael Angelo_, _Fontana_, and
_Raphael_, will hereafter be what _Phidias_, _Vitruvius_, and _Apelles_
are at present; the Names of great Statuaries, Architects and Painters,
whose Works are lost. The several Arts are expressed in mouldring
Materials: Nature sinks under them, and is not able to support the Ideas
which are imprest upon it.
The Circumstance which gives Authors an Advantage above all these great
Masters, is this, that they can multiply their Originals; or rather can
make Copies of their Works, to what Number they please, which shall be
as valuable as the Originals themselves. This gives a great Author
something like a Prospect of Eternity, but at the same time deprives him
of those other Advantages which Artists meet with. The Artist finds
greater Returns in Profit, as the Author in Fame.
“Sunday clears away the rust of the whole week.”
Here we were called to dinner, and Sir Roger ended the discourse of
this gentleman, by telling me, as we followed the servant, that this his
ancestor was a brave man, and narrowly escaped being killed in the
civil wars; "For," said he, "he was sent out of the field upon a private
message, the day before the battle of Worcester." The whim of narrowly
escaping by having been within a day of danger, with other matters above
mentioned, mixed with good sense, left me at a loss whether I was more
delighted with my friend's wisdom or simplicity.
A COUNTRY SUNDAY.
I am always very well pleased with a country Sunday, and think, if
keeping holy the seventh day were only a human institution, it would be
the best method that could have been thought of for the polishing and
civilizing of mankind. It is certain the country people would soon
degenerate into a kind of savages and barbarians, were there not such
frequent returns of a stated time, in which the whole village meet
together with their best faces, and in their cleanliest habits, to
converse with one another upon indifferent subjects, hear their duties
explained to them, and join together in adoration of the Supreme Being.
Sunday clears away the rust of the whole week, not only as it refreshes
in their minds the notions of religion, but as it puts both the sexes
upon appearing in their most agreeable forms, and exerting all such
qualities as are apt to give them a figure in the eye of the village.
A country-fellow distinguishes himself as much in the Church-yard, as a
citizen does upon the Change, the whole parish-politicks being generally
discussed in that place either after sermon or before the bell rings.
My friend Sir Roger, being a good churchman, has beautified the inside
of his church with several texts of his own choosing. He has likewise
given a handsome pulpit-cloth, and railed in the communion-table at his
own expense. He has often told me, that at his coming to his estate he
found his parishioners very irregular; and that in order to make them
kneel and join in their responses, he gave every one of them a hassock
and a common prayer-book: and at the same time employed an itinerant
singing-master, who goes about the country for that purpose, to instruct
them rightly in the tunes of the psalms; upon which they now very much
value themselves, and indeed outdo most of the country churches that I
have ever heard.
“Men may change their climate, but they cannot change their nature. A man that goes out a fool cannot ride or sail himself into common sense.”
I believe you will think the
style of this letter a little extraordinary; but the 'Rehearsal'
will tell you, that people in clouds must not be confined to speak
sense;[276] and I hope we that are above them may claim the same
privilege. Wherever I am, I shall always be,
"Sir,
Your most obedient,
Most humble Servant."
