I want to touch you.And if you did touch me, what then?I would find a language of beginning.
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Singing is my pleasure, but not in church, for the parson said the gargoyles must remain on the outside, not seek room in the choir stalls. So I sing inside the mountain of my flesh, and my voice is as slender as a reed and my voice has no lard in it. When I sing the dogs sit quiet and people who pass in the night stop their jabbering and discontent and think of other times, when they were happy. And I sing of other times, when I was happy, though I know that these are figments of my mind and nowhere I have been. But does it matter if the place cannot be mapped as long as I can still describe it?
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In that house, you will find my heart. You must break in, Henri, and get it back for me.Was she mad? We had been talking figuratively. Her heart was in her body like mine. I tried to explain this to her, but she took my hand and put it against her chest.Feel for yourself.
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Every journey conceals another journey within its lines: the path not taken and the forgotten angle.
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Every journey conceals another journey within its lines; the path not taken and the forgotten angle. These are the journeys I wish to record. Not the ones I made, but the ones I might have made, or perhaps did make in some other place or time.
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You cannot disown what is yours. Flung out, there is always the return, the reckoning, the revenge, perhaps the reconciliation. There is always the return. And the wound will take you there.
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We bury things so deep we no longer remember there was anything to bury. Our bodies remember. Our neurotic states remember. But we dont.
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What you think is the heart might well be another organ.
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When a woman gives birth her waters break and she pours out the child and the child runs free.
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I am good at walking away. Rejection teaches you how to reject.
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...there are two kinds of writing: the one you write and the one that writes you.
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Much of what I have done is left unfinished- not because I left it too soon, not because I was lazy, but because it had a life of its own that continues without me. Children, I suppose, are always unfinished business: they begin as part of your own body, and continue as seperate as another continent. The work you do, if it has any meaning, passes to other hands. The day slides into a nights dreaming.True stories are the ones that lie open at the border, allowing a crossing, a further frontier. The final frontier is just science fiction -dont believe it. Like the universe, there is no end. (p.87)
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There are only three possible endings —arent there? — to any story: revenge, tragedy or forgiveness. That’s it. All stories end like that.
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Everyone who tells a story tells it differently, just to remind us that everybody sees it differently.
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Where you are born--what you are born into, the place, the history of the place, how that history mates with your own-- stamps who you are, whatever the pundits of globalisation have to say.
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Like most people, when I look back, the family house is held in time, or rather it is now outside of time, because it exists so clearly and it does not change, and it can only be entered through a door in the mind. I like it that pre-industrial societies, and religious cultures still, now, distinguish between two kinds of time – linear time, that is also cyclical because history repeats itself, even as it seems to progress, and real time, which is not subject to the clock or the calendar, and is where the soul used to live. This real time is reversible and redeemable. It is why, in religious rites of all kinds, something that happened once is re-enacted – Passover, Christmas, Easter, or, in the pagan record, Midsummer and the dying of the god. As we participate in the ritual, we step outside of linear time and enter real time. Time is only truly locked when we live in a mechanised world. Then we turn into clock-watchers and time-servers. Like the rest of life, time becomes uniform and standardised. When I left home at sixteen I bought a small rug. It was my roll-up world. Whatever room, whatever temporary place I had, I unrolled the rug. It was a map of myself. Invisible to others, but held in the rug, were all the places I had stayed – for a few weeks, for a few months. On the first night anywhere new I liked to lie in bed and look at the rug to remind myself that I had what I needed even though what I had was so little. Sometimes you have to live in precarious and temporary places. Unsuitable places. Wrong places. Sometimes the safe place won’t help you. Why did I leave home when I was sixteen? It was one of those important choices that will change the rest of your life. When I look back it feels like I was at the borders of common sense, and the sensible thing to do would have been to keep quiet, keep going, learn to lie better and leave later. I have noticed that doing the sensible thing is only a good idea when the decision is quite small. For the life-changing things, you must risk it. And here is the shock – when you risk it, when you do the right thing, when you arrive at the borders of common sense and cross into unknown territory, leaving behind you all the familiar smells and lights, then you do not experience great joy and huge energy. You are unhappy. Things get worse. It is a time of mourning. Loss. Fear. We bullet ourselves through with questions. And then we feel shot and wounded. And then all the cowards come out and say, ‘See, I told you so.’ In fact, they told you nothing.
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When you are born--what you are born into, the place, the history of the place, how that history mates with your own-- stamps who you are, whatever the pundits of globalisation have to say.
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Happy is an adult word. You dont have to ask a child about happy, you see it. They are or they are not. Adults talk about being happy because largely they are not. Talking about it is the same as trying to catch the wind. Much easier to let it blow all over you.
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You are young, said my father. You wont get any younger even if you clean your teeth twice a day.Youll get older, said my mother, thats what happens.Then what happens?You wont be able to find the treasure.Will I be too old to look for it?No, but youll be looking in the wrong place.
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I can change the story. I am the story.
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