“She knew how to allure by denying, and to make the gift rich by delaying it.”
Then she found herself possessed of money,
certainly; of wit,--as she believed; and of a something in her
personal appearance which, as she plainly told herself, she might
perhaps palm off upon the world as beauty. She was a woman who did
not flatter herself, who did not strongly believe in herself, who
could even bring herself to wonder that men and women in high
position should condescend to notice such a one as her. With all her
ambition, there was a something of genuine humility about her; and
with all the hardness she had learned there was a touch of womanly
softness which would sometimes obtrude itself upon her heart. When
she found a woman really kind to her, she would be very kind in
return. And though she prized wealth, and knew that her money was her
only rock of strength, she could be lavish with it, as though it were
dirt.
But she was highly ambitious, and she played her game with
great skill and great caution. Her doors were not open to all
callers;--were shut even to some who find but few doors closed
against them;--were shut occasionally to those whom she most
specially wished to see within them. She knew how to allure by
denying, and to make the gift rich by delaying it. We are told by the
Latin proverb that he who gives quickly gives twice; but I say that
she who gives quickly seldom gives more than half. When in the early
spring the Duke of Omnium first knocked at Madame Max Goesler's door,
he was informed that she was not at home. The Duke felt very cross as
he handed his card out from his dark green brougham,--on the panel
of which there was no blazon to tell the owner's rank. He was very
cross. She had told him that she was always at home between four and
six on a Thursday. He had condescended to remember the information,
and had acted upon it,--and now she was not at home! She was not at
home, though he had come on a Thursday at the very hour she had named
to him. Any duke would have been cross, but the Duke of Omnium was
particularly cross. No;--he certainly would give himself no further
trouble by going to the cottage in Park Lane. And yet Madame Max
Goesler had been in her own drawing-room, while the Duke was handing
out his card from the brougham below.
“Nobody holds a good opinion of a man who holds a low opinion of himself”
But although Staveley was himself perfectly indifferent to all the
charms of Miss Furnival, nevertheless he could hardly restrain his
dislike to Lucius Mason, who, as he thought, was disposed to admire
the lady in question. In talking of Lucius to his own family and to
his special friend Graham, he had called him conceited, pedantic,
uncouth, unenglish, and detestable. His own family, that is, his
mother and sister, rarely contradicted him in anything; but Graham
was by no means so cautious, and usually contradicted him in
everything. Indeed, there was no sign of sterling worth so plainly
marked in Staveley's character as the full conviction which he
entertained of the superiority of his friend Felix.
"You are quite wrong about him," Felix had said. "He has not been at
an English school, or English university, and therefore is not like
other young men that you know; but he is, I think, well educated
and clever. As for conceit, what man will do any good who is not
conceited? Nobody holds a good opinion of a man who has a low opinion
of himself."
"All the same, my dear fellow, I do not like Lucius Mason."
"And some one else, if you remember, did not like Dr. Fell."
"And now, good people, what are you all going to do about church?"
said Staveley, while they were still engaged with their rolls and
eggs.
"I shall walk," said the judge.
"And I shall go in the carriage," said the judge's wife.
"That disposes of two; and now it will take half an hour to settle
for the rest. Miss. Furnival, you no doubt will accompany my mother.
As I shall be among the walkers you will see how much I sacrifice by
the suggestion."
It was a mile to the church, and Miss Furnival knew the advantage
of appearing in her seat unfatigued and without subjection to wind,
mud, or rain. "I must confess," she said, "that under all the
circumstances, I shall prefer your mother's company to yours;"
whereupon Staveley, in the completion of his arrangements, assigned
the other places in the carriage to the married ladies of the
company.
“I doubt whether any girl would be satisfied with her lovers mind if she knew the whole of it.”
He was to
return to Guestwick again during this autumn; but, to tell honestly
the truth in the matter, Lily Dale did not think or care very
much for his coming. Girls of nineteen do not care for lovers of
one-and-twenty, unless it be when the fruit has had the advantage of
some forcing apparatus or southern wall.
John Eames's love was still as hot as ever, having been sustained on
poetry, and kept alive, perhaps, by some close confidence in the ears
of a brother clerk; but it is not to be supposed that during these
two years he had been a melancholy lover. It might, perhaps, have
been better for him had his disposition led him to that line of life.
