“This only grant me, that my means may lie too low for envy, for contempt too high”
Even when I was a very young boy at school, instead
of running about on holidays and playing with my fellows, I was wont to
steal from them and walk into the fields, either alone with a book, or
with some one companion, if I could find any of the same temper. I was
then, too, so much an enemy to all constraint, that my masters could
never prevail on me, by any persuasions or encouragements, to learn
without book the common rules of grammar, in which they dispensed with me
alone, because they found I made a shift to do the usual exercises out of
my own reading and observation. That I was then of the same mind as I am
now (which I confess I wonder at myself) may appear by the latter end of
an ode which I made when I was but thirteen years old, and which was then
printed with many other verses. The beginning of it is boyish, but of
this part which I here set down, if a very little were corrected, I
should hardly now be much ashamed.
IX.
This only grant me, that my means may lie
Too low for envy, for contempt too high.
Some honour I would have,
Not from great deeds, but good alone.
The unknown are better than ill known.
Rumour can ope the grave;
Acquaintance I would have, but when it depends
Not on the number, but the choice of friends.
X.
Books should, not business, entertain the light,
And sleep, as undisturbed as death, the night.
My house a cottage, more
Than palace, and should fitting be
For all my use, no luxury.
My garden painted o’er
With Nature’s hand, not Art’s; and pleasures yield,
Horace might envy in his Sabine field.
XI.
Thus would I double my life’s fading space,
For he that runs it well twice runs his race.
And in this true delight,
These unbought sports, this happy state,
I would not fear, nor wish my fate,
But boldly say each night,
To-morrow let my sun his beams display
Or in clouds hide them—I have lived to-day.
“Hail, old patrician trees, so great and good!”
I know they are not, and therefore cannot much recommend
solitude to a man totally illiterate. But if any man be so unlearned as
to want entertainment of the little intervals of accidental solitude,
which frequently occur in almost all conditions (except the very meanest
of the people, who have business enough in the necessary provisions for
life), it is truly a great shame both to his parents and himself; for a
very small portion of any ingenious art will stop up all those gaps of
our time, either music, or painting, or designing, or chemistry, or
history, or gardening, or twenty other things, will do it usefully and
pleasantly; and if he happen to set his affections upon poetry (which I
do not advise him too immoderately) that will overdo it; no wood will be
thick enough to hide him from the importunities of company or business,
which would abstract him from his beloved.
—_O quis me geldis sub montibus Hæmi_
_Sistat_, _et ingenti ramorum protegat umbrâ_?
I.
Hail, old patrician trees, so great and good!
Hail, ye plebeian underwood!
Where the poetic birds rejoice,
And for their quiet nests and plenteous food
Pay with their grateful voice.
II.
Hail, the poor Muses’ richest manor seat!
Ye country houses and retreat
Which all the happy gods so love,
That for you oft they quit their bright and great
Metropolis above.
III.
Here Nature does a house for me erect,
Nature the wisest architect,
Who those fond artists does despise
That can the fair and living trees neglect,
Yet the dead timber prize.
IV.
Here let me, careless and unthoughtful lying,
Hear the soft winds, above me flying,
With all their wanton boughs dispute,
And the more tuneful birds to both replying,
Nor be myself too mute.
V.
A silver stream shall roll his waters near,
Gilt with the sunbeams here and there,
On whose enamelled bank I’ll walk,
And see how prettily they smile, and hear
How prettily they talk.
“We may talk as we please of lilies, and lions rampant, and spread eagles in fields of dor or dargent, but if heraldry were guided by reason, a plough in the field arable would be the most noble and ancient arms”
I shall only instance in one delight more, the most natural and best
natured of all others, a perpetual companion of the husbandman: and that
is, the satisfaction of looking round about him, and seeing nothing but
the effects and improvements of his own art and diligence; to be always
gathering of some fruits of it, and at the same time to behold others
ripening, and others budding; to see all his fields and gardens covered
with the beauteous creatures of his own industry; and to see, like God,
that all his works are good.
_Hinc atque hinc glomerantur Oreades_; _ipsi_
_Agricolæ tacitum pertentant gaudia pectus_.
On his heart-strings a secret joy does strike.
The antiquity of his art is certainly not to be contested by any other.
The three first men in the world were a gardener, a ploughman, and a
grazier; and if any man object that the second of these was a murderer, I
desire he would consider, that as soon as he was so, he quitted our
profession and turned builder. It is for this reason, I suppose, that
Ecclesiasticus forbids us to hate husbandry; because, says he, the Most
High has created it. We were all born to this art, and taught by nature
to nourish our bodies by the same earth out of which they were made, and
to which they must return and pay at last for their sustenance.
