The crowd was getting hysterical, so I reached into my back pocket and flippe open my wallet to reveal my badge. "Official business," I announced. "Please leave the area." This had the desired effect; it deescalated the mood and prompted most of the crowd to disperse. It's funny what a plastic badge and a meaningless phrase can do. The authority of the police is anothe mass delusion that can be useful at times. I hadn't even needed to claim I was a cop; all it took was a couple of simple cues to invoke the delusion.
It’s funny how we think life works a certain way because of TV and movies. Most people don’t really think about how scripts are edited and how people get to practice their lines and rehearse. If one doesn’t get it right they get to redo the scene until they do. In real life what’s missing or not working only comes up when we’re going along full blast. We end up being the editors of our lives only while we’re running in real time.
Life is a funny thing. We claim it to be our own; but the truth is, it's not. It belongs to something much bigger. We, like everything else, are transient. This life is temporary and everything about us is temporary. What we call our life is nothing more than borrowed energy from something much bigger--nature, the universe, God--whatever floats your boat. And one day, when we pass, we will give that energy back to the world we borrowed it from in the first place.
The gate is perfectly simple," Temeraire said. "There is only a bar across the fence, which one can lift very easily, and then it swings open; Nitidus could do it best, for his forehands are the smallest. Though it is difficult to keep the animals inside the pen, and the first time I learned how to open it, they all ran away," he added. "Maximus and I had to chase after them for hours and hours--it was not funny at all," he said, ruffled, sitting back on his haunches and contemplating Laurence with great indignation.
I felt empty and sad for years, and for a long, long time, alcohol worked. I’d drink, and all the sadness would go away. Not only did the sadness go away, but I was fantastic. I was beautiful, funny, I had a great figure, and I could do math. But at some point, the booze stopped working. That’s when drinking started sucking. Every time I drank, I could feel pieces of me leaving. I continued to drink until there was nothing left. Just emptiness.
Can Flo come? She has so many clothes I really want her to get rid of.' I laugh. Flo's clothes are so funny. She buys one top and wears it every time we go out for six months, then buys another one and does the same. And the kinds of things she buys for school are boring. She gets things that look as close to school uniform as possible because she finds having to wear our own clothes every day so hard.
“Isn't it funny how the memories you cherish before a breakup can become your worst enemies afterwards? The thoughts you loved to think about, the memories you wanted to hold up to the light and view from every angle--it suddenly seems a lot safer to lock them in a box, far from the light of day and throw away the key. It's not an act of bitterness. It's an act if self-preservation. It's not always a bad idea to stay behind the window and look out at life instead, is it?”
If you've spent any time trolling the blogosphere, you've probably noticed a peculiar literary trend: the pervasive habit of writers inexplicably placing exclamation points at the end of otherwise unremarkable sentences. Sort of like this! This is done to suggest an ironic detachment from the writing of an expository sentence! It's supposed to signify that the writer is self-aware! And this is idiotic. It's the saddest kind of failure. F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader isn't really sure, either. They just want to know when they're supposed to pretend to be amused. All those extraneous exclamation points are like little splatters of canned laughter: They represent the "form of funny," which is more easily understood (and more easily constructed) than authentic funniness.
“And so I began to do my silly women. These characters, these bird-witted ladies whom I have characterized so often . . . derive from my part in The Vinegar Tree. I am neatly typed . . . possibly irrevocably typed, although I sincerely hope not, for I should like better parts, for those are the roles that I was trained in -- the gay but intelligent, well-written, funny but believable roles. . . . But if people will laugh at my work and keep a sound roof over my head, who am I to complain?”
What an astonishing thing a book is. It's a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you're inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working m