Such, however, had not been the case. He had already abandoned the
flute on which he had learned to sound three sad notes before he left
Guestwick, and, after the fifth or sixth Sunday, he had relinquished
his solitary walks along the towing-path of the Regent's Park
Canal. To think of one's absent love is very sweet; but it becomes
monotonous after a mile or two of a towing-path, and the mind
will turn away to Aunt Sally, the Cremorne Gardens, and financial
questions. I doubt whether any girl would be satisfied with her
lover's mind if she knew the whole of it.
"I say, Caudle, I wonder whether a fellow could get into a club?"
This proposition was made, on one of those Sunday walks, by John
Eames to the friend of his bosom, a brother clerk, whose legitimate
name was Cradell, and who was therefore called Caudle by his friends.
"Get into a club? Fisher in our room belongs to a club."
"That's only a chess-club. I mean a regular club."
"One of the swell ones at the West End?" said Cradell, almost lost in
admiration at the ambition of his friend.
"I shouldn't want it to be particularly swell. If a man isn't a
swell, I don't see what he gets by going among those who are. But
it is so uncommon slow at Mother Roper's." Now Mrs. Roper was a
respectable lady, who kept a boarding-house in Burton Crescent,
and to whom Mrs. Eames had been strongly recommended when she was
desirous of finding a specially safe domicile for her son. For the
first year of his life in London John Eames had lived alone in
lodgings; but that had resulted in discomfort, solitude, and, alas!
“Such young men are often awkward, ungainly, and not yet formed in their gait; they straggle with their limbs, and are shy; words do not come to them with ease, when words are required, among any but their accustomed associates. Social meetings are periods of penance to them, and any appearance in public will unnerve them. They go much about alone, and blush when women speak to them. In truth, they are not as yet men, whatever the number may be of their years; and, as they are no longer boys, the world has found for them the ungraceful name of hobbledehoy.”
"So I should like to see it. And so would mamma too, I'm sure; though
I never heard her say a word about him. In my mind he's the finest
fellow I ever saw. What's Mr. Apollo Crosbie to him? And now, as it
makes you unhappy, I'll never say another word about him."
As Bell wished her sister good-night with perhaps more than her usual
affection, it was evident that Lily's words and eager tone had in
some way pleased her, in spite of their opposition to the request
which she had made. And Lily was aware that it was so.
CHAPTER IV.
MRS. ROPER'S BOARDING-HOUSE.
[ILLUSTRATION: (untitled)]
I have said that John Eames had been petted by none but his mother,
but I would not have it supposed, on this account, that John Eames
had no friends. There is a class of young men who never get petted,
though they may not be the less esteemed, or perhaps loved. They do
not come forth to the world as Apollos, nor shine at all, keeping
what light they may have for inward purposes. Such young men are
often awkward, ungainly, and not yet formed in their gait; they
straggle with their limbs, and are shy; words do not come to them
with ease, when words are required, among any but their accustomed
associates. Social meetings are periods of penance to them, and any
appearance in public will unnerve them. They go much about alone,
and blush when women speak to them. In truth, they are not as yet
men, whatever the number may be of their years; and, as they are no
longer boys, the world has found for them the ungraceful name of
hobbledehoy.
Such observations, however, as I have been enabled to make on this
matter have led me to believe that the hobbledehoy is by no means
the least valuable species of the human race. When I compare the
hobbledehoy of one or two and twenty to some finished Apollo of
the same age, I regard the former as unripe fruit, and the latter
as fruit that is ripe. Then comes the question as to the two fruits.
Which is the better fruit, that which ripens early--which is,
perhaps, favoured with some little forcing apparatus, or which, at
least, is backed by the warmth of a southern wall; or that fruit of
slower growth, as to which nature works without assistance, on which
the sun operates in its own time,--or perhaps never operates if some
ungenial shade has been allowed to interpose itself? The world, no
doubt, is in favour of the forcing apparatus or of the southern wall.
The fruit comes certainly, and at an assured period. It is spotless,
speckless, and of a certain quality by no means despicable.
“No man thinks there is much ado about nothing when the ado is about himself.”
