Quotes by Catherynne M. Valente

For there are two kinds of forgiveness in the world: the one you practice because everything really is all right, and what went before is mended. The other kind of forgiveness you practice because someone needs desperately to be forgiven, or because you need just as badly to forgive them, for a heart can grab hold of old wounds and go sour as milk over them.

War is not for winning, Masha, sighed Koschei, reading the tracks of supply lines, of pincer strategies, over her shoulder. It is for surviving.

Do not ruin today with mourning tomorrow.

This is what comes of having a heart, even a very small and young one. It causes no end of trouble, and that’s the truth.

However unlikely it may seem, it is the truth and, therefore, one hundred percent likely.

Many people in this room have an Etsy store where they create unique, unreplicable artifacts or useful items to be sold on a small scale, in a common marketplace where their friends meet and barter. I and many of my friends own more than one spinning wheel. We grow our food again. We make pickles and jams on private, individual scales, when many of our mothers forgot those skills if they ever knew them. We come to conventions, we create small communities of support and distributed skills--when one of us needs help, our village steps in. It’s only that our village is no longer physical, but connected by DSL instead of roads. But look at how we organize our tribes--bloggers preside over large estates, kings and queens whose spouses’ virtues are oft-lauded but whose faces are rarely seen. They have moderators to protect them, to be their knights, a nobility of active commenters and big name fans, a peasantry of regular readers, and vandals starting the occasional flame war just to watch the fields burn. Other villages are more commune-like, sharing out resources on forums or aggregate sites, providing wise women to be consulted, rabbis or priests to explain the world, makers and smiths to fashion magical objects. Groups of performers, acrobats and actors and singers of songs are traveling the roads once more, entertaining for a brief evening in a living room or a wheatfield, known by word of mouth and secret signal. Separate from official government, we create our own hierarchies, laws, and mores, as well as our own folklore and secret history. Even my own guilt about having failed as an academic is quite the crisis of filial piety--you see, my mother is a professor. I have not carried on the family trade.We dwell within a system so large and widespread, so disorganized and unconcerned for anyone but its most privileged and luxurious members, that our powerlessness, when we can summon up the courage to actually face it, is staggering. So we do not face it. We tell ourselves we are Achilles when we have much more in common with the cathedral-worker, laboring anonymously so that the next generation can see some incremental progress. We lack, of course, a Great Work to point to and say: my grandmother made that window; I worked upon the door. Though, I would submit that perhaps the Internet, as an object, as an aggregate entity, is the cathedral we build word by word and image by image, window by window and portal by portal, to stand taller for our children, if only by a little, than it does for us. For most of us are Lancelots, not Galahads. We may see the Grail of a good Classical life, but never touch it. That is for our sons, or their daughters, or further off.And if our villages are online, the real world becomes that dark wood on the edge of civilization, a place of danger and experience, of magic and blood, a place to make one’s name or find death by bear. And here, there be monsters.

I wonder sometimes what the memory of God looks like. Is it a palace of infinite rooms, a chest of many jeweled objects, a long, lonely landscape where each tree recalls an eon, each pebble the life of a man? Where do I live, in the memory of God?

Stories have a way of changing faces. They are unruly things, undisciplined, given to delinquency and the throwing of erasers. This is why we must close them up into thick, solid books, so they cannot get out and cause trouble.

Hats have power. Hats can change you into someone else.

You should always listen to minotaurs. Anybody with four stomachs has to have a firm grip on reality.

Their happiness was the kind which is fashioned of the comfortable disorder of sauvignon bottles and coffee cups in the sink, paperback thrillers with split spines on the nightstand, bathrobes hung haphazard on high-backed, brocade-seated chairs, shutters left open all night, and the hallway ever in need of new paint.

Just remember that the only question in a house is who is to rule. The rest is only dancing around that, trying not to look it in the eye.

Where there is a Key, there is yet hope.

I will not let her speak because I love her, and when you love someone, you do not make them tell war stories. A war story is a black space. On the one side is before and on the other side is after, and what is inside belongs only to the dead.

The rapt pupil will be forgiven for assuming the Tsar of Death to be wicked and the Tsar of Life to be virtuous. Let the truth be told: There is no virtue anywhere. Life is sly and unscrupulous, a blackguard, wolfish, severe. In service to itself, it will commit any offense. So, too, is Death possessed of infinite strategies and a gaunt nature- but also mercy, also grace and tenderness. In his own country, Death can be kind.

Men die. Its practically what theyre for.

Death is not a checkmate…it is more like a carnival trick. You cannot win, no matter how you move your Queen.

And as we watched, the Tsar of Death lifted up his eyelids like skirts and began to dance in the streets of Leningrad.

If you are a monster, stand up.If you are a monster, a trickster, a fiend,If you’ve built a steam-powered wishing machineIf you have a secret, a dark past, a scheme,If you kidnap maidens or dabble in dreamsCome stand by me.If you have been broken, stand up.If you have been broken, abandoned, aloneIf you have been starving, a creature of boneIf you live in a tower, a dungeon, a throneIf you weep for wanting, to be held, to be known,Come stand by me.If you are a savage, stand up.If you are a witch, a dark queen, a black knight,If you are a mummer, a pixie, a sprite,If you are a pirate, a tomcat, a wright,If you swear by the moon and you fight the hard fight,Come stand by me. If you are a devil, stand up.If you are a villain, a madman, a beast,If you are a strowler, a prowler, a priest,If you are a dragon come sit at our feast,For we all have stripes, and we all have horns, We all have scales, tails, manes, claws and thornsAnd here in the dark is where new worlds are born.Come stand by me.

First, the avid student must be aware that when the world was young it knew only seven things: water, life and death, salt, night, birds and the length of an hour.