I think they ought, in those parts where the materials are so easy
to work, and at the same time so durable, when any one of their
heroes comes home from the wars, to erect his statue in snow upon the
mountains, there to remain from generation to generation. A gentleman
who is apt to expatiate upon any hint, took this occasion to deliver
his opinion upon our ordinary method of sending young gentlemen to
travel for their education. "It is certain," said he, "if gentlemen
travel at an age proper for them, during the course of their voyages,
their accounts to their friends, and after their return, their
discourses and conversations, will have in them something above what
we can meet with from those who have not had those advantages. At the
same time it is to be observed, that every temper and genius is not
qualified for this way of improvement. Men may change their climate,
but they cannot their nature. A man that goes out a fool, cannot ride
or sail himself into common-sense. Therefore let me but walk over
London Bridge with a young man, and I'll tell you infallibly whether
going over the Rialto at Venice will make him wiser. It is not to be
imagined how many I have saved in my time from banishment, by letting
their parents know they were good for nothing. But this is to be done
with much tenderness. There is my cousin Harry has a son, who is the
dullest mortal that was ever born into our house. He had got his trunk
and his books all packed up to be transported into foreign parts,
for no reason but because the boy never talked; and his father said
he wanted to know the world. I could not say to a fond parent, that
the boy was dull; but looked grave, and told him, the youth was very
thoughtful, and I feared he might have some doubts about religion,
with which it was not proper to go into Roman Catholic countries. He
is accordingly kept here till he declares himself upon some points,
which I am sure he will never think of. By this means, I have prevented
the dishonour of having a fool of our house laughed at in all parts
of Europe.
“Admiration is a very short-lived passion that immediately decays upon growing familiar with its object, unless it be still fed with fresh discoveries, and kept alive by a perpetual succession of miracles rising into view.”
The smaller Stains and Blemishes may die away and disappear amidst the
Brightness that surrounds them; but a Blot of a deeper Nature casts a
Shade on all the other Beauties, and darkens the whole Character. How
difficult therefore is it to preserve a great Name, when he that has
acquired it is so obnoxious to such little Weaknesses and Infirmities as
are no small Diminution to it when discovered, especially when they are
so industriously proclaimed, and aggravated by such as were once his
Superiors or Equals; by such as would set to show their Judgment or
their Wit, and by such as are guilty or innocent of the same Slips or
Misconducts in their own Behaviour?
But were there none of these Dispositions in others to censure a famous
Man, nor any such Miscarriages in himself, yet would he meet with no
small Trouble in keeping up his Reputation in all its Height and
Splendour. There must be always a noble Train of Actions to preserve his
Fame in Life and Motion. For when it is once at a Stand, it naturally
flags and languishes. Admiration is a very short-liv'd Passion, that
immediately decays upon growing familiar with its Object, unless it be
still fed with fresh Discoveries, and kept alive by a new perpetual
Succession of Miracles rising up to its View. And even the greatest
Actions of a celebrated [Person [2]] labour under this Disadvantage,
that however surprising and extraordinary they may be, they are no more
than what are expected from him; but on the contrary, if they fall any
thing below the Opinion that is conceived of him, tho they might raise
the Reputation of another, they are a Diminution to _his_.
One would think there should be something wonderfully pleasing in the
Possession of Fame, that, notwithstanding all these mortifying
Considerations, can engage a Man in so desperate a Pursuit; and yet if
we consider the little Happiness that attends a great Character, and the
Multitude of Disquietudes to which the Desire of it subjects an
ambitious Mind, one would be still the more surprised to see so many
restless Candidates for Glory.
Ambition raises a secret Tumult in the Soul, it inflames the Mind, and
puts it into a violent Hurry of Thought: It is still reaching after an
empty imaginary Good, that has not in it the Power to abate or satisfy
it.
“Admiration is a very short-lived passion, that immediately decays upon growing familiar with its object.”
The smaller Stains and Blemishes may die away and disappear amidst the
Brightness that surrounds them; but a Blot of a deeper Nature casts a
Shade on all the other Beauties, and darkens the whole Character. How
difficult therefore is it to preserve a great Name, when he that has
acquired it is so obnoxious to such little Weaknesses and Infirmities as
are no small Diminution to it when discovered, especially when they are
so industriously proclaimed, and aggravated by such as were once his
Superiors or Equals; by such as would set to show their Judgment or
their Wit, and by such as are guilty or innocent of the same Slips or
Misconducts in their own Behaviour?