She felt,
moreover, an expressible tenderness for his sorrow. When he declared
how cruel was his punishment, she could willingly have given him the
sympathy of her tears. For were not their cases in many points the
same?
She was determined to see him again before she went, and to tell him
that she acquitted him;--that she knew the greater fault was not with
him. This in itself would not comfort him; but she would endeavour so
to put it that he might draw comfort from it.
"I must see you for a moment alone, before I go," she said to him
that evening in the drawing-room. "I go very early on Thursday
morning. When can I speak to you? You are never up early, I know."
"But I will be to-morrow. Will you be afraid to come out with me
before breakfast?"
"Oh no! she would not be at all afraid," she said: and so the
appointment was made.
"I know you'll think me very foolish for giving this trouble," she
began, in rather a confused way, "and making so much about nothing."
"No man thinks there is much ado about nothing when the ado is about
himself," said Bertram, laughing.
"Well, but I know it is foolish. But I was unjust to you yesterday,
and I could not leave you without confessing it."
"How unjust, Adela?"
"I said you had cast Caroline off."
"Ah, no! I certainly did not do that."
"She wrote to me, and told me everything. She wrote very truly, I
know; and she did not say a word--not a word against you."
"Did she not? Well--no--I know she would not. And remember this,
Adela: I do not say a word against her. Do tell her, not from me, you
know, but of your own observation, that I do not say one word against
her. I only say she did not love me."
"Ah! Mr. Bertram."
"That is all; and that is true. Adela, I have not much to give; but I
would give it all--all--everything to have her back--to have her back
as I used to think her. But if I could have her now--as I know her
now--by raising this hand, I would not take her. But this imputes no
blame to her. She tried to love me, but she could not."
"Ah! she did love you.
“Its dogged as does it. It aint thinking about it.”
How is one of us to help hisself
against having on 'em? But there ain't no call for the loikes of you
to have the rheumatics."
"My friend," said Crawley, who was now standing on the road,--and
as he spoke he put out his arm and took the brickmaker by the hand,
"there is a worse complaint than rheumatism,--there is, indeed."
"There's what they calls the collerer," said Giles Hoggett, looking
up into Mr. Crawley's face. "That ain't a got a hold of yer?"
"Ay, and worse than the cholera. A man is killed all over when he is
struck in his pride;--and yet he lives."
"Maybe that's bad enough too," said Giles, with his hand still held
by the other.
"It is bad enough," said Mr. Crawley, striking his breast with his
left hand. "It is bad enough."
"Tell 'ee what, Master Crawley;--and yer reverence mustn't think as
I means to be preaching; there ain't nowt a man can't bear if he'll
only be dogged. You go whome, Master Crawley, and think o' that,
and maybe it'll do ye a good yet. It's dogged as does it. It ain't
thinking about it." Then Giles Hoggett withdrew his hand from the
clergyman's, and walked away towards his home at Hoggle End. Mr.
Crawley also turned homewards, and as he made his way through the
lanes, he repeated to himself Giles Hoggett's words. "It's dogged as
does it. It's not thinking about it."
[Illustration: "It's dogged as does it."]
He did not say a word to his wife on that afternoon about Dr.
Tempest; and she was so much taken up with his outward condition
when he returned, as almost to have forgotten the letter. He allowed
himself, but barely allowed himself, to be made dry, and then for
the remainder of the day applied himself to learn the lesson which
Hoggett had endeavoured to teach him. But the learning of it was not
easy, and hardly became more easy when he had worked the problem out
in his own mind, and discovered that the brickmaker's doggedness
simply meant self-abnegation;--that a man should force himself to
endure anything that might be sent upon him, not only without outward
grumbling, but also without grumbling inwardly.
“There is no happiness in love, except at the end of an English novel.”
But with me love will never act in that
way unless it is returned;' and he threw upon the signora a look of
tenderness which was intended to make up for all the deficiencies
of his speech.
'Take my advice,' said she. 'Never mind love. After all, what is
it? The dream of a few weeks. That is all its joy. The
disappointment of a life is its Nemesis. Who was ever successful in
true love? Success in love argues that the love is false. True love
is always despondent or tragical. Juliet loved. Haidee loved. Dido
loved, and what came of it? Troilus loved and ceased to be a man.'
