Quotes by Frederick Buechner

God is the comic shepherd who gets more of a kick out of that one lost sheep once he finds it again than out of the ninety and nine who had the good sense not to get lost in the first place. God is the eccentric host who, when the country-club crowd all turned out to have other things more important to do than come live it up with him, goes out into the skid rows and soup kitchens and charity wards and brings home a freak show. The man with no legs who sells shoelaces at the corner. The old woman in the moth-eaten fur coat who makes her daily rounds of the garbage cans. The old wino with his pint in a brown paper bag. The pusher, the whore, the village idiot who stands at the blinker light waving his hand as the cars go by. They are seated at the damask-laid table in the great hall. The candles are all lit and the champagne glasses filled. At a sign from the host, the musicians in their gallery strike up Amazing Grace.

Sin and grace, absence and presence, tragedy and comedy, they divide the world between them and where they meet head on, the Gospel happens.

God in his unending greatness and glory and man in his unending littleness, prepared for the worst but rarely for the best, prepared for the possible but rarely for the impossible.

[W]e are none of us very good at silence. It says too much.

The Gospel writers are not really interested primarily in the facts of the birth but in the significance, the meaning for them of that birth just as the people who love us are not really interested primarily in the facts of our births but in what it meant to them when we were born and how for them the world was never the same again, how their whole lives were changed with new significance.

To confess your sins to God is not to tell God anything God doesnt already know. Until you confess them, however, they are the abyss between you. When you confess them, they become the Golden Gate Bridge.

My story is important not because it is mine, God knows, but because if I tell it anything like right, the chances are you will recognize that in many ways it is also yours… it is precisely through these stories in all their particularity, as I have long believed and often said, that God makes himself known to each of us more powerfully and personally. If this is true, it means that to lose track of our stories is to be profoundly impoverished not only humanly but also spiritually.

War is hell, but sometimes in the midst of that hell men do things that heaven itself must be proud of. A hand grenade is hurled into a group of men. One of the men throws himself on top of it, making his body a living shield. In the burst of wild fire he dies, and the others live. Heroism is only a word, often a phony one. This is an action for which there is no good word because we can hardly even imagine it, let alone give it its proper name. Very literally, one man takes death into his bowels, takes fire into his own sweet flesh, so that the other men can take life, some of them men he hardly knows.

Theology, like fiction, is largely autobiographical.

The sadness was Id lost a father I had never fully found. Its like a tune that ends before youve heard it out. Your whole life through you search to catch the strain, and seek the face youve lost in strangers faces.

With words as valueless as poker chips, we play games whose object it is to keep us from seeing each others cards.

...With a religious book it is less what we see in it than what we see through it that matters. J. R. R. Tolkiens fairy-tale epic the Lord of the Rings helps draw the distinction perhaps. Some of its admirers have tried to make it into a religion book by claiming, among other things, that the Ring of Power which must be destroyed is the hydrogen bomb. Tolkien, on the other hand, denied this unequivocally. But intended or otherwise, there can be little doubt that for many it has become a religious book. The Frodo Lives buttons are not entirely a joke, because something at least comes to life through those fifteen hundred pages, although inevitably it is hard to say just what. It seems to have something to do with the way Tolkien has of making us see the quididity of things like wood, bread, stone, milk, iron, as though we have never seen them before or not for a long time, which is probably the truth of the matter; his landscapes set deeper echoes going in us than any message could. He gives us back a sense that we have mostly lost of the things of the earth, and because we are ourselves of the earth, whatever else, we are given back too some sense of our own secret. Very possibly again he did not intend it. I may well be axiomatic that, religiously, a writer achieves most when he is least conscious of doing so. Certainly the attempt to be religious is as doomed as the attempt to be poetic is.

Maybe its all utterly meaningless. Maybe its all unutterably meaningful. If you want to know which, pay attention to what it means to be truly human in a world that half the time were in love with and half the time scares the hell out of us. Any fiction that helps us pay attention to that is religious fiction. The unexpected sound of your name on somebodys lips. The good dream. The strange coincidence. The moment that brings tears to your eyes. The person who brings life to your life. Even the smallest events hold the greatest clues.

The fatted calf, the best Scotch, the hoedown could all have been his too, any time he asked for them except that he never thought to ask for them because he was too busy trying cheerlessly and religiously to earn them.

I hold my plush monkey over the bannister and let it drop. Its eyes light up when you squeeze its kidneys as whose eyes, I suppose, would not.

To do for yourself the best that you have it in you to do—to grit your teeth and clench your fists in order to survive the world at its harshest and worst—is, by that very act, to be unable to let something be done for you and in you that is more wonderful still. The trouble with steeling yourself against the harshness of reality is that the same steel that secures your life against being destroyed secures your life also against being opened up and transformed

They are prepared for a God who strikes hard bargains but not for a God who gives as much for an hours work as for a days. They are prepared for a mustard-seed kingdom of God no bigger than the eye of a newt but not for the great banyan it becomes with birds in its branches singing Mozart. They are prepared for the potluck supper at First Presbyterian but not for the marriage supper of the lamb...

... the world can give you these glimpses as well as fairy tales can--the smell of rain, the dazzle of sun on white clapboard with the shadows of ferns and wash on the line, the wildness of a winter storm when in the house the flame of a candle doesnt even flicker.

Every person has one particular time in his life when he is more beautiful than he is ever going to be again. For some it is at seven, for others at seventeen or seventy, and as Laura Fleischman read out loud from Shakespeare, I remember thinking that for her it was probably just then.

In answer, the news of the Gospel is that extraordinary things happen. ... Lear goes berserk on a heath but comes out of it for a few brief hours every inch a king. Zaccheus climbs up a sycamore tree a crook and climbs down a saint. Paul sets out a hatchet man for the Pharisees and comes back a fool for Christ.