But were there none of these Dispositions in others to censure a famous
Man, nor any such Miscarriages in himself, yet would he meet with no
small Trouble in keeping up his Reputation in all its Height and
Splendour. There must be always a noble Train of Actions to preserve his
Fame in Life and Motion. For when it is once at a Stand, it naturally
flags and languishes. Admiration is a very short-liv'd Passion, that
immediately decays upon growing familiar with its Object, unless it be
still fed with fresh Discoveries, and kept alive by a new perpetual
Succession of Miracles rising up to its View. And even the greatest
Actions of a celebrated [Person [2]] labour under this Disadvantage,
that however surprising and extraordinary they may be, they are no more
than what are expected from him; but on the contrary, if they fall any
thing below the Opinion that is conceived of him, tho they might raise
the Reputation of another, they are a Diminution to _his_.
One would think there should be something wonderfully pleasing in the
Possession of Fame, that, notwithstanding all these mortifying
Considerations, can engage a Man in so desperate a Pursuit; and yet if
we consider the little Happiness that attends a great Character, and the
Multitude of Disquietudes to which the Desire of it subjects an
ambitious Mind, one would be still the more surprised to see so many
restless Candidates for Glory.
Ambition raises a secret Tumult in the Soul, it inflames the Mind, and
puts it into a violent Hurry of Thought: It is still reaching after an
empty imaginary Good, that has not in it the Power to abate or satisfy
it.
“Mirth is like a flash of lightning, that breaks through a gloom of clouds, and glitters for a moment; cheerfulness keeps up a kind of daylight in the mind, and fills it with a steady and perpetual serenity.”
You were so
kind to recommend the Boys to the charitable World, and the other Sex
hope you will do them the same Favour in Friday's Spectator for Sunday
next, when they are to appear with their humble Airs at the Parish
Church of St. Bride's. Sir, the Mention of this may possibly be
serviceable to the Children; and sure no one will omit a good Action
attended with no Expence.
I am, SIR, Your very humble Servant,
The Sexton.
T.
* * * * *
No. 381. Saturday, May 17, 1712. Addison.
'Æquam memento rebus in arduis,
Servare mentem, non secùs in bonis
Ab insolenti temperatam
Lætitiâ, moriture Deli.'
Hor.
I have always preferred Chearfulness to Mirth. The latter, I consider as
an Act, the former as an Habit of the Mind. Mirth is short and
transient. Chearfulness fixed and permanent. Those are often raised into
the greatest Transports of Mirth, who are subject to the greatest
Depressions of Melancholy: On the contrary, Chearfulness, tho' it does
not give the Mind such an exquisite Gladness, prevents us from falling
into any Depths of Sorrow. Mirth is like a Flash of Lightning, that
breaks thro a Gloom of Clouds, and glitters for a Moment; Chearfulness
keeps up a kind of Day-light in the Mind, and fills it with a steady and
perpetual Serenity.
Men of austere Principles look upon Mirth as too wanton and dissolute
for a State of Probation, and as filled with a certain Triumph and
Insolence of Heart, that is inconsistent with a Life which is every
Moment obnoxious to the greatest Dangers. Writers of this Complexion
have observed, that the sacred Person who was the great Pattern of
Perfection was never seen to Laugh.
Chearfulness of Mind is not liable to any of these Exceptions; it is of
a serious and composed Nature, it does not throw the Mind into a
Condition improper for the present State of Humanity, and is very
conspicuous in the Characters of those who are looked upon as the
greatest Philosophers among the Heathens, as well as among those who
have been deservedly esteemed as Saints and Holy Men among Christians.
If we consider Chearfulness in three Lights, with regard to our selves,
to those we converse with, and to the great Author of our Being, it will
not a little recommend it self on each of these Accounts.
“The most violent appetites in all creatures are lust and hunger; the first is a perpetual call upon them to propagate their kind, the latter to preserve themselves.”
He has caught me twice or thrice looking
after a bird's nest, and several times sitting an hour or two together
near an hen and chickens. He tells me he believes I am personally
acquainted with every fowl about his house; calls such a particular cock
my favourite, and frequently complains that his ducks and geese have
more of my company than himself.