'Troilus loved and he was fooled,' said the more manly chaplain. 'A
man may love and yet not be a Troilus. All women are not Cressids.'
'No; all women are not Cressids. The falsehood is not always on the
woman's side. Imogen was true, but now was she rewarded? Her lord
believed her to be the paramour of the first he who came near her
in his absence. Desdemona was true and was smothered. Ophelia was
true and went mad. There is no happiness in love, except at the end
of an English novel. But in wealth, money, houses, lands, goods and
chattels, in the good things of this world, yes, in them there is
something tangible, something that can be retained and enjoyed.'
'Oh, no,' said Mr Slope, feeling himself bound to enter some
protest against so very unorthodox a doctrine, 'this world's wealth
will make no one happy.'
'And what will make you happy--you--you?' said she, raising herself
up, and speaking to him with energy across the table. 'From what
source do you look for happiness? Do not say that you look for
none? I shall not believe you. It is a search in which every human
being spends an existence.'
'And the search is always in vain,' said Mr Slope. 'We look for
happiness on earth, while we ought to be content to hope for it in
heaven.'
'Pshaw! you preach a doctrine which you know you don't believe. It
is the way with you all. If you know that there is no earthly
happiness, why do you long to be a bishop or a dean? Why do you
want lands and income?
“There is no way of writing well and also of writing easily.”
How often does the
novelist feel, ay, and the historian also and the biographer, that
he has conceived within his mind and accurately depicted on the
tablet of his brain the full character and personage of a man, and
that nevertheless, when he flies to pen and ink to perpetuate the
portrait, his words forsake, elude, disappoint, and play the deuce
with him, till at the end of a dozen pages the man described has no
more resemblance to the man conceived than the sign board at the
corner of the street has to the Duke of Cambridge?
And yet such mechanical descriptive skill would hardly give more
satisfaction to the reader than the skill of the photographer does
to the anxious mother desirous to possess an absolute duplicate of
her beloved child. The likeness is indeed true; but it is a dull,
dead, unfeeling, inauspicious likeness. The face is indeed there,
and those looking at it will know at once whose image it is; but
the owner of the face will not be proud of the resemblance.
There is no royal road to learning; no short cut to the acquirement
of any art. Let photographers and daguerreotypers do what they
will, and improve as they may with further skill on that which
skill has already done, they will never achieve a portrait of the
human face as we may under the burdens which we so often feel too
heavy for our shoulders; we must either bear them up like men, or
own ourselves too weak for the work we have undertaken. There is no
way of writing well and also of writing easily.
Labor omnia vincit improbus. Such should be the chosen motto of
every labourer, and it may be that labour, if adequately enduring,
may suffice at last to produce even some not untrue resemblance of
the Rev. Francis Arabin.
Of his doings in the world, and of the sort of fame which he has
achieved, enough has already been said. It has also been said that
he is forty years of age, and still unmarried. He was the younger
son of a country gentleman of small fortune in the north of
England. At an early age he went to Winchester, and was intended by
his father for New College; but though studious as a boy, he was
not studious within the prescribed limits; and at the age of
eighteen he left school with a character for talent, but without a
scholarship. All that he had obtained, over and above the advantage
of his character, was a gold medal for English verse, and hence was
derived a strong presumption on the part of his friends that he was
destined to add another name to the imperishable list of English
poets.
“The end of a novel, like the end of a childrens dinner-party, must be made up of sweetmeats and sugar-plums.”
What could Mr Quiverful be to them,
or they to Mr Quiverful? Had Mr Harding indeed come back to them,
some last flicker of joyous light might have shone forth on their
aged cheeks; but it was in vain to bid them rejoice because Mr
Quiverful was about to move his fourteen children from Puddingdale
into the hospital house. In reality they did no doubt receive
advantage, spiritual as well as corporal; but this they could
neither anticipate nor acknowledge.
It was a dull affair enough, this introduction of Mr Quiverful; but
still it had its effect. The good which Mr Harding intended did not
fall to the ground. All the Barchester world, including the five
old bedesmen, treated Mr Quiverful with the more respect, because
Mr Harding had thus walked in arm in arm with him, on his first
entrance to his duties.
