All plots tend to move deathward. This is the nature of plots. Political plots, terrorist plots, lovers’ plots, narrative plots, plots that are part of children’s games. We edge nearer death every time we plot. It is like a contract that all must sign, the plotters as well as those who are the targets of the plot.

Is despair wrong? Isn’t it the natural condition of life after a certain age? … After a number of events, what is there left but repetition and diminishment? Who wants to go on living? The eccentric, the religious, the artistic (sometimes); those with a false sense of their own worth. Soft cheeses collapse; firm cheeses endurate. Both go mouldy.

I think now that this is the great division between people. There are people who find life hard and those who find it easy. There are those who have a natural, in-built, expectation of happiness, and there are those who feel that happiness is not to be expected: that it is not, in fact, one of the rights of man. Nor, God knows, one of the rights of women.

... researchers argue that it's of utmost importance to unravel the nature of black holes, lest we someday begin to worship them. Sounds ridiculous, but whole segments of humankind have often revered the unknowable, venerating that which cannot be tested experimentally. Come to think of it, many still do in twenty-first-century society.

It is the fate of most men who mingle with the world, and attain even the prime of life, to make many real friends, and lose them in the course of nature. It is the fate of all authors or chroniclers to create imaginary friends, and lose them in the course of art. Nor is this the full extent of their misfortunes; for they are required to furnish an account of them besides.

Aristocracy naturally leads the human mind to the contemplation of the past, and fixes it there. Democracy, on the contrary, gives men a sort of instinctive distaste for what is ancient. In this respect aristocracy is far more favorable to poetry; for things commonly grow larger and more obscure as they are more remote; and, for this two-fold reason, they are better suited to the delineation of the ideal.

It is in the nature of the human mind to give in, and hold on, to the source of solace with all the might it can muster. Life is hard and any figure that tends to ease the subjective perception of that hardship, attains a high pedestal of utmost reverence in the realm of the individual mind. It all takes place at a molecular level in the human brain with the purpose of self-preservation.

Faith in the power of prayer … is … faith in miraculous power; and faith in miracles is … the essence of faith in general. … [F]aith is nothing else than confidence in the reality of the subjective in opposition to the limitations or laws of Nature and reason, … The specific object of faith, therefore, is miracle; … To faith nothing is impossible, and miracle only gives actuality to this omnipotence of faith[.]

If a man should ascend alone into heaven and behold clearly the structure of the universe and the beauty of the stars, there would be no pleasure for him in the awe-inspiring sight, which would have filled him with delight if he had had someone to whom he could describe what he had seen. Nature abhors solitude.

lectures broke into one's day and were clearly a terrible waste of time, necessary no doubt if you were reading law or medicine or some other vocational subject, but in the case of English, the natural thing to do was talk a lot, listen to music, drink coffee and wine, read books, and go to plays, perhaps be in plays…