I wrought me a lyric of fire and fear,And called on the world to heed —Till strong men blenched at my haggard faceAnd shuddered, but would not read.So I stole me the gold of the mines of JoyAnd fashioned a conscious lie —And they gave me the wreath of the kings of SongAnd prayed that I might not die!(For the lie that I wrought was as old as the worldAnd dear as the vision of Heaven —Of the crimson lure of a maiden's lipsAnd the myth of a sin forgiven!)But my heart was sick, and my soul grew less, With the light of my failing days,Because I had lied to my Knowledge-GodFor the pottage of human praise.O I clung to the rim of the cliffs of HellAnd called on an empty Name —Till there dropped the tears of a weeping TruthAnd saved my soul from the flame.So I hid my soul in a maiden's hair,And climbed to a clearer view —And I found I had lied to a lying God,And the myth I had sung - was true!

What manner of men had lived in those days...who had so eagerly surrendered their sovereignty for a lie and a delusion? Why had they been so anxious to believe that the government could solve problems for them which had been pridefully solved, many times over, by their fathers? Had their characters become so weak and debased, so craven and emasculated, that offers of government dole had become more important than their liberty and their humanity? Had they not know that power delegated to the government becomes the club of tyrants? They must have known. They had their own history to remember, and the history of five thousand years. Yet, they had willingly and knowingly, with all this knowledge, declared themselves unfit to manage their own affairs and had placed their lives, which belonged to God only, in the hands of sinister men who had long plotted to enslave them, by wars, by "directives," by "emergencies." In the name of the American people, the American people had been made captive.

I have a foreboding of an America in my children's or grandchildren's time -- when the United States is a service and information economy; when nearly all the manufacturing industries have slipped away to other countries; when awesome technological powers are in the hands of a very few, and no one representing the public interest can even grasp the issues; when the people have lost the ability to set their own agendas or knowledgeably question those in authority; when, clutching our crystals and nervously consulting our horoscopes, our critical faculties in decline, unable to distinguish between what feels good and what's true, we slide, almost without noticing, back into superstition and darkness...The dumbing down of American is most evident in the slow decay of substantive content in the enormously influential media, the 30 second sound bites (now down to 10 seconds or less), lowest common denominator programming, credulous presentations on pseudoscience and superstition, but especially a kind of celebration of ignorance

There are those of us who nature is awakening to the secrets of the universe; apart from religious dogma or occult dabbling. It is Natural Law. It is awakening the minds and quickening the senses of those whom it's calling its descendants. Nature is fighting for its rightful place, which can never be fully usurped. Those who are most open to this knowledge are artists (poets, musicians, writers) who also happen to be free thinkers or "outsiders" to the system. We hear a voice that is calling us to waken to the secrets of the universe. Perhaps in some distant future, humanity will read of us; the ones who paved the way for this Pali or New Romanticism called the awakening unto Nature's Law. It won't be technology or software that paves the way, but nature. It won't allow itself to be destroyed, maybe uninhabitable for a time for humans, but never destroyed. There are those of us, the chosen few who are following the narrow path. We will be the future thinkers and writers who generations will read about that truly changed the world, and made a way where there seemingly was none.

Imagine that the keeper of a huge, strong beast notices what makes it angry, what it desires, how it has to be approached and handled, the circumstances and the conditions under which it becomes particularly fierce or calm, what provokes its typical cries, and what tones of voice make it gentle or wild. Once he's spent enough time in the creature's company to acquire all this information, he calls it knowledge, forms it into a systematic branch of expertise, and starts to teach it, despite total ignorance, in fact, about which of the creature's attitudes and desires is commendable or deplorable, good or bad, moral or immoral. His usage of all these terms simply conforms to the great beast's attitudes, and he describes things as good or bad according to its likes and dislikes, and can't justify his usage of the terms any further, but describes as right and good the things which are merely indispensable, since he hasn't realised and can't explain to anyone else how vast a gulf there is between necessity and goodness.