I must confess I am infinitely delighted with those speculations of
nature which are to be made in a country-life; and as my reading has
very much lain among books of natural history, I cannot forbear
recollecting upon this occasion the several remarks which I have met
with in authors, and comparing them with what falls under my own
observation: The argument for providence drawn from the natural history
of animals being in my opinion demonstrative.
The make of every kind of animal is different from that of every other
kind; and yet there is not the least turn in the muscles or twist in the
fibres of any one, which does not render them more proper for that
particular animal's way of life than any other cast or texture of them
would have been.
The most violent appetites in all creatures are _Lust_ and
_Hunger_: The first is a perpetual call upon them to propagate
their kind; the latter to preserve themselves.
It is astonishing to consider the different degrees of care that descend
from the parent to the young, so far as is absolutely necessary for the
leaving a posterity. Some creatures cast their eggs as chance directs
them, and think of them no farther, as insects and several kinds of
fish; others, of a nicer frame, find out proper beds to deposite them
in, and there leave them; as the serpent, the crocodile, and ostrich:
Others hatch their eggs, and tend the birth, till it is able to shift
for itself.
What can we call the principle which directs every different kind of
bird to observe a particular plan in the structure of its nest, and
direct all the same species to work after the same model? It cannot be
_Imitation_; for, though you hatch a crow under a hen, and never
let it see any of the works of its own kind, the nest it makes shall be
the same, to the laying of a stick, with all the other nests of the same
species. It cannot be _reason_; for, were animals indued with it to
as great a degree as man, their buildings would be as different as ours,
according to the different conveniencies that they would propose to
themselves.
“Good nature is more agreeable in conversation than wit, and gives a certain air to the countenance which is more amiable than beauty”
His manner of life was this: to bear with everybody's humours; to
comply with the inclinations and pursuits of those he conversed with;
to contradict nobody; never to assume a superiority over others. This
is the ready way to gain applause without exciting envy.
Man is subject to innumerable pains and sorrows by the very condition of
humanity, and yet, as if Nature had not sown evils enough in life, we are
continually adding grief to grief, and aggravating the common calamity by
our cruel treatment of one another. Every man's natural weight of
affliction is still made more heavy by the envy, malice, treachery, or
injustice of his neighbour. At the same time that the storm beats on the
whole species, we are falling foul upon one another.
Half the misery of human life might be extinguished, would men alleviate
the general curse they lie under, by mutual offices of compassion,
benevolence, and humanity. There is nothing, therefore, which we ought
more to encourage in ourselves and others, than that disposition of mind
which in our language goes under the title of good nature, and which I
shall choose for the subject of this day's speculation.
Good-nature is more agreeable in conversation than wit, and gives a
certain air to the countenance which is more amiable than beauty. It
shows virtue in the fairest light, takes off in some measure from the
deformity of vice, and makes even folly and impertinence supportable.
There is no society or conversation to be kept up in the world without
good nature, or something which must bear its appearance, and supply its
place. For this reason, mankind have been forced to invent a kind of
artificial humanity, which is what we express by the word good-breeding.
For if we examine thoroughly the idea of what we call so, we shall find
it to be nothing else but an imitation and mimicry of good nature, or, in
other terms, affability, complaisance, and easiness of temper, reduced
into an art. These exterior shows and appearances of humanity render a
man wonderfully popular and beloved, when they are founded upon a real
good nature; but, without it, are like hypocrisy in religion, or a bare
form of holiness, which, when it is discovered, makes a man more
detestable than professed impiety.
Good-nature is generally born with us: health, prosperity, and kind
treatment from the world, are great cherishers of it where they find it;
but nothing is capable of forcing it up, where it does not grow of
itself.
“Modesty is not only an ornament, but also a guard to virtue”
It is indeed a kind of
Deference which is due to a great Assembly, and seldom fails to raise a
Benevolence in the Audience towards the Person who speaks. My
Correspondent has taken notice that the bravest Men often appear
timorous on these Occasions, as indeed we may observe, that there is
generally no Creature more impudent than a Coward.
--_Linguá melior, sedfrigida bello
Dextera_--
A bold Tongue and a feeble Arm are the Qualifications of _Drances_ in
_Virgil_; as _Homer_, to express a Man both timorous and sawcy, makes
use of a kind of Point, which is very rarely to be met with in his
Writings; namely, that he had the Eyes of a Dog, but the Heart of a
Deer. [3]
A just and reasonable Modesty does not only recommend Eloquence, but
sets off every great Talent which a Man can be possessed of. It
heightens all the Virtues which it accompanies like the Shades in
Paintings, it raises and rounds every Figure, and makes the Colours more
beautiful, though not so glaring as they would be without it.
Modesty is not only an Ornament, but also a Guard to Virtue. It is a
kind of quick and delicate _Feeling_ in the Soul, which makes her shrink
and withdraw her self from every thing that has Danger in it. It is such
an exquisite Sensibility, as warns her to shun the first Appearance of
every thing which is hurtful.
I cannot at present recollect either the Place or Time of what I am
going to mention; but I have read somewhere in the History of Ancient
_Greece_, that the Women of the Country were seized with an
unaccountable Melancholy, which disposed several of them to make away
with themselves. The Senate, after having tried many Expedients to
prevent this Self-Murder, which was so frequent among them, published an
Edict, That if any Woman whatever should lay violent Hands upon her
self, her Corps should be exposed naked in the Street, and dragged about
the City in the most publick Manner. This Edict immediately put a Stop
to the Practice which was before so common. We may see in this Instance
the Strength of Female Modesty, which was able to overcome the Violence
even of Madness and Despair.
“A true critic ought to dwell upon excellencies rather than imperfections, to discover the concealed beauties of a writer, and communicate to the world such things as are worth their observation.”
The Truth of it is, there is nothing more absurd, than for a Man to set
up for a Critick, without a good Insight into all the Parts of Learning;
whereas many of those who have endeavoured to signalize themselves by
Works of this Nature among our English Writers, are not only defective
in the above-mentioned Particulars, but plainly discover, by the Phrases
which they make use of, and by their confused way of thinking, that they
are not acquainted with the most common and ordinary Systems of Arts and
Sciences. A few general Rules extracted out of the French Authors, [2]
with a certain Cant of Words, has sometimes set up an Illiterate heavy
Writer for a most judicious and formidable Critick.
One great Mark, by which you may discover a Critick who has neither
Taste nor Learning, is this, that he seldom ventures to praise any
Passage in an Author which has not been before received and applauded by
the Publick, and that his Criticism turns wholly upon little Faults and
Errors. This part of a Critick is so very easie to succeed in, that we
find every ordinary Reader, upon the publishing of a new Poem, has Wit
and Ill-nature enough to turn several Passages of it into Ridicule, and
very often in the right Place. This Mr. Dryden has very agreeably
remarked in those two celebrated Lines,
Errors, like Straws, upon the Surface flow;
He who would search for Pearls must dive below. [3]
A true Critick ought to dwell rather upon Excellencies than
Imperfections, to discover the concealed Beauties of a Writer, and
communicate to the World such things as are worth their Observation. The
most exquisite Words and finest Strokes of an Author are those which
very often appear the most doubtful and exceptionable to a Man who wants
a Relish for polite Learning; and they are these, which a sower
undistinguishing Critick generally attacks with the greatest Violence.
Tully observes, that it is very easie to brand or fix a Mark upon what
he calls Verbum ardens, [4] or, as it may be rendered into English, a
glowing bold Expression, and to turn it into Ridicule by a cold
ill-natured Criticism. A little Wit is equally capable of exposing a
Beauty, and of aggravating a Fault; and though such a Treatment of an
Author naturally produces Indignation in the Mind of an understanding
Reader, it has however its Effect among the Generality of those whose
Hands it falls into, the Rabble of Mankind being very apt to think that
every thing which is laughed at with any Mixture of Wit, is ridiculous
in it self.
