“I tend to like things that already exist.”
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“Ideas either come or they dont come.”
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“Everyone is of course free to interpret the work in his own way. I think seeing a picture is one thing and interpreting it is another.”
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I dont want my work to be an exposure of my feelings.
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Old art offers just as good a criticism of new art as new art offers of old.
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Art is either a complaint or appeasement.
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My experience with life is that its very fragmented. In one place certain kinds of thing occur, and in another place a different kind of thing occurs. I would like my work to have some vivid indication of those differences. I guess, in painting, it would amount to different kinds of space being represented in it.
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I think that one wants from a painting a sense of life. The final suggestion, the final statement, has to be not a deliberate statement but a helpless statement. It has to be what you cant avoid saying.
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In my early work, I tried to hide my personality, my psychological state, my emotions. This was partly due to my feelings about myself and party due to my feelings about painting at the time. I sort of stuck to my guns for a while but eventually it seemed like a losing battle. Finally one must simply drop the reserve.
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A not complete unit or a new unit. The elements in the 3 parts should neither fit nor not fit together.One would like not to be led. Avoid the idea of a puzzle which could be solved. Remove the signs of thought. It is not thought which needs showing.
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I assumed that everything would lead to complete failure, but I decided that didnt matter – that would be my life.
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As one gets older one sees many more paths that could be taken. Artists sense within their own work that kind of swelling of possibilities, which may seem a confusion, or a freedom.
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I have no ideas about what the paintings imply about the world. I dont think thats a painters business. He just paints paintings without a conscious reason.
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I wish there were more humor in my work than I see in it.
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One likes to think that one anticipates changes in the spaces we inhabit, and our ideas about space.
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When something is new to us, we treat it as an experience. We feel that our senses are awake and clear. We are alive.
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I think a painting should include more experience than simply intended statement.
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My experience of life is that its very fragmented; certain kinds of things happen, and in another place, a different kind of thing occurs. I would like my work to have some vivid indication of those differences.
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I am not strong on perfection.
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As one gets older one sees many more paths that could be taken. Artists sense within their own work that kind of swelling of possibilities, which may seem a freedom or a confusion.
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