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Quotes by Diane Ackerman

Diane Ackerman

One morning as I closed the cyclone-fence gate / to begin a slow drift / down to the cookhouse on foot / (because my truck wheels were glued / in deep mud once again), / I walked straight into / the waiting non-arms of a snake, / its tan beaded-bag skin / studded with black diamonds.Up it coiled to speak to me a eye level. / Imagine! that sleek finger / rising out of the lands palm / and coiling faster than a Hindu rope. / The thrill of a bull snake / startled in the morning / when the mesas lie pooled / in a custard of light / kept me bright than ball lightning all day.Praise leapt first to mind / before flight or danger, / praise that knows no half-truth, and pardons all.

Devising a vocabulary for gardening is like devising a vocabulary for sex. There are the correct Latin names, but most people invent euphemisms. Those who refer to plants by Latin name are considered more expert, if a little pedantic.

Alligators have beautiful undulating skin, which feels dense, spongy, solid, like the best eraser.

Couples are jigsaw puzzles that hang together by touching in just enough points. Theyre never total fits or misfits. ... We marry children who have grown up and still rejoice in being children .... [p. 15]

For if I do something, I never do it thoughtlessly.

Anticipating their calamity and fright when deportation day came (August 6, 1942) he [Henryk Goldszmit, pen name: Janusz Korczak] joined them aboard the train bound for Treblinka, because, he said, he knew his presence would calm them—“You do not leave a sick child in the night, and you do not leave children at a time like this.” A photograph taken at the Umschlagplatz (Transshipment Square) shows him marching, hatless, in military boots, hand in hand with several children, while 192 other children and ten staff members follow, four abreast, escorted by German soldiers. Korczak and the children boarded red boxcars not much larger than chicken coops, usually stuffed with seventy-five vertical adults, though all the children easily fit. In Joshua Perle’s eyewitness account in The Destruction of the Warsaw Ghetto, he describes the scene: “A miracle occurred, two hundred pure souls, condemned to death, did not weep. Not one of them ran away. None tried to hide. Like stricken swallows they clung to their teacher and mentor, to their father and brother, Janusz Korczak.”In 1971, the Russians named a newly discovered asteroid after him, 2163 Korczak, but maybe they should have named it Ro, the planet he dreamed of. The Poles claim Korczak as a martyr, and the Israelis revere him as one of the Thirty-Six Just Men, whose pure souls make possible the world’s salvation. According to Jewish legend, these few, through their good hearts and good deeds, keep the too-wicked world from being destroyed. For their sake alone, all of humanity is spared. The legend tells that they are ordinary people, not flawless or magical, and that most of them remain unrecognized throughout their lives, while they choose to perpetuate goodness, even in the midst of inferno.

Love is the great intangible. In our nightmares, we can create beasts out of pure emotion. Hate stalks the streets with dripping fangs, fear flies down narrow alleyways on leather wings, and jealousy spins sticky webs across the sky. In daydreams, we can maneuver with poise, foiling an opponent, scoring high on fields of glory while crowds cheer, cutting fast to the heart of an adventure. But what dream state is love? Frantic and serene, vigilant and calm, wrung-out and fortified, explosive and sedate –love commands a vast army of moods. Hoping for victory, limping from the latest skirmish, lovers enter the arena once again. Sitting still, we are as daring as gladiators.

It began in mystery and it will end in mystery, but what a rare and beautiful country lies in between.

I was moving in a narrow range between busy distractedness and a pervasive sadness whose granules seemed to enter each cell, weighing it down... I ghosted between islands of anxiety... a fatigue that dulled my zest, decanted it. Sorrow felt like a marble coat I couldn’t shed.

When I set a glass prism on a windowsill and allow the sun to flood through it, a spectrum of colors dances on the floor. What we call white is a rainbow of colored rays packed into a small space. The prism sets them free. Love is the white light of emotion.

Europe enjoyed a heritage of fairy tales alive with talking animals--some almost real, other deliciously bogus-- to spark childs fantasies and gallop grownups to the cherished haunts of childhood. It pleased Antonina that her zoo offered on orient of fabled creatures, where book pages sprang alive and people could parley with ferocious animals.

Suffering took hold of me like a magic spell abolishing all differences between friends and strangers.

It began in mystery, and it will end in mystery, but what a savage and beautiful country lies in between.

I believe consciousness is brazenly physical, a raucous mirage the brain creates to help us survive. But I also sense the universe is magical, greater than the sum of its parts, which I dont attribute to a governing god, but simply to the surprising, ecstatic, frightening everyday reality we all know. Ultimately, I find consciousness a fascinating predicament for matter to get into.

Metaphor isnt just decorative language. If it were, it wouldnt scare us so much. . . . Colorful language threatens some people, who associate it, I think, with a kind of eroticism (playing with language in public = playing with yourself), and with extra expense (having to sense or feel more). I dont share that opinion. Why reduce life to a monotone? Is that truer to the experience of being alive? I dont think so. It robs us of lifes many textures. Language provides an abundance of words to keep us company on our travels. But were losing words at a reckless pace, the national vocabulary is shrinking. Most Americans use only several hundred words or so. Frugality has its place, but not in the larder of language. We rely on words to help us detail how we feel, what we once felt, what we can feel. When the blood drains out of language, ones experience of life weakens and grows pale. Its not simply a dumbing down, but a numbing.

We tend to think of memories as monuments we once forged and may find intact beneath the weedy growth of years. But, in a real sense, memories are tied to and describe the present. Formed in an idiosyncratic way when they happened, theyre also true to the moment of recall, including how you feel, all youve experienced, and new values, passions, and vulnerability. One never steps into the same stream of consciousness twice.

Still, though no one is an island, most are peninsulas. Our lives wouldnt make sense without personal memories pinned like butterflies against the velvet backdrop of social history.

In our heart we know that life loves life. Yet we feast on some of the other life-forms with which we share our planet; we kill to live. Taste is what carries us across that rocky moral terrain, what makes the horror palatable, and the paradox we could not defend by reason melts into a jungle of sweet temptations.

Frantic and serene, vigilant and calm, wrung-out and fortified, explosive and sedate—love commands a vast army of moods. Hoping for victory, limping from the latest skirmish, lovers enter the arena once again. Sitting still, we are as daring as gladiators.

Why was it, she asked herself, that animals can sometimes subdue their predatory ways in only a few months, while humans, despite centuries of refinement, can quickly grow more savage than any beast?