Such a Mirth as this is always unseasonable in a Critick, as it rather
prejudices the Reader than convinces him, and is capable of making a
Beauty, as well as a Blemish, the Subject of Derision.
“The friendships of the world are oft confederacies in vice, or leagues of pleasures”
Within an hour they'll storm the senate house.
_Syph._ Meanwhile I'll draw up my Numidian troops
Within the square, to exercise their arms,
And, as I see occasion, favour thee.
I laugh, to see how your unshaken Cato
Will look aghast, while unforeseen destruction
Pours in upon him thus from every side.
So, where our wide Numidian wastes extend,
Sudden th' impetuous hurricanes descend,
Wheel through the air, in circling eddies play,
Tear up the sands, and sweep whole plains away.
The helpless traveller, with wild surprise,
Sees the dry desert all around him rise,
And, smother'd in the dusty whirlwind, dies. [_Exeunt._
ACT THE THIRD.
SCENE I.
_A Chamber._
_Enter_ MARCUS _and_ PORTIUS.
_Marc._ Thanks to my stars, I have not ranged about
The wilds of life, ere I could find a friend;
Nature first pointed out my Portius to me,
And early taught me, by her secret force,
To love thy person, ere I knew thy merit,
Till what was instinct, grew up into friendship.
_Por._ Marcus, the friendships of the world are oft
Confed'racies in vice, or leagues of pleasure;
Ours has severest virtue for its basis,
And such a friendship ends not but with life.
_Marc._ Portius, thou know'st my soul in all its weakness;
Then, pr'ythee, spare me on its tender side;
Indulge me but in love, my other passions
Shall rise and fall by virtue's nicest rules.
_Por._ When love's well-timed, 'tis not a fault to love.
The strong, the brave, the virtuous, and the wise,
Sink in the soft captivity together.
_Marc._ Alas, thou talk'st like one that never felt
Th' impatient throbs and longings of a soul,
That pants and reaches after distant good!
A lover does not live by vulgar time;
Believe me, Portius, in my Lucia's absence
Life hangs upon me, and becomes a burden;
And yet, when I behold the charming maid,
I'm ten times more undone; while hope and fear,
And grief and rage, and love, rise up at once,
And with variety of pain distract me.
_Por._ What can thy Portius do to give thee help?
_Marc._ Portius, thou oft enjoy'st the fair one's presence;
Then undertake my cause, and plead it to her
With all the strength and heat of eloquence
Fraternal love and friendship can inspire.
“Nothing is more amiable than true modesty, and nothing more contemptible than the false”
I could not Smile at the Account that was Yesterday given me of a modest
young Gentleman, who being invited to an Entertainment, though he was
not used to drink, had not the Confidence to refuse his Glass in his
Turn, when on a sudden he grew so flustered that he took all the Talk of
the Table into his own Hands, abused every one of the Company, and flung
a Bottle at the Gentleman's Head who treated him. This has given me
Occasion to reflect upon the ill Effects of a vicious Modesty, and to
remember the Saying of _Brutus_, as it is quoted by _Plutarch_, that
_the Person has had but an ill Education, who has not been taught to
deny any thing_. This false kind of Modesty has, perhaps, betrayed both
Sexes into as many Vices as the most abandoned Impudence, and is the
more inexcusable to Reason, because it acts to gratify others rather
than it self, and is punished with a kind of Remorse, not only like
other vicious Habits when the Crime is over, but even at the very time
that it is committed.
Nothing is more amiable than true Modesty, and nothing is more
contemptible than the false. The one guards Virtue, the other betrays
it. True Modesty is ashamed to do any thing that is repugnant to the
Rules of right Reason: False Modesty is ashamed to do any thing that is
opposite to the Humour of the Company. True Modesty avoids every thing
that is criminal, false Modesty every thing that is unfashionable. The
latter is only a general undetermined Instinct; the former is that
Instinct, limited and circumscribed by the Rules of Prudence and
Religion.
