“The same ambition can destroy or save, and make a patriot as it makes a knave.”
The eternal art, educing good from ill,
Grafts on this passion our best principle:
'Tis thus the mercury of man is fixed,
Strong grows the virtue with his nature mixed;
The dross cements what else were too refined,
And in one interest body acts with mind.
As fruits, ungrateful to the planter's care,
On savage stocks inserted, learn to bear;
The surest virtues thus from passions shoot,
Wild nature's vigour working at the root.
What crops of wit and honesty appear
From spleen, from obstinacy, hate, or fear!
See anger, zeal and fortitude supply;
Even avarice, prudence; sloth, philosophy;
Lust, through some certain strainers well refined,
Is gentle love, and charms all womankind;
Envy, to which th' ignoble mind's a slave,
Is emulation in the learned or brave;
Nor virtue, male or female, can we name,
But what will grow on pride, or grow on shame.
Thus Nature gives us (let it check our pride)
The virtue nearest to our vice allied:
Reason the bias turns to good from ill
And Nero reigns a Titus, if he will.
The fiery soul abhorred in Catiline,
In Decius charms, in Curtius is divine:
The same ambition can destroy or save,
And makes a patriot as it makes a knave.
This light and darkness in our chaos joined,
What shall divide? The God within the mind.
Extremes in nature equal ends produce,
In man they join to some mysterious use;
Though each by turns the other's bound invade,
As, in some well-wrought picture, light and shade,
And oft so mix, the difference is too nice
Where ends the virtue or begins the vice.
Fools! who from hence into the notion fall,
That vice or virtue there is none at all.
If white and black blend, soften, and unite
A thousand ways, is there no black or white?
Ask your own heart, and nothing is so plain;
'Tis to mistake them, costs the time and pain.
Vice is a monster of so frightful mien,
As, to be hated, needs but to be seen;
Yet seen too oft, familiar with her face,
We first endure, then pity, then embrace.
But where th' extreme of vice, was ne'er agreed:
Ask where's the north? at York, 'tis on the Tweed;
In Scotland, at the Orcades; and there,
At Greenland, Zembla, or the Lord knows where.
“So vast is art, so narrow human wit.”
Some have at first for wits then poets passed
Turned critics next and proved plain fools at last
Some neither can for wits nor critics pass
As heavy mules are neither horse nor ass.
Those half-learned witlings, numerous in our isle,
As half-formed insects on the banks of Nile
Unfinished things one knows not what to call
Their generation is so equivocal
To tell them would a hundred tongues require,
Or one vain wits that might a hundred tire.
But you who seek to give and merit fame,
And justly bear a critic's noble name,
Be sure yourself and your own reach to know
How far your genius taste and learning go.
Launch not beyond your depth, but be discreet
And mark that point where sense and dullness meet.
Nature to all things fixed the limits fit
And wisely curbed proud man's pretending wit.
As on the land while here the ocean gains.
In other parts it leaves wide sandy plains
Thus in the soul while memory prevails,
The solid power of understanding fails
Where beams of warm imagination play,
The memory's soft figures melt away
One science only will one genius fit,
So vast is art, so narrow human wit
Not only bounded to peculiar arts,
But oft in those confined to single parts
Like kings, we lose the conquests gained before,
By vain ambition still to make them more
Each might his several province well command,
Would all but stoop to what they understand.
First follow nature and your judgment frame
By her just standard, which is still the same.
Unerring nature still divinely bright,
One clear, unchanged and universal light,
Life force and beauty, must to all impart,
At once the source and end and test of art
Art from that fund each just supply provides,
Works without show and without pomp presides
In some fair body thus the informing soul
With spirits feeds, with vigor fills the whole,
Each motion guides and every nerve sustains,
Itself unseen, but in the effects remains.
Some, to whom Heaven in wit has been profuse, [80]
Want as much more, to turn it to its use;
For wit and judgment often are at strife,
Though meant each other's aid, like man and wife.
“A little learning is a dangerous thing;Drink deep, or taste not the Pierian spring.”
Oh may some spark of your celestial fire,
The last, the meanest of your sons inspire,
(That, on weak wings, from far pursues your flights,
Glows while he reads, but trembles as he writes),
To teach vain wits a science little known,
To admire superior sense, and doubt their own!
* * * * *
PART II.
Of all the causes which conspire to blind
Man's erring judgment and misguide the mind,
What the weak head with strongest bias rules,
Is pride, the never-failing vice of fools.
Whatever nature has in worth denied,
She gives in large recruits of needful pride;
For as in bodies, thus in souls, we find
What wants in blood and spirits, swelled with wind:
Pride where wit fails steps in to our defense,
And fills up all the mighty void of sense.
If once right reason drives that cloud away,
Truth breaks upon us with resistless day
Trust not yourself, but your defects to know,
Make use of every friend--and every foe.
A little learning is a dangerous thing
Drink deep, or taste not the Pierian spring [216]
There shallow draughts intoxicate the brain,
And drinking largely sobers us again.
Fired at first sight with what the muse imparts,
In fearless youth we tempt the heights of arts
While from the bounded level of our mind
Short views we take nor see the lengths behind
But more advanced behold with strange surprise,
New distant scenes of endless science rise!
So pleased at first the towering Alps we try,
Mount o'er the vales and seem to tread the sky,
The eternal snows appear already passed
And the first clouds and mountains seem the last.
But those attained we tremble to survey
The growing labors of the lengthened way
The increasing prospect tires our wandering eyes,
Hills peep o'er hills and Alps on Alps arise!
A perfect judge will read each work of wit
With the same spirit that its author writ
Survey the whole nor seek slight faults to find
Where nature moves and rapture warms the mind,
Nor lose for that malignant dull delight
The generous pleasure to be charmed with wit
But in such lays as neither ebb nor flow,
Correctly cold and regularly low
That, shunning faults, one quiet tenor keep;
We cannot blame indeed--but we may sleep.
“Of manners gentle, of affections mild; In wit a man, simplicity a child”
Oh, born to arms! oh, worth in youth approved!
Oh, soft humanity, in age beloved!
For thee the hardy veteran drops a tear,
And the gay courtier feels the sigh sincere.
Withers, adieu! yet not with thee remove
Thy martial spirit, or thy social love!
Amidst corruption, luxury, and rage,
Still leave some ancient virtues to our age:
Nor let us say (those English glories gone)
The last true Briton lies beneath this stone.
X. ON MR ELIJAH FENTON,[83] AT EASTHAMSTEAD, IN BERKS, 1730.
This modest stone, what few vain marbles can,
May truly say, Here lies an honest man:
A poet, blest beyond the poet's fate,
Whom Heaven kept sacred from the proud and great:
Foe to loud praise, and friend to learnèd ease,
Content with science in the vale of peace.
Calmly he look'd on either life, and here
Saw nothing to regret, or there to fear;
From Nature's temperate feast rose satisfied,
Thank'd Heaven that he had lived, and that he died.
XI. ON MR GAY, IN WESTMINSTER ABBEY, 1732.
Of manners gentle, of affections mild;
In wit, a man; simplicity, a child:
With native humour tempering virtuous rage,
Form'd to delight at once and lash the age:
Above temptation in a low estate,
And uncorrupted, even among the great:
A safe companion, and an easy friend,
Unblamed through life, lamented in thy end.
These are thy honours! not that here thy bust
Is mix'd with heroes, or with kings thy dust;
But that the worthy and the good shall say,
Striking their pensive bosoms--Here lies Gay.
XII. INTENDED FOR SIR ISAAC NEWTON, IN WESTMINSTER ABBEY.
ISAACUS NEWTONUS:
QUