When one is the type of writer who cares about the meaning of the historically specific setting, the history itself is not something that I would call backdrop. Its not window dressing for a timeless relationship about love and betrayal. For me, the setting and the specific history are active co-agents with me in trying to form the novel.
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My dad had a Vincent Black Shadow, which was a quite particular thing: it was the fastest cycle of its era... It sparked a world for me; when I was old enough, I got a motorcycle.
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