We may conclude that Modesty to be false and vicious, which engages a
Man to do any thing that is ill or indiscreet, or which restrains him
from doing any thing that is of a contrary Nature. How many Men, in the
common Concerns of Life, lend Sums of Money which they are not able to
spare, are bound for Persons whom they have but little Friendship for,
give Recommendatory Characters of Men whom they are not acquainted with,
bestow Places on those whom they do not esteem, live in such a Manner as
they themselves do not approve, and all this meerly because they have
not the Confidence to resist Solicitation, Importunity or Example?
“To be exempt from the passions with which others are tormented, is the only pleasing solitude”
But there is so little Pleasure in Enquiries that so nearly concern our
selves (it being the worst Way in the World to Fame, to be too anxious
about it), that upon the whole I resolv'd for the future to go on in my
ordinary Way; and without too much Fear or Hope about the Business of
Reputation, to be very careful of the Design of my Actions, but very
negligent of the Consequences of them.
It is an endless and frivolous Pursuit to act by any other Rule than the
Care of satisfying our own Minds in what we do. One would think a silent
Man, who concerned himself with no one breathing, should be very liable
to Misinterpretations; and yet I remember I was once taken up for a
Jesuit, for no other reason but my profound Taciturnity. It is from this
Misfortune, that to be out of Harm's Way, I have ever since affected
Crowds. He who comes into Assemblies only to gratify his Curiosity, and
not to make a Figure, enjoys the Pleasures of Retirement in a more
exquisite Degree, than he possibly could in his Closet; the Lover, the
Ambitious, and the Miser, are followed thither by a worse Crowd than any
they can withdraw from. To be exempt from the Passions with which others
are tormented, is the only pleasing Solitude. I can very justly say with
the antient Sage, 'I am never less alone than when alone'. As I am
insignificant to the Company in publick Places, and as it is visible I
do not come thither as most do, to shew my self; I gratify the Vanity of
all who pretend to make an Appearance, and often have as kind Looks from
well-dressed Gentlemen and Ladies, as a Poet would bestow upon one of
his Audience. There are so many Gratifications attend this publick sort
of Obscurity, that some little Distastes I daily receive have lost their
Anguish; and I [did the other day, [1]] without the least Displeasure
overhear one say of me,
'That strange Fellow,'
and another answer,
'I have known the Fellow's Face for these twelve Years, and so must
you; but I believe you are the first ever asked who he was.'
There are, I must confess, many to whom my Person is as well known as
that of their nearest Relations, who give themselves no further Trouble
about calling me by my Name or Quality, but speak of me very currently
by Mr 'what-d-ye-call-him'.
“Everything that is new or uncommon raises a pleasure in the imagination, because it fills the soul with an agreeable surprise, gratifies its curiosity, and gives it an idea of which it was not before possessed.”
We
are flung into a pleasing Astonishment at such unbounded Views, and feel
a delightful Stillness and Amazement in the Soul at the Apprehension[s]
of them. The Mind of Man naturally hates every thing that looks like a
Restraint upon it, and is apt to fancy it self under a sort of
Confinement, when the Sight is pent up in a narrow Compass, and shortned
on every side by the Neighbourhood of Walls or Mountains. On the
contrary, a spacious Horizon is an Image of Liberty, where the Eye has
Room to range abroad, to expatiate at large on the Immensity of its
Views, and to lose it self amidst the Variety of Objects that offer
themselves to its Observation. Such wide and undetermined Prospects are
as pleasing to the Fancy, as the Speculations of Eternity or Infinitude
are to the Understanding. But if there be a Beauty or Uncommonness
joined with this Grandeur, as in a troubled Ocean, a Heaven adorned with
Stars and Meteors, or a spacious Landskip cut out into Rivers, Woods,
Rocks, and Meadows, the Pleasure still grows upon us, as it rises from
more than a single Principle.
