At this point, I want to say point-blank what I hope is already clear: though agrarianism proposes that everybody has agrarian responsibilities, it does not propose that everybody should be a farmer or that we do not need cities. Nor does it propose that every product be a necessity. Furthermore, any thinkable human economy would have to grant to manufacturing an appropriate and honorable place. Agrarians would insist only that any manufacturing enterprise should be formed and scaled to fit the local landscape, the local ecosystem, and the local community, and that it should be locally owned and employ local people. They would insist, in other words, that the shop or factory owner should not be an outsider, but rather a sharer in the fate of the place and the community. The deciders should live with the results of their decisions.
“Infinity is a player of great significance who appears on the stage only when the crucial questions of existence are raised. Infinity offers its services when we seek to know if the Universe began or whether it will ever end, whether life will always be part of its landscape, and whether there are tasks which can never be accomplished. Infinity challenges us to contemplate the duplication of ourselves and all that we hold dear, and to ponder the cogency of all possibilities, potential and actual. It undermines our sense of the precious by suggesting a randomly infinite universe will eventually conjure up the works of Shakespeare, somewhere, as if created by a regiment of monkeys armed with typewriters. Infinity also seeks to guard us from taking the wrong path in our quest to unravel the deepest of Nature's secrets about the ultimate structure of mass and energy.”
“We are focused on changing the economics of mobile email adoption with Nokia Business Center. As the leading mobile phone manufacturer in the world, we have the distinct advantage of being able to make a great mobile business device that can be used to make phone calls, do email, or use other applications. Considering 70 percent of people who use popular email devices also carry a mobile phone, the opportunity for us to provide one device and solution that perfectly addresses both the voice and data experiences is tremendous. In the current landscape, many industry players are going after a slice of the potential mobile email market. Nokia is going after the full 650 million corporate email inboxes. We want to knock down the barriers to mobilizing the entire corporate email market.”
“[Numerous different types of book were proposed. Poetry, novels, memoirs, essays, journals, scientific works. Several historical studies were recommended, including Angus Winchester's Harvest of the Hills, an examination of the pastoral culture of the Border regions during the medieval and early modern periods. It is a book, its advocate wrote,] which details the close interrelations between work and place, as well as broadening into the history and archaeology of the landscape ... Collis's experience as a land worker during the second world war on two farms in the south-east and south-west of England. He paints a rich picture of the way in which farms were run in the years prior to the major revolution brought by mechanisation, and introduces memorable characters from amongst the substantial manual labour force even modest-sized farms needed.”
Cruelty is a mystery, and the waste of pain. But if we describe a world to compass these things, a world that is a long, brute game, then we bump against another mystery: the inrush of power and light…unless all ages and races of men have been deluded by the same mass hypnotist (who?), there seems to be such a thing as beauty, a grace wholly gratuitous…we don’t know what’s going on here. If these tremendous events are random combinations of matter run amok, the yield of millions of monkeys at millions of typewriters, then what is it in us, hammered out of those same typewriters, that they ignite? We must somehow take a wider view, look at the whole landscape, really see it, and describe what’s going on here. Then we can at least wail the right question into the swaddling band of darkness, or, if it comes to that, choir the proper praise.
Until recently the locus of sexual fantasy was peopled with images actually glimpsed or were sensations actually felt, or private imaginings taken from suggestions in the real world, a dream well where weightless images from it floated, transformed by imagination. It prepared children, with these hints and traces of other people's bodies, to become adults and enter the landscape of adult sexuality and meet the lover face to face. Lucky men and women are able to keep a pathway clear to that dream well, peopling it with scenes and images that meet them as they get older, created with their own bodies mingling with other bodies; they choose a lover because of a smell from a coat, a way of walking, the shape of a lip, belong in their imagined interior and resonate back in time deep into the bones that recall childhood and early adolescent imagination.
It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power.
We wait too long to tell the people we love that they are the very reason that we exist. We assume that our wife, child, other family members, and friends understand our love and affection. We assume that people we care about understand our enigmatic idiosyncrasies and willingly accept the shrouded reasons behind our demonstrable oddities. We assume that other people sense that we struggle valiantly in our blackened landscape. We presume that other people comprehend our struggle to glean meaning amongst the ashes spewed from the absurd circumstances that we operate. Sometimes we need to stop and tell the tenderhearted persons whom we care about that we love them and explain that our awkward strangeness is not a rejection of them.
The plan of Nature is progress and for any progress mankind must pay a price. It is quite evident to me that man must pay for everything except for the natural beauty of the landscape, which, if he is fortunate enough to live where it still exists, is free. Beauty has always existed and always will. Man has destroyed much of it, but he can never destroy all. The oceans are unchanged and the rivers still flow, even though some of them are laden with pollution, and some overflow, and others are less brimful than they were. The mountains stand. Man has made changes, he builds highways, cuts down trees, deflects a river's course as well as poisons it, yet beauty remains.Therefore, I think we should take time to enjoy what we can see of it.
The Greenland fjords are peculiar for the spells of completely quiet weather, when there is not enough wind to blow out a match and the water is like a sheet of glass. The kayak hunter must sit in his boat without stirring a finger so as not to scare the shy seals away. Actually, he can only move his eyes, as even the slightest move otherwise might mean game lost. The sun, low in the sky, sends a glare into his eyes, and the landscape around moves into the realm of the unreal. The reflex from the mirror-like water hypnotizes him, he seems to be unable to move, and all of a sudden it is as if he were floating in a bottomless void, sinking, sinking, and sinking.... Horror-stricken, he tries to stir, to cry out, but he cannot, he is completely paralyzed, he just falls and falls.