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Quotes by Gustave Flaubert

Gustave Flaubert

One day, I shall explode like an artillery shell and all my bits will be found on the writing table.

Better to work for yourself alone. You do as you like and follow your own ideas, you admire yourself and please yourself: isn’t that the main thing? And then the public is so stupid. Besides, who reads? And what do they read? And what do they admire?

My foregrounds are imaginary, my backgrounds real.

Come, let’s be calm: no one incapable of restraint was ever a writer.

The writer must wade into life as into the sea, but only up to the navel.

There comes a point at which you stop writing and think all the more

I’m dazzled by your facility. In ten days you’ll have written six stories! I don’t understand it… I’m like one of those old aqueducts: there’s so much rubbish cogging up the banks of my thought that it flows slowly, and only spills from the end of my pen drop by drop.

In his earliest youth, he had drawn inspiration from really bad authors, as you may have seen from his style; as he grew older, he lost his taste for them, but the excellent authors just didn’t fill him with the same enthusiasm

It seems to me, alas, that if you can so thoroughly dissect your children who are still to be born, you don’t get horny enough to actually to father them.

The artist must manage to make posterity believe that he never existed.

You dont know what it is to stay a whole day with your head in your hands trying to squeeze your unfortunate brain so as to find a word.

I believe in the Supreme Being, in a Creator, whatever he may be. I care little who has placed us here below to fulfil our duties as citizens and fathers of families; but I dont need to go to church to kiss silver plates, and fatten, out of my pocket, a lot of good-for-nothings who live better than we do. For one can know him as well in a wood, in a field, or even contemplating the eternal vault like the ancients. My God! mine is the God of Socrates, of Franklin, of Voltaire, and of Beranger! I am for the profession of faith of the Savoyard Vicar, and the immortal principles of 89! And I cant admit of an old boy of a God who takes walks in his garden with a cane in his hand, who lodges his friends in the belly of whales, dies uttering a cry, and rises again at the end of three days; things absurd in themselves, and completely opposed, moreover, to all physical laws, which proves to us, by the way, that priests have always wallowed in turpid ignorance, in which they would fain engulf the people with them.

But that which fanaticism formerly promised to the elect, science now accomplishes for all men.

Doubt … is an illness that comes from knowledge and leads to madness.

Before her marriage she had thought that she had love within her grasp; but since the happiness which she had expected this love to bring her hadn’t come, she supposed she must have been mistaken. And Emma tried to imagine just what was meant, in life, by the words “bliss,” “passion,” and “rapture” - words that had seemed so beautiful to her in books.

An infinity of passion can be contained in one minute, like a crowd in a small space.

Sometimes, in a daze, they completely dismantled the cadaver, then found themselves hard put to it to fit the pieces together again.

Then they wondered if there were men in the stars. Why not? And as creation is harmonious, the inhabitants of Sirius ought to be huge, those of Mars middle-sized, those of Venus very small. Unless it is the same everywhere. There are businessmen, police up there; people trade, fight, dethrone their kings. Some shooting stars suddenly slid past, describing a course in the sky like the parabola of a monstrous rocket. ‘My Word,’ said Bouvard, ‘look at those worlds disappearing.’ Pecuchet replied: ‘If our world in its turn danced about, the citizens of the stars would be no more impressed than we are now. Ideas like that are rather humbling.’ ‘What is the point of it all?’ ‘Perhaps there isn’t a point.’ ‘Yet…’ and Pecuchet repeated the word two or three times, without finding anything more to say.

You forget everything. The hours slip by. You travel in your chair through centuries you seem seem to see before you, your thoughts are caught up in the story, dallying with the details or following the course of the plot, you enter into characters, so that it seems as if it were your own heart beating beneath their costumes.

The one way of tolerating existence is to lose oneself in literature as in a perpetual orgy.