Earth processes that seem trivially slow in human time can accomplish stunning work in geologic time. Let the Colorado River erode its bed by 1/100th of an inch each year (about the thickness of one of your fingernails.) Multiply it by six million years, and you’ve carved the Grand Canyon. Take the creeping pace of which the continents move (about two inches per year on average, or roughly as fast as your fingernails grow). Stretch that over thirty million years, and a continent will travel nearly 1,000 miles. Stretch that over a few billions years, and continents will have time to wander from the tropics to the poles and back, crunching together to assemble super-continents, break apart into new configurations- and do all of that again several times over. Deep time, it could be said, is Nature’s way of giving the Earth room for its history. The recognition of deep time might be geology’s paramount contribution to human knowledge.

And then an endless instant later Arthur was kissing him back, like this was perfectly normal, like this was exactly what Arthur had been hoping for most in all the world, his large hands closing over Merlin's shoulders and sliding down over his back, strong and warm even through the fabric of his sweater, one hand pausing on his waist and the other sliding around to cup his arse and pull him in closer. Merlin made a surprised, enthusiastic sound and stopped holding back; let himself cling to Arthur and kiss him more fiercely; and then they were kissing like it was their last day on earth and they had to cram every possible moment of passion into this tiny slice of time, hands clutching at fabric, mouths pressing hungry bites onto bare skin as if they would somehow devour one another, trying to touch and taste everything at once, frantic and needy and bursting with urgent desire and the inescapable knowledge that this was finite, was stolen, was not supposed to be.

Show me you care about our common tongue. Bring to your [writing] passion, deeply informed by knowledge of your subject. Stay me, not with apples and flagons, but with wit and grace, humor and intense caring about your discipline. Don't slack, don't give it a lick and a promise, don't make it evident that you posted what was 'good enough for government work,' don't try and fake it. Give it your best, your all, not for pence, but for the love of the craft. Do these things, as these writers and scores I have not named do, bring to your work your self, your heart, your voice, motherly or youthful, lawyerly or priestly, conservative or liberal, it matters not. Do this and I and hundreds of others will return again and again to your work, not merely because we may have a burning need for a new printer or an abiding interest in college newspapers or what have you, but because we wish to spend time with your mind and voice.

Everyone knows that border across which he cannot go, even in thought, and it is that, not the former, that people automatically shut out and cannot face. Yet one knows at times (in the middle of the night, perhaps, when one is sleepless, or on encountering some revolting experience) that this horror haunts every form of experience (always and ever), and hastily one readjusts the blinkers that had slipped. Put the beautiful before you and the horror behind you. Yes, but then I shall not dare to turn round.The world is a bad place. Is it? But it seems that this haunting, this self-delusion by wearing blinkers, is not an attribute of the world. The haunting is in consciousness itself, in its very nature. Just as when I set up any object in the sunlight a shadow is cast (because it is the nature of sunlight to cast shadows), so anything that comes into the light of consciousness casts a shadow of the unknown. It is in the unknown that the horror resides in the dark of knowledge where the patterns can no longer be traced, where chaos resides, and whence utterly hostile systems may emerge, devour, and digest us.

The water was lapping around my waist by the time Ivy and Gabriel found me. I was shivering, but I hardly noticed. I didn't move or speak, not even when Gabriel lifted me out of the water and carried me back to our house. Ivy helped me into the shower, and came to help me out half an hour later when I'd forgotten where I was and just stood under the pounding water. Gabriel bought me some dinner, but I couldn't eat it. I sat on my bed, staring into space and doing nothing but thinking of Xavier and trying not to think of him at the same time. The separation made me realize just how safe I felt with him. I craved his touch, his smell, even the awareness that he was nearby. But now he felt miles away, and I couldn't reach him, and that knowledge made me feel ready to crumble, to cease to exist.