And here in their new abode we will leave Mr and Mrs Quiverful and
their fourteen children. May they enjoy the good things which
Providence has at length given to them!
CHAPTER LIII
CONCLUSION
The end of a novel, like the end of a children's dinner-party, must
be made up of sweetmeats and sugar-plums. There is now nothing else
to be told but the gala doings of Mr Arabin's marriage, nothing
more to be described than the wedding dresses, no further dialogue
to be recorded than that which took place between the archdeacon
who married them, and Mr Arabin and Eleanor who were married. 'Wilt
thou have this woman to thy wedded wife?' and 'Wilt thou have this
man to thy wedded husband, to live together according to God's
ordinance?' Mr Arabin and Eleanor each answered, 'I will'. We have
no doubt that they will keep their promises; the more especially as
the Signora Neroni had left Barchester before the ceremony was
performed.
Mrs Bold had been somewhat more than two years a widow before she
was married to her second husband, and little Johnnie was then able
with due assistance to walk on his own legs into the drawing-room
to receive the salutations of the assembled guests. Mr Harding gave
away the bride, the archdeacon performed the service, and the two
Miss Grantlys, who were joined in their labours by other young
ladies of the neighbourhood, performed the duties of bridesmaids
with equal diligence and grace.
“She well knew the great architectural secret of decorating her constructions, and never condescended to construct a decoration.”
Whatever conviction the
father may have had, the children were at any rate but indifferent
members of the church from which he drew his income.
Such was Dr Stanhope. The features of Mrs Stanhope's character were
even less plainly marked than those of her lord. The far niente of
her Italian life had entered into her very soul, and brought her to
regard a state of inactivity as the only earthly good. In manner
and appearance she was exceedingly prepossessing. She had been a
beauty, and even now, at fifty-five, she was a handsome woman. Her
dress was always perfect: she never dressed but once in the day,
and never appeared till between three and four; but when she did
appear, she appeared at her best. Whether the toil rested partly
with her, or wholly with her handmaid, it is not for such a one as
the author to imagine. The structure of her attire was always
elaborate, and yet never over laboured. She was rich in apparel,
but not bedizened with finery; her ornaments were costly, rare, and
such as could not fail to attract notice, but they did not look as
though worn with that purpose. She well knew the great
architectural secret of decorating her constructions, and never
condescended to construct a decoration. But when we have said that
Mrs Stanhope knew how to dress, and used her knowledge daily, we
have said all. Other purpose in life she had none. It was
something, indeed, that she did not interfere with the purposes of
others. In early life she had undergone great trials with reference
to the doctor's dinners; but for the last ten or twelve years her
eldest daughter Charlotte had taken that labour off her hands, and
she had had little to trouble her;--little, that is, till the edict
for this terrible English journey had gone forth; since, then,
indeed, her life had been laborious enough. For such a one, the
toil of being carried from the shores of Como to the city of
Barchester is more than labour enough, let the cares of the
carriers be ever so vigilant. Mrs Stanhope had been obliged to have
every one of her dresses taken in from the effects of the journey.
Charlotte Stanhope was at this time about thirty-five years old;
and, whatever may have been her faults, she had none of those which
belong particularly to old young ladies.
“The habit of reading is the only enjoyment in which there is no alloy; it lasts when all other pleasures fade.”
“The satirist who writes nothing but satire should write but little -- or it will seem that his satire springs rather from his own caustic nature than from the sins of the world in which he lives.”
“Never think that youre not good enough. A man should never think that. People will take you very much at your own reckoning.”
“Book love... is your pass to the greatest, the purest, and the most perfect pleasure that God has prepared for His creatures.”
“Life is so unlike theory.”
There is no happiness in love, except at the end of an English novel.
Romance is very pretty in novels, but the romance of a life is always a melancholy matter. They are most happy who have no story to tell.
I sometimes think you despise poetry, said Phineas. When it is false I do. The difficulty is to know when it is false and when it is true.
A small daily task, if it be really daily, will beat the labours of a spasmodic Hercules.
I have from the first felt sure that the writer, when he sits down to commence his novel, should do so, not because he has to tell a story, but because he has a story to tell. The novelists first novel will generally have sprung from the right cause.