Quotes by Margaret Atwood

I look at him with the nostalgic affection men are said to feel for their wars, their fellow veterans. I think, I once threw things at this man. I threw a glass ashtray, a fairly cheap one which didnt break. I threw a shoe (his) and a handbag (mine), not even snapping the handbag shut first, so that he was showered with a metal rain of keys and small change. The worst thing I threw was a small portable television set, standing on the bed and heaving it at him with the aid of the bouncy springs, although the instant I let fly I thought, Oh God, let him duck! I once thought I was capable of murdering him. Today I feel only a mild regret that we were not more civilized with each other at the time. Still, it was amazing, all those explosions, that recklessness, that Technicolor wreckage. Amazing and agonizing and almost lethal.

Better not to invent her in her absence. Better to wait until shes actually here. Then he can make her up as she goes along.

If you worked out enough, maybe the man would too. Maybe you would be able to work it out together, as if the two of you were a puzzle that could be solved; otherwise, one of you, most likely the man, taking his addictive body with him and leaving you with bad withdrawal, which you could counteract by exercise. If you didnt work it out it was because one of you had the wrong attitude.

You shouldnt do that, said Laura. You could set yourself on fire.

In the end, well all become stories

He has to find more and better ways of occupying his time. His time, what a bankrupt idea, as if hes been given a box of time belonging to him alone, stuffed to the brim with hours and minutes that he can spend like money. Trouble is, the box has holes in it and the time is running out, no matter what he does with it.

Time is not a line but a dimension, like the dimensions of space. If you can bend space you can bend time also, and if you knew enough and could move faster than light you could travel backward in tie and exist in two places at once.

Time: old cold time, old sorrow, settling down in layers like silt in a pond.

Human tool-makers always make tools that will help us get what we want, and what we want hasnt changed for thousands of years because as far as we can tell the human template hasnt changed either. We still want the purse that will always be filled with gold, and the Fountain of Youth. We want the table that will cover itself with delicious food whenever we say the word, and that will be cleaned up afterwards by invisible servants. We want the Seven-League Boots so we can travel very quickly, and the Hat of Darkness so we can snoop on other people without being seen. We want the weapon that will never miss, and the castle that will keep us safe. We want excitement and adventure; we want routine and security. We want to have a large number of sexually attractive partners, and we also want those we love to love us in return, and be utterly faithful to us. We want cute, smart children who will treat us with the respect we deserve. We want to be surrounded by music, and by ravishing scents and attractive visual objects. We dont want to be too hot or too cold. We want to dance. We want to speak with the animals. We want to be envied. We want to be immortal. We want to be gods.But in addition, we want wisdom and justice. We want hope. We want to be good.

All this will happen because people have neglected the basic lessons of Science, they have gone in for politics and religion and wars instead, and sought out passionate excuses for killing one another. Science on the other hand is dispassionate and without bias, it is the only universal language. The language is numbers. When at last we are up to our ears in death and garbage, we will look to Science to clean up our mess.

Perhaps they were looking for passion; perhaps they delved into this book as into a mysterious parcel - a gift box at the bottom of which, hidden in layers of rustling tissue paper, lay something theyd always longed for but couldnt ever grasp.

We were the people who were not in the papers. We lived in the blank white spaces on the edges of print.

That is how we writers all started: by reading. We heard the voice of a book speaking to us.

I lie on the floor, washed by nothing and hanging on. I cry at night. I am afraid of hearing voices, or a voice. I have come to the edge, of the land. I could get pushed over.

Fear is a powerful stimulant.

Why is it we want so badly to memorialize ourselves? Even while were still alive. We wish to assert our existence, like dogs peeing on fire hydrants. We put on display our framed photographs, our parchment diplomas, our silver-plated cups; we monogram our linen, we carve our names on trees, we scrawl them on washroom walls. Its all the same impulse. What do we hope from it? Applause, envy, respect? Or simply attention, of any kind we can get?At the very least we want a witness. We cant stand the idea of our own voices falling silent finally, like a radio running down.

What am I living for and what am I dying for are the same question.

This is what I miss, Cordelia: not something that’s gone, but something that will never happen. Two old women giggling over their tea.

I dont smile. Why tempt her to friendship?

She can outstare anyone, and I am almost as good. We’re impervious, we scintillate, we are thirteen. We wear long wool coats with tie belts, the collars turned up to look like those of movie stars, and rubber boots with the tops folded down and men’s work socks inside. In our pockets are stuffed the kerchiefs our mothers make us wear but that we take off as soon as we’re out of their sight. We scorn head coverings. Our mouths are tough, crayon-red, shiny as nails. We think we are friends.