Who, if I cried out, would hear me among the angelshierarchies? and even if one of thempressed me against his heart: I would be consumedin that overwhelming existence. For beauty is nothingbut the beginning of terror, which we still are just able to endure,and we are so awed because it serenely disdainsto annihilate us. Every angel is terrifying.
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Beauty is only the start of bearable terror.
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For beauty is nothing but the beginning of terror.
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If your love for […] wants to do something now, then its work and task is this: to catch up with what it has missed. For it has failed to see whither this person has gone, it has failed to accompany her in her broadest development, it has failed to spread itself out over the new distances this person embraces, and it hasn’t ceased looking for her at a certain point in her growth, it wants obstinately to hold fast to a definite beauty beyond which she has passed, instead of persevering, confident of new shared beauties to come.”—from letter to Paula Modersohn-Becker Bremen (February 12, 1902)
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…[S]uddenly your eye, which was already preparing itself for larger dimensions, goes about willingly with little, hesitating, hearkening steps over the many overgrown paths of a long dead experience and stands still by all its landmarks reverently and respectfully. And has forgotten the world, and has no world but a face. I know exactly everything you said then. The figure of the old lady who speaks rarely and reservedly, who hides her hands when a gesture of tenderness would move them, and who only with rare caresses builds bridges to a few people, bridges that no longer exist when she draws back her arm and lies again like an island fantastically repeated on all sides in the mirror of motionless waters. My eyes too were already caught up in the radiance and bound to great and deep beauties.”―from letter to Clara Westhoff Schmargendorf bei Berlin (October 18, 1900)
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And you, Clara Westhoff, how simply and well you endured, lived through the experience, and made it a forward step in your young existence! So great was your love that it was able to forgive the great dying, and your eye was so sure, even then, that it conceived beauty in all the new colors, feelings, and gestures of the earth, and that all coming to an end seemed for your feeling only a pretext under which Nature wanted to unfold beauties yet unrevealed. Just as the eyes of angels rest on a dying child, delighting in the similar transfiguration of its half-released little face, so without concern you saw in the dying earth the smile and the beauty and the trust in eternity.―from letter to Clara Westhoff Schmargendorf (Sunday, November 18, 1900)
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Take your well-disciplined strengths, stretch them between the two great opposing poles, because inside human beings is where God learns.
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Perhaps the great renewal of the world will consist of this, that man and woman, freed of all confused feelings and desires, shall no longer seek each other as opposites, but simply as members of a family and neighbors, and will unite as human beings, in order to simply, earnestly, patiently, and jointly bear the heavy responsibility of sexuality that has been entrusted to them.
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I have often wondered whether especially those days when we are forced to remain idle are not precisely the days spend in the most profound activity. Whether our actions themselves, even if they do not take place until later, are nothing more than the last reverberations of a vast movement that occurs within us during idle days.In any case, it is very important to be idle with confidence, with devotion, possibly even with joy. The days when even our hands do not stir are so exceptionally quiet that it is hardly possible to raise them without hearing a whole lot.
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If you will stay close to nature, to its simplicity, to the small things hardly noticeable, those things can unexpectedly become great and immeasurable.
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Being an artist means, not reckoning and counting, but ripening like the tree which does not force its sap and stands confidence in the storms of spring without fear that after them may come no summer.
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A complete sharing between two people is an impossibility and whenever it seems, nevertheless, to exist, it is a narrowing, a mutual agreement which robs either one member or both of his fullest freedom and development. But, once the realization is accepted that, even between the closest human beings, infinite distances continue to exist, a wonderful living side by side can grow up, if they succeed in loving the distance between them which makes it possible for each to see the other whole and against a wide sky!
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Loving isnt merging, surrendering, uniting with the other. Rather, its a kind of solitude; of profound aloneness. It induces you to mature and become whole for the sake of your beloved ... to truly love another, you must first wholly love yourself. Love therefore exacts the most demanding claim of all; it both chooses you and pursues you, and reaches out, as if over vast distances, to call and draw you into your now and future self.-- John VanDyke Wilmerding, ideas put forth inspired by (after) Rainer Maria Rilkes Letters to a Young Poet
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Our heart always transcends us.
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Who has not sat before his own hearts curtain? It lifts: and the scenery is falling apart.
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And the heart has become so tired, and the longing so vast.
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His vision, from the constantly passing bars, has grown so weary that it cannot hold anything else. It seems to him there are a thousand bars; and behind the bars, no world.
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But not you, O girl, nor yet his mother,stretched his eyebrows so fierce with expectation.Not for your mouth, you who hold him now,did his lips ripen into these fervent contours.Do you really think your quiet footstepscould have so convulsed him, you who move like dawn wind?True, you startled his heart; but older terrorsrushed into him with that first jolt to his emotions.Call him . . . youll never quite retrieve him from those dark consorts.Yes, he wants to, he escapes; relieved, he makes a homein your familiar heart, takes root there and begins himself anew.But did he ever begin himself?
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And those, who come together in the night and are twined in quivering pleasure, are performing a serious work and are heaping up sweetness, depth and force for the song of some coming poet, who will arise to express inexpressible ecstasies
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If only mankind could hold its own fertility in awe, which is one and the same whether it manifests itself in the spirit or in the flesh. For creativity in the spirit has its origins in the physical kind, is of one nature with it and only a more delicate, more rapt and less fleeting version of the carnal sort of sex.
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