There was some part of me that never left that house. Rather, some part of the house that wouldnt leave me.
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Alice felt a surge of pity for them, stuck as they were within the white-hot glow of youth, when everything seemed so vital, so essential, so important.
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Winter passed, and the world around began to wake. The birds returned to the kingdom and set about readying their nests, deer could be seen once more grazing where the fields met the woods, and buds burst forth upon the branches of the kingdoms trees.
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There was much work to be done in the crones cottage, but the Princess was never heard to complain, for she was a true Princess with a pure heart. The happiest folk are those that are busy, for their minds are starved of time to seek out woe. Thus did the Princess grow up contented. She came to love the changing seasons and learned the satisfaction of sowing seeds and tending crops. And although she was becoming beautiful, the Princess did not know it, for the crone had neither looking glass nor vanity and thus the Princess had not learned the ways of either.
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This was the power of the story weaver, Nell realized. An ability to conjure color so that all else seemed to fade.
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Vivien thought how ugly adults could be, how weak. So used to getting what they wanted that they didnt know the first thing about being brave.
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Youll beat this. I know it doesnt feel like it, but you will. Youre a survivor.I dont want to survive it.I know that, too, Nell had said. And its fair enough. But sometimes we dont have a choice...
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The happiest folks are those that are busy, for their minds are starved of time to seek out woe. -The Crones Eyes
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Apart from such visits, for the first time in her life Eliza was truly alone. In the beginning, unfamiliar sounds, nocturnal sounds, disturbed her, but as the days passed she came to know them: soft-pawed animals under the eaves, the ticking of the warming range, floorboards shivering in the cooling nights. And there were unexpected benefits to her solitary life: alone in the cottage, Eliza discovered that the characters from her fairy tales became bolder. She found fairies playing in the spiders webs, insects whispering incantations on the windowsills, fire sprites spitting and hissing in the range. Sometimes in the afternoons, Eliza would sit on the rocking chair listening to them. And late at night, when they were all asleep, she would spin their stories into her own tales.
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Apart from such visits, for the first time in her life Eliza was truly alone. In the beginning, unfamiliar sounds, nocturnal sounds, disturbed her, but as the days passed she came to know them: soft-pawed animals under the eaves, the ticking of the warming range, floorboards shivering in the cooling nights. And their were unexpected benefits to her solitary life: alone in the cottage, Eliza discovered that the characters from her fairy tales became bolder. She found fairies playing in the spiders webs, insects whispering incantations on the windowsills, fire sprites spitting and hissing in the range. Sometimes in the afternoons, Eliza would sit on the rocking chair listening to them. And late at night, when they were all asleep, she would spin their stories into her own tales.
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It was the sibling thing, I suppose. I was fascinated by the intricate tangle of love and duty and resentment that tied them together. The glances they exchanged; the complicated balance of power established over decades; the games I would never play with rules I would never fully understand. And perhaps that was key: they were such a natural group that they made me feel remarkably singular by comparison. To watch them together was to know strongly, painfully, all that Id been missing.
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Mrs. Bird smiled at me as I arrived at her side. They can surprise us, cant they, our parents? The things they got up to before we were born.Yes, I said. Almost like they were real people once.
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That, my dear, is what makes a character interesting, their secrets.
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I blame what happened next on the door. The one right across the hall from me, a mere three feet away. I love doors. All of them, without exception. Doors lead to things and I’ve never met one I haven’t wanted to open. All the same, if that door hadn’t been so old and decorative, so decidedly closed, if a thread of light hadn’t positioned itself with such wretched temptation across its middle, highlighting the keyhole and its intriguing key, perhaps I might have stood a chance; remained twiddling my thumbs until Percy came to collect me. But it was and I didn’t; I maintain that I simply couldn’t. Sometimes, you can tell just by looking at a door there’s something interesting behind it.
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Ah, my darling. But there is no such thing [as a nice safe history].
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Nell was like a witch. Her long silvery hair rolled into a bun on the back of her head, the narrow wooden house on the hillside in Paddington, with its peeling lemon-yellow paint and overgrown garden, the neighborhood cats that followed her everywhere. The way she had of fixing her eyes so straight on you, as if she might be about to cast a spell.
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Tragedy has been described as the conflict between desire and possibility. Following this definition, is The Forgotten Garden a tragedy? If so, in what way/s?
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it was enough just to free the words so that the voices in her head were stilled.
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Even the most pragmatic person fell victim at times to a longing for something other.
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Loneliness had made the Queen bitter, bitterness had made her selfish, and selfishness had made her suspicious. --The Changeling
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