...I was shocked and astonished when a daring little girl -- a cousin I think -- having waited under a group of trees in the avenue, where she knew [my grandfather] would pass near four oclock on the way to his dinner, said to him, If I were you and you were a little girl, I would give you a doll.
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It takes more courage to examine the dark corners of your own soul than it does for a soldier to fight on a battlefield
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I will arise and go now, for always night and day I hear lake water lapping...I hear it in the deep hearts core.
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The Coming of Wisdom with TimeThough leaves are many, the root is one;Through all the lying days of my youthI swayed my leaves and flowers in the sun;Now I may wither into the truth.
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I am persuaded that our intellects at twenty contain all the truths we shall ever find
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In tombs of gold and lapis lazuliBodies of holy men and women exudeMiraculous oil, odour of violet.But under heavy loads of trampled clayLie bodies of the vampires full of blood;Their shrouds are bloody and their lips are wet(Oil and Blood)
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The Mother Of GodThe threefold terror of love; a fallen flareThrough the hollow of an ear;Wings beating about the room;The terror of all terrors that I boreThe Heavens in my womb.Had I not found content among the showsEvery common woman knows,Chimney corner, garden walk,Or rocky cistern where we tread the clothesAnd gather all the talk?What is this flesh I purchased with my pains,This fallen star my milk sustains,This love that makes my hearts blood stopOr strikes a sudden chill into my bonesAnd bids my hair stand up?
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My fiftieth year had come and gone,I sat, a solitary man,In a crowded London shop,An open book and empty cupOn the marble table-top.While on the shop and street I gazedMy body of a sudden blazed;And twenty minutes more or lessIt seemed, so great my happiness,That I was blessed and could bless.
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THE HOST is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling Away, come away: Empty your heart of its mortal dream. The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart. The host is rushing ’twixt night and day, And where is there hope or deed as fair? Caolte tossing his burning hair, And Niamh calling Away, come away
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ROSE of all Roses, Rose of all the World! The tall thought-woven sails, that flap unfurled Above the tide of hours, trouble the air, And God’s bell buoyed to be the water’s care; While hushed from fear, or loud with hope, a band With blown, spray-dabbled hair gather at hand. Turn if you may from battles never done, I call, as they go by me one by one, Danger no refuge holds, and war no peace, For him who hears love sing and never cease, Beside her clean-swept hearth, her quiet shade: But gather all for whom no love hath made A woven silence, or but came to cast A song into the air, and singing past To smile on the pale dawn; and gather you Who have sought more than is in rain or dew Or in the sun and moon, or on the earth, Or sighs amid the wandering starry mirth, Or comes in laughter from the sea’s sad lips; And wage God’s battles in the long grey ships. The sad, the lonely, the insatiable, To these Old Night shall all her mystery tell; God’s bell has claimed them by the little cry Of their sad hearts, that may not live nor die. Rose of all Roses, Rose of all the World! You, too, have come where the dim tides are hurled Upon the wharves of sorrow, and heard ring The bell that calls us on; the sweet far thing. Beauty grown sad with its eternity Made you of us, and of the dim grey sea. Our long ships loose thought-woven sails and wait, For God has bid them share an equal fate; And when at last defeated in His wars, They have gone down under the same white stars, We shall no longer hear the little cry Of our sad hearts, that may not live nor die.The Sweet Far Thing
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A couple of hours after Sunset Michael Robartes returned and told me that I would have to learn the steps of an exceedingly antique dance, because before my initiation could be perfected I had to join three times in a magical dance, for rhythm was the wheel of Eternity, on which alone the transient and accidental could be broken, and the spirit set free.
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O chestnut-tree, great-rooted blossomer,Are you the leaf, the blossom or the bole?O body swayed to music, O brightening glance,How can we know the dancer from the dance?
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Labour is blossoming or dancing whereThe body is not bruised to pleasure soul.
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The Celt, and his cromlechs, and his pillar-stones, these will not change much – indeed, it is doubtful if anybody at all changes at any time. In spite of hosts of deniers, and asserters, and wise-men, and professors, the majority still are adverse to sitting down to dine thirteen at a table, or being helped to salt, or walking under a ladder, of seeing a single magpie flirting his chequered tale. There are, of course, children of light who have set their faces against all this, although even a newspaperman, if you entice him into a cemetery at midnight, will believe in phantoms, for everyone is a visionary, if you scratch him deep enough. But the Celt, unlike any other, is a visionary without scratching.
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And now he is singing a bards curse upon you, O brother abbot, and upon your father and your mother, and your grandfather and your grandmother, nd upon all your relations.Is he cursing in rhyme?He is cursing in rhyme, and with two assonances in every line of his curse.(The Crucifixion Of The Outcast)
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The Cat and the Moon The cat went here and thereAnd the moon spun round like a top,And the nearest kin of the moon,The creeping cat, looked up.Black Minnaloushe stared at the moon,For, wander and wail as he would,The pure cold light in the skyTroubled his animal blood.Minnaloushe runs in the grassLifting his delicate feet.Do you dance, Minnaloushe, do you dance?When two close kindred meet,What better than call a dance?Maybe the moon may learn,Tired of that courtly fashion,A new dance turn.Minnaloushe creeps through the grassFrom moonlit place to place,The sacred moon overheadHas taken a new phase.Does Minnaloushe know that his pupilsWill pass from change to change,And that from round to crescent,From crescent to round they range?Minnaloushe creeps through the grassAlone, important and wise,And lifts to the changing moonHis changing eyes.
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Then the woman in the bed sat up and looked about her with wild eyes; and the oldest of the old men said: Lady, we have come to write down the names of the immortals,’ and at his words a look of great joy came into her face. Presently she, began to speak slowly, and yet eagerly, as though she knew she had but a little while to live, and, in English, with the accent of their own country; and she told them the secret names of the immortals of many lands, and of the colours, and odours, and weapons, and instruments of music and instruments of handicraft they held dearest; but most about the immortals of Ireland and of their love for the cauldron, and the whetstone, and the sword, and the spear, and the hills of the Shee, and the horns of the moon, and the Grey Wind, and the Yellow Wind, and the Black Wind, and the Red Wind. (The Adoration of the Magi)
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In the great cities we see so little of the world, we drift into our minority. In the little towns and villages there are no minorities; people are not numerous enough. You must see the world there, perforce. Every man is himself a class; every hour carries its new challenge. When you pass the inn at the end of the village you leave your favourite whimsy behind you; for you will meet no one who can share it. We listen to eloquent speaking, read books and write them, settle all the affairs of the universe. The dumb village multitudes pass on unchanging; the feel of the spade in the hand is no different for all our talk: good seasons and bad follow each other as of old. The dumb multitudes are no more concerned with us than is the old horse peering through the rusty gate of the village pound. The ancient map-makers wrote across unexplored regions, Here are lions. Across the villages of fishermen and turners of the earth, so different are these from us, we can write but one line that is certain, Here are ghosts. (Village Ghosts)
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Surely some revelation is at hand.
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Life is a long preparation for something that never happens.
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