Behold the original and primitive nobility of all those great persons who
are too proud now not only to till the ground, but almost to tread upon
it. We may talk what we please of lilies and lions rampant, and spread
eagles in fields d’or or d’argent; but if heraldry were guided by reason,
a plough in a field arable would be the most noble and ancient arms.
All these considerations make me fall into the wonder and complaint of
Columella, how it should come to pass that all arts or Sciences (for the
dispute, which is an art and which is a science, does not belong to the
curiosity of us husbandmen), metaphysic, physic, morality, mathematics,
logic, rhetoric, etc., which are all, I grant, good and useful faculties,
except only metaphysic, which I do not know whether it be anything or no,
but even vaulting, fencing, dancing, attiring, cookery, carving, and such
like vanities, should all have public schools and masters; and yet that
we should never see or hear of any man who took upon him the profession
of teaching this so pleasant, so virtuous, so profitable, so honourable,
so necessary art.
A man would think, when he’s in serious humour, that it were but a vain,
irrational, and ridiculous thing for a great company of men and women to
run up and down in a room together, in a hundred several postures and
figures, to no purpose, and with no design; and therefore dancing was
invented first, and only practised anciently, in the ceremonies of the
heathen religion, which consisted all in mummery and madness; the latter
being the chief glory of the worship, and accounted divine inspiration.
“Poverty wants some, luxury many, and avarice all things.”
The second is like the
foolish chough, which loves to steal money only to hide it. The first
does much harm to mankind, and a little good too, to some few. The
second does good to none; no, not to himself. The first can make no
excuse to God, or angels, or rational men for his actions. The second
can give no reason or colour, not to the devil himself, for what he does:
he is a slave to Mammon without wages. The first makes a shift to be
beloved; aye, and envied, too, by some people. The second is the
universal object of hatred and contempt. There is no vice has been so
pelted with good sentences, and especially by the poets, who have pursued
it with stories and fables, and allegories and allusions; and moved, as
we say, every stone to fling at it, among all which, I do not remember a
more fine and gentlemen-like correction than that which was given it by
one line of Ovid’s.
_Desunt luxuriæ malta_, _avaritiæ omnia_.
Much is wanting to luxury; all to avarice
To which saying I have a mind to add one member and render it thus:—
Poverty wants some, luxury many, avarice all things.
Somebody says of a virtuous and wise man, that having nothing, he has
all. This is just his antipode, who, having all things, yet has nothing.
He is a guardian eunuch to his beloved gold: _Audivi eos amatores esse
maximos sed nil potesse_. They are the fondest lovers, but impotent to
enjoy.
And, oh, what man’s condition can be worse
Than his, whom plenty starves, and blessings curse?
The beggars but a common fate deplore,
The rich poor man’s emphatically poor.
I wonder how it comes to pass that there has never been any law made
against him. Against him, do I say? I mean for him, as there is a
public provision made for all other madmen. It is very reasonable that
the king should appoint some persons (and I think the courtiers would not
be against this proposition) to manage his estate during his life (for
his heirs commonly need not that care), and out of it to make it their
business to see that he should not want alimony befitting his condition,
which he could never get out of his own cruel fingers.
“A mighty pain to love it is, and tis a pain that pain to miss; but of all the pains, the greatest pain is to love, but love in vain.”
“Solitude can be used well by very few people. They who do must have a knowledge of the world to see the foolishness of it, and enough virtue to despise all the vanity.”
“Life is an incurable disease”
“I would not fear nor wish my fate, but boldly say each night, to-morrow let my sun his beams display, or in clouds hide them; I have lived today.”
“The thirsty earth soaks up the rain, And drinks, and gapes for drink again; The plants suck in the earth, and are With constant drinking fresh and fair”
“Thus each extreme to equal danger tends, Plenty, as well as Want, can seprate friends”
“Curiosity does, no less than devotion, pilgrims make”
“Nothing is to come, and nothing past: But an eternal now, does always last.”
“I never had any other desire so strong, and so like covetousness, as that.... I might be master at last of a small house and a large garden, with very moderate conveniences joined to them, and there dedicate the remainder of my life to the culture of them and the study of nature.”
“Th adorning thee with so much artIs but a barbrous skill;Tis like the poisoning of a dart,Too apt before to kill”
“Love in her sunny eyes does basking play;/ Love walks the pleasant mazes of her hair;/ Love does on both her lips for ever stray;/ And sows and reaps a thousand kisses there./ In all her outward parts Loves always seen;/ But, oh, he never went within.”
“What shall I do to be forever known,/ And make the age to come my own?”
“Of all ills that one endures,/ hope is a cheap and universal cure.”
“For why / Should every creature drink but I, / Why, man of morals, tell me why?”
“Hope! of all ills that men endure, the only cheap and universal cure”
“His faith perhaps in some nice tenets might Be wrong; his life, Im sure, was always in the right”