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Quotes by Hayao Miyazaki

Hayao Miyazaki

See that house with the Ivy on it? From that rooftop, what if you leapt onto the next rooftop, dashed over that blue & green wall, climbed and jumped up the pipe, ran across the roof and jumped to the next? You can, in animation.If you could walk along the cable, you could see the other side. When you look from above, so many things reveal themselves to you. Maybe race along the concrete wall. Suddenly, there in your humdrum town there is a magical movie. Isn’t it fun to see things that way? Feels like you could go somewhere far beyond……maybe you can…

The concept of portraying evil and then destroying it - I know this is considered mainstream, but I think it is rotten. This idea that whenever something evil happens someone particular can be blamed and punished for it, in life and in politics is hopeless.

Is someone different at age 18 or 60? I believe one stays the same.

There are so many things we can’t do anything about if we think about generalities. Things won’t go well because there is a huge gap between the generalities and the particulars. If we see generalities from the top of a mountain or from a plane, we feel it’s hopeless, but if we go down, there is a nice road running about fifty meters, we feel this is a nice road, and if the weather is fine and shining, we feel we can go on… Since the people in the community are cleaning up the river in my neighborhood, I join them when I have the time. A human can often be satisfied with the particulars. That’s what I like best these days.

In the past, humans hesitated when they took lives, even non-human lives. But society had changed, and they no longer felt that way. As humans grew stronger, I think that we became quite arrogant, losing the sorrow of we have no other choice. I think that in the essence of human civilization, we have the desire to become rich without limit, by taking the lives of other creatures.

Utopia exists only in ones childhood life.

We live in an age when it is cheaper to buy the rights to movies than to make them.

These days, there are angry ghosts all around us, dead from wars, sickness, starvation--and nobody cares. So you say youre under a curse? Well, so what? Sos the whole damned world.

It seems like everything that we see perceived in the brain before we actually use our own eyes, that everything we see is coming through computers or machines and then is being input in our brain cells. So that really worries me.

We get strength and encouragement from watching children.

I dont intentionally make deep movies.

Watching John Lasseters films, I think I can understand better than anyone that what hes doing, is going straight ahead with his vision and working really hard to get that vision into film form. And I feel that my understanding this of him is my friendship towards him.

“If [hand-drawn animation] is a dying craft, we cant do anything about it. Civilization moves on. Where are all the fresco painters now? Where are the landscape artists? What are they doing now? The world is changing. I have been very fortunate to be able to do the same job for 40 years. Thats rare in any era.”

“I’ve become skeptical of the unwritten rule that just because a boy and girl appear in the same feature, a romance must ensue. Rather, I want to portray a slightly different relationship, one where the two mutually inspire each other to live - if I’m able to, then perhaps I’ll be closer to portraying a true expression of love.”

“Personally I am very pessimistic. But when, for instance, one of my staff has a baby you cant help but bless them for a good future. Because I cant tell that child, Oh, you shouldnt have come into this life. And yet I know the world is heading in a bad direction. So with those conflicting thoughts in mind, I think about what kind of films I should be making.”