For last years words belong to last years language And next years words await another voice.
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I am alive to a usual objection to what is clearly part of my programme for the metier of poetry. The objection is that the doctrine requires a ridiculous amount of erudition (pedantry), a claim which can be rejected by appeal to the lives of poets in any pantheon. It will even be affirmed that much learning deadens or perverts poetic sensibility. While, however, we persist in believing that a poet ought to know as much as will not encroach upon his necessary receptivity and necessary laziness, it is not desirable to confine knowledge to whatever can be put into a useful shape for examinations, drawing rooms, or the still more pretentious modes of publicity. Some can absorb knowledge, the more tardy must sweat for it. Shakespeare acquired more essential history from Plutarch than most men could from the whole British Museum. What is to be insisted upon is that the poet must develop this consciousness throughout his career. What happens is a continual surrender of himself as he is at the moment to something which is more valuable. The progress of an artist is a continual self-sacrifice, a continual extinction of personality.
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Time and the bell have buried the day,The black cloud carries the sun away.Will the sunflower turn to us, will the clematisStray down, bend to us; tendril and sprayClutch and cling? ChillFingers of yew be curledDown on us? After the kingfishers wingHas answered light to light, and is silent, the light is stillAt the still point of the turning world.
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O Light Invisible, we praise Thee! Too bright for mortal vision. O Greater Light, we praise Thee for the less; The eastern light our spires touch at morning, The light that slants upon our western doors at evening, The twilight over stagnant pools at batflight, Moon light and star light, owl and moth light, Glow-worm glowlight on a grassblade. O Light Invisible, we worship Thee! We thank Thee for the light that we have kindled, The light of altar and of sanctuary; Small lights of those who meditate at midnight And lights directed through the coloured panes of windows And light reflected from the polished stone, The gilded carven wood, the coloured fresco. Our gaze is submarine, our eyes look upward And see the light that fractures through unquiet water. We see the light but see not whence it comes. O Light Invisible, we glorify Thee!
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Everyone’s alone—or so it seems to me.They make noises, and think they are talking to each other;They make faces, and think they understand each other,And I’m sure they don’t. Is that delusion?Can we only loveSomething created in our own imaginations?
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Footfalls echo in the memorydown the passage we did not taketowards the door we never openedinto the rose garden. My words echothus, in your mind
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Though you forget the way to the Temple,There is one who remembers the way to your door: Life you may evade, but Death you shall not. You shall not deny the Stranger.
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The journey not the arrival matters.
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Those who glitter with the glory of the hummingbird meaning death
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What is hell? Hell is oneself. Hell is alone, the other figures in it Merely projections. There is nothing to escape from And nothing to escape to. One is always alone.
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I have heard the mermaids singing, each to each. I do not think that they will sing to me.
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I grow old … I grow old … I shall wear the bottoms of my trousers rolled. Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me. I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown.
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No I am not Prince Hamlet nor was meant to be Am an attendant lord one that will do To swell a progress start a scene or two Advise the prince no doubt an easy tool Deferential glad to be of use Politic cautious and meticulous Full of high sentence but a bit obtuse At times indeed almost ridiculous— Almost at times the Fool. I grow old … I grow old … I shall wear the bottoms of my trousers rolled. Shall I part my hair behind Do I dare to eat a peach I shall wear white flannel trousers and walk upon the beach. I have heard the mermaids singing each to each. I do not think that they will sing to me. I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us and we drown.
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We had the experience but missed the meaning.
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These fragments I have shored against my ruins
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The historical sense involves a perception, not only of the pastness of the past, but of its presence
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We have only to conquer Now, by suffering. This is the easier victory.Now is the triumph of the cross.
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To country people Cows are mild,And flee from any stick they throw;But I’m a timid town bred child,And all the cattle seem to know.
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Believe me, Michael:Those who flee from the past will always lose the race.I know this from experience. When you reach your goal,Your imagined paradise of success and grandeur,You will find your past failures waiting there to greet you.
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Will the veiled sister pray for Those who walk in darkness, who chose thee and oppose thee, Those who are torn on the horn between season and season, time and time, between Hour and hour, word and word, power and power, those who wait In darkness? Will the veiled sister pray For children at the gate Who will not go away and cannot pray: Pray for those who chose and oppose
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