Were moving into an era when things are dematerialised and much more holographic. Floating above the physical world and the geographic map, theres another landscape thats constantly changing - something like a cloud - of communication, information, exchange and commerce.
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Communication is paramount, and what medium or what format you utilize should be a non-issue. In some respects, that has created a barrier for new media, especially web new media, because often times maybe the media itself comes before the concept, before the ideas, and ends up navigating or dictating the outcome.
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My office has two buildings that function like the right and left sides of the brain. Theres a room where everything is being edited for an upcoming project, but you can pull out of that into a tranquil space to work in a different, more solitary medium. Its an architectural unfolding of the process instead of just one chaotic structure.
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The 20th century is a period defined by cultural and artistic movements. However, the 21st century creative-scape that we occupy now doesnt really have movements in the same way. Instead its made up of diverse individuals working across various platforms simultaneously; art, architecture, film, music and literature.
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Station to Station came out of a sense of urgency - a sense that culture, be it art, film or architecture, has become so compartmentalised. For this project, we wanted to break that and create a language that is more nomadic and less materialistic and really empowering for the creators and the audience.
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The perfect pop song is a 20th-century creation; its not a sonnet, its not an opera, its something short - three and a half minutes by nature - and has this ability to travel and to defy class and economic structures.
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