“Sins cannot be undone, only forgiven.”
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I have no use for a theoretic freedom. Let me have something finite, definite — matter that can lend itself to my operation only insofar as it is commensurate with my possibilities. And such matter presents itself to me together with limitations. I must in turn impose mine upon it. So here we are, whether we like it or not, in the realm of necessity. And yet which of us has ever heard talk of art as other than a realm of freedom? This sort of heresy is uniformly widespread because it is imagined that art is outside the bounds of ordinary activity. Well, in art as in everything else, one can build only upon a resisting foundation: whatever constantly gives way to pressure, constantly renders movement impossible. My freedom thus consists in my moving about within the narrow frame that I have assigned myself for each one of my undertakings.I shall go even further: my freedom will be so much the greater and more meaningful the more narrowly I limit my field of action and the more I surround myself with obstacles. Whatever diminishes constraint, diminishes strength. The more constraints one imposes, the more one frees one’s self of the chains that shackle the spirit.
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I havent understood a bar of music in my life, but I have felt it.
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I cannot now evaluate the events that, at the end of those thirty years, made me discover the necessity of religious belief. I was not reasoned into my disposition. Though I admire the structured thought of theology, it is to religion no more than counterpoint exercises are to music.
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He was a six and a half foot scowl.(on Rachmaninov)
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One lives by memory . . . and not by truth.
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Old age is a time of humiliations the most disagreeable of which for me is that I cannot work long at sustained high pressure with no leaks in concentration.
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Childhood - a period of waiting for the moment when I could send everyone and everything connected with it to hell.
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Conformism is so hot on the heels of the mass-produced avant-garde that the ins and the outs change places with the speed of mach 3.
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Too many pieces of music finish too long after the end.
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I know that the twelve notes in each octave and the varieties of rhythm offer me opportunities that all of human genius will never exhaust.
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Music is given to us specifically to make order of things to move from an anarchic individualistic state to a regulated perfectly concious one which alone insures vitality and durability.
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I am in the present. I cannot know what tomorrow will bring forth. I can know only what the truth is for me today. That is what I am called upon to serve.
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The trouble with music appreciation in general is that people are taught to have too much respect for music they should be taught to love it instead.
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What force is more potent than love?
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Is it not by love alone that we succeed in penetrating to the very essence of being?
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Film music should have the same relationship to the film drama that somebodys piano playing in my living room has on the book I am reading.
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Music is given to us with the sole purpose of establishing an order in things, including, and particularly, the coordination between man and time.
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The principle of the endless melody is the perpetual becoming of a music that never had any reason for starting, any more than it has any reason for ending.
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Conductors careers are made for the most part with Romantic music. Classic music eliminates the conductor we do not remember him in it.
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