Every thing that is new or uncommon raises a Pleasure in the
Imagination, because it fills the Soul with an agreeable Surprize,
gratifies its Curiosity, and gives it an Idea of which it was not before
possest. We are indeed so often conversant with one Set of Objects, and
tired out with so many repeated Shows of the same Things, that whatever
is new or uncommon contributes a little to vary human Life, and to
divert our Minds, for a while, with the Strangeness of its Appearance:
It serves us for a kind of Refreshment, and takes off from that Satiety
we are apt to complain of in our usual and ordinary Entertainments. It
is this that bestows Charms on a Monster, and makes even the
Imperfections of Nature [please [1]] us. It is this that recommends
Variety, where the Mind is every Instant called off to something new,
and the Attention not suffered to dwell too long, and waste it self on
any particular Object. It is this, likewise, that improves what is great
or beautiful, and make it afford the Mind a double Entertainment.
Groves, Fields, and Meadows, are at any Season of the Year pleasant to
look upon, but never so much as in the Opening of the Spring, when they
are all new and fresh, with their first Gloss upon them, and not yet too
much accustomed and familiar to the Eye.
We all of us complain of the shortness of time, saith Seneca, and yet have much more than we know what to do with. Our lives, says he, are spent either in doing nothing at all, or in doing nothing to the purpose, or in doing nothing that we ought to do: we are always complaining our days are few, and acting as though there would no end of them.- On the Right Use of Time
However, as he busied himself
incessantly, and repeated touch after touch without rest or intermission,
he wore off insensibly every little disagreeable gloss that hung upon a
figure. He also added such a beautiful brown to the shades, and
mellowness to the colours, that he made every picture appear more perfect
than when it came fresh from the master's pencil. I could not forbear
looking upon the face of this ancient workman, and immediately by the
long lock of hair upon his forehead, discovered him to be Time.
Whether it were because the thread of my dream was at an end I cannot
tell, but, upon my taking a survey of this imaginary old man, my sleep
left me.
SPARE TIME.
Part One.
--_Spatio brevi_
_Spem longam reseces_: _dum loquimur_, _fugerit invida_
_AEtas_: _carpe diem_, _quam minimum credula postero_.
HOR., _Od._ i. 11, 6.
Thy lengthen'd hope with prudence bound,
Proportion'd to the flying hour:
While thus we talk in careless ease,
Our envious minutes wing their flight;
Then swift the fleeting pleasure seize,
Nor trust to-morrow's doubtful light.
FRANCIS.
We all of us complain of the shortness of time, saith Seneca, and yet
have much more than we know what to do with. Our lives, says he, are
spent either in doing nothing at all, or in doing nothing to the purpose,
or in doing nothing that we ought to do. We are always complaining our
days are few, and acting as though there would be no end of them. That
noble philosopher described our inconsistency with ourselves in this
particular, by all those various turns of expression and thoughts which
are peculiar to his writings.
I often consider mankind as wholly inconsistent with itself in a point
that bears some affinity to the former. Though we seem grieved at the
shortness of life in general, we are wishing every period of it at an
end. The minor longs to be of age, then to be a man of business, then to
make up an estate, then to arrive at honours, then to retire. Thus,
although the whole of life is allowed by every one to be short, the
several divisions of it appear long and tedious. We are for lengthening
our span in general, but would fain contract the parts of which it is
composed. The usurer would be very well satisfied to have all the time
annihilated that lies between the present moment and next quarter-day.
The politician would be contented to lose three years in his life, could
he place things in the posture which he fancies they will stand in after
such a revolution of time.
“The jealous are troublesome to others, but a torment to themselves”
“Jealousy, that dragon which slays love under the pretence of keeping it alive.”
“Jealousy is a tiger that tears not only its prey but also its own raging heart”
“Jealousy is always born with love, but does not always die with it”