Here dwells a snake, one thousand miles longCoiled, one thousand miles deepEyes like candy, it has eyes like candyHard and blue, but soft as kittens feetOut of sight or in the element of lightIt could be a devil, it could be an angelWith spiders inside a vision from hellIts spine is a vertical screamSlow as concrete, blurred as a dreamFueled by inertia, depth, radius, and velocity,Its soul--a twisted wreckage of despair and painAnd the spiders inside are just praying for rainKilling time killing timeAnd praying for rainOne thousand miles deep
May the economic discrimination you impose on your own people bloat your mind. That polluted rubbish occupyingyour mind-set needs to be swept clean. May the disgusted look you impose on those you judge poor burn your eyes.That evil look occupying your clear vision needs to land in the bin. May that shameful attitude you impose on those you wish to feel lesser bring your soul to restlessness. That fake character you display needs to be thrown out of the window.
One of the most brilliant Russian writers of the twentieth century, Yevgeny Zamyatin belongs to the tradition in Russian literature represented by Gogol, Leskov, Bely, Remizov, and, in certain aspects of their work, also by Babel and Bulgakov. It is a tradition, paradoxically, of experimenters and innovators. Perhaps the principal quality that unites them is their approach to reality and its uses in art - the refusal to be bound by literal fact, the interweaving of reality and fantasy, the transmutation of fact into poetry, often grotesque, oblique, playful, but always expressive of the writer's unique vision of life in his own, unique terms.
One might almost say that an apparition is human vision corrected by divine love. I do not see you as you really are, Joseph; I see you through my affection for you. The Miracles of the Church seem to me not to rest so much upon faces or voices or healing power coming suddenly near to us from afar off, but upon our perceptions being made finer, so that for a moment our eyes can see and our ears can hear what is there about us always.
Don't let your focus be so much on how many times you go on a date but how you can build into one another, share and carry each other's vision, complement each other, develop a deeper level of friendship; grow spiritually together and make the little things meaningful. It's beyond the 100% but more about how committed and dedicated you are daily. Love can only truly exist, when you become selfless and focus less on what is in it for you.
If we shadows have offended, Think but this, and all is mended,That you have but slumbered hereWhile these visions did appear.And this weak and idle theme,No more yielding but a dream,Gentles, do not reprehend:If you pardon, we will mend:And, as I am an honest Puck,If we have unearned luckNow to 'scape the serpent's tongue,We will make amends ere long;Else the Puck a liar call;So, good night unto you all.Give me your hands, if we be friends,And Robin shall restore amends.
“Deke is a man of uncompromising vision and a remarkable consensus builder. Whatever job title or volunteer leadership position he has held throughout his career, his job description has always been the same: to improve the process by which the built environment is created and managed. He is unfailingly calm and good-natured in the face of the most difficult technical, political, or cultural challenges, maintaining a laser-like focus on the ultimate goal, and quietly persevering when many others would have given up in frustration.”
We can all be clockmakers, or astronomers. But if we all wanted to be Pushkin. . .if the question is, how do you make a poem by Pushkin?- or, what exactly makes one poem or painting or piece of music greater than another?- or, what is beauty?, or liberty?, or virtue?- if the question is, how should we live?. . . then, reason gives no answer or different answers. So something went wrong. The divine spark in man is not reason after all, but something else, some kind of intuition or vision, perhaps like the moment of inspiration experienced by the artist . . .
What we have witnessed in our own time is the death of universities as centres of critique. Since Margaret Thatcher, the role of academia has been to service the status quo, not challenge it in the name of justice, tradition, imagination, human welfare, the free play of the mind or alternative visions of the future. We will not change this simply by increasing state funding of the humanities as opposed to slashing it to nothing. We will change it by insisting that a critical reflection on human values and principles should be central to everything that goes on in universities, not just to the study of Rembrandt or Rimbaud.
The pursuit of science has often been compared to the scaling of mountains, high and not so high. But who amongst us can hope, even in imagination, to scale the Everest and reach its summit when the sky is blue and the air is still, and in the stillness of the air survey the entire Himalayan range in the dazzling white of the snow stretching to infinity? None of us can hope for a comparable vision of nature and of the universe around us. But there is nothing mean or lowly in standing in the valley below and awaiting the sun to rise over Kinchinjunga.