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Quotes by Milan Kundera

Milan Kundera

A novel examines not reality but existence. And existence is not what has occurred, existence is the realm of human possibilities, everything that man can become, everything hes capable of. Novelists draw up the map of existence by discovering this or that human possibilit. But again, to exist mean: being-in-the-world. Thus both the character and his world must be understood as possibilities.

The stupidity of people comes from having an answer for everything. The wisdom of the novel comes from having a question for everything.

Keep this in mind: it is our religion to praise life. The word life” is the king of words. The king­word surrounded by other grand words. The word adventure”! The word future”! And the word hope”! By the way, do you know the code name for the atomic bomb they dropped on Hiroshima? Little Boy”! Thats a genius, the fellow who invented that code! They couldnt have dreamed up a better one. Little boy, kid, tyke, tot - theres no word thats more tender, more touching, more loaded with future.

Let the planet be convulsed with exploding bombs, the country ravished daily by new hordes, all his neighbors taken out and shot - he could accept it all more easily than he dared to admit. But the grief implicit in Terezas dream was something he could not endure.

Horror is a shock, a time of utter blindness. Horror lacks every hint of beauty. All we can see is the piercing light of an unknown event awaiting us. Sadness, on the other hand, assumes we are in the know... The light of horror thus lost its harshness, and the world was bathed in a gentle, bluish light that actually beautified it.

Our dreams prove that to imagine - to dream about things that have not happened - is among mankinds deepest needs.

A man is responsible for his ignorance.

The Greek word for return is nostos. Algos means suffering. So nostalgia is the suffering caused by an unappeased yearning to return.

Such are the Splendors and Miseries of memory: it is proud of its ability to keep truthful track of the logical sequence of past events; but when it comes to how we experienced them at the time, memory feels no obligation to truth.

He knew very well that his memory detested him, that it did nothing but slander him; therefore he tried not to believe it and to be more lenient toward his own life. But that didnt help: he took no pleasure in looking back, and he did it as seldom as possible.

I imagine the feelings of two people meeting after many years. In the past they spent some time together, and therefore they think they are linked by the same experience, the same recollections. The same recollections? Thats where the misunderstanding starts: they dont, have the same recollections; each of them retains two or three small scenes from the past, but each has his own; their recollections are not similar; they dont intersect.

She wants to have her notebooks so that the flimsy framework of events, as she has constructed them in her school notebook, will be provided with walls and become a house she can live in. Because if the tottering structure of her memories collapses like a clumsily pitched tent, all that Tamina will be left with is the present, that invisible point, that nothingness moving slowly toward death.

The assassination of Allende quickly covered over the memory of the Russian invasion of Bohemia, the bloody massacre in Bangladesh caused Allende to be forgotten, the din of war in the Sinai Desert drowned out the groans of Bangladesh, the massacres in Cambodia caused the Sinai to be forgotten, and so on, and on and on, until everyone has completely forgotten everything.

The more vast the amount of time weve left behind us, the more irresistible is the voice calling us to return to it. This pronouncement seems to state the obvious and yet it is false. Men grow old, the end grows near, each moment becomes more and more valuable and there is no time to waste on recollection. Its important to understand the mathematical paradox in nostalgia, that it is most powerful in early youth , when the volume of life that has passed is quite small.

At a time when history made its way slowly, the few events were easily remembered and woven into a backdrop, known to everyone, before which private life unfolded the gripping show of its adventures. Nowadays, time moves forward at a rapid pace. Forgotten overnight, a historic event glistens the next day like the morning dew and thus is no longer the backdrop to a narrators tale but rather an amazing adventure enacted against the background of the over-familiar banality of private life.

Even painful memories are ties that bind.

for there is nothing heavier than compassion. Not even ones own pain weighs so heavy as the pain one feels with someone, for someone, a pain intensified by the imagination and prolonged by a hundred echoes.

By revealing to Tomas her dream about jabbing needles under her fingernails, Tereza unwittingly revealed that she had gone through his desk. If Tereza had been any other woman, Tomas would never have spoken to her again. Aware of that, Tereza said to him, Throw me out! But instead of throwing her out, he seized her hand and kissed the tips of her fingers, because at that moment he himself felt the pain under her fingernails as surely as if the nerves of her fingers led straight to his own brain.Anyone who has failed to benefit from the Devil’s gift of compassion (co-feeling) will condemn Tereza coldly for her deed, because privacy is sacred and drawers containing intimate correspondence are not to be opened. But because compassion was Tomas’s fate (or curse), he felt that he himself had knelt before the open desk drawer, unable to tear his eyes from Sabina’s letter. He understood Tereza, and not only was he incapable of being angry with her, he loved her all the more.

We will never remember anything by sitting in one place waiting for the memories to come back to us of their own accord! Memories are scattered all over the world. We must travel if we want to find them and flush them from their hiding places!

He was no longer quite sure whether anything he had ever thought or felt was truly his own property, or whether his thoughts were merely a common part of the world’s store of ideas which had always existed ready-made and which people only borrowed, like books from a library.