What is odd is not that so many of the iconic news photos of the past, including some of the best-remembered pictures from the Second World War, appear to have been staged. It is that we are surprised to learn they were staged and always disappointed.
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In fact, there are many uses of the innumerable opportunities a modern life supplies for regarding - at a distance, through the medium of photography - other peoples pain.
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The memory of war, however, like all memory, is mostly local.
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Perhaps the only people with the right to look at images of suffering of this extreme order are those who could do something to alleviate it - say, the surgeons at the military hospital where the photograph was taken - or those who could learn from it. The rest of us are voyeurs, whether or not we mean to be.
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Photographs that depict suffering shouldnt be beautiful, as captions shouldnt moralize.
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Making suffering loom larger, by globalizing it, may spur people to feel they ought to care more.
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Often something looks, or is felt to look, better in a photograph. Indeed, it is one of the functions of photography to improve the normal appearance of things. (Hence, one is always disappointed by a photograph that is not flattering.)
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I have loved people passionately whom I wouldnt have slept with for anything, but I think thats something else. Thats friendship -- love, which can be a tremendously passionate emotion, and it can be tender and involve a desire to hug or whatever. But it certainly doesnt mean you want to take off your clothes with that person. But certain friendships can be erotic. Oh, I think friendship is very erotic, but it isnt necessarily sexual. I think all my relationships are erotic: I cant imagine being fond of somebody I dont want to touch or hug, so therefore theres always an erotic aspect to some extent.
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I don’t care about someone being intelligent; any situation between people, when they are really human with each other, produces ‘intelligence.
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To the militant, identity is everything.
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Abuse of the military metaphor may be inevitable in a capitalist society, a society that increasingly restricts the scope and credibility of appeals to ethical principle, in which it is thought foolish not to subject ones actions to the calculus of self-interest and profitability. War-making is one of the few activities that people are not supposed to view realistically; that is, with an eye to expense and practical outcome. In all-out war, expenditure is all-out, unprudent--war being defined as as an emergency in which no sacrifice is excessive.
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Literature was the passport to enter a larger life; that is, the zone of freedom. Literature was freedom. Especially in a time in which the values of reading and inwardness are so strenuously challenged, literature is freedom.
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The last achievement of the serious admirer is to stop immediately putting to work the energies aroused by, filling up the space opened by, what is admired. Thereby talented admirers give themselves permission to breathe, to breathe more deeply. But for that it is necessary to go beyond avidity; to identify with something beyond achievement, beyond the gathering of power.
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The shock of photographed atrocities wears off with repeated viewings, just as the surprise and bemusement felt the first time one sees a pornographic movie wear off after one sees a few more.
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The likelihood that your acts of resistance cannot stop the injustice does not exempt you from acting in what you sincerely and reflectively hold to be the best interests of your community.
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I must change my life so that I can live it, not wait for it.
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Interpretation is the revenge of the intellectual upon art.
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But the very question of whether photography is or is not an art is essentially a misleading one. Although photography generates works that can be called art --it requires subjectivity, it can lie, it gives aesthetic pleasure-- photography is not, to begin with, an art form at all. Like language, it is a medium in which works of art (among other things) are made. Out of language, one can make scientific discourse, bureaucratic memoranda, love letters, grocery lists, and Balzacs Paris. Out of photography, one can make passport pictures, weather photographs, pornographic pictures, X-rays, wedding pictures, and Atgets Paris. Photography is not an art like, say, painting and poetry. Although the activities of some photographers conform to the traditional notion of a fine art, the activity of exceptionally talented individuals producing discrete objects that have value in themselves, form the beginning photography has also lent itself to that notion of art which says that art is obsolete. The power of photography --and its centrality in present aesthetic concerns-- is that it confirms both ideas of art. But the way in which photography renders art obsolete is, in the long run, stronger.
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The only interesting ideas are heresies
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Read a lot. Expect something big, something exalting or deepening from a book. No book is worth reading that isnt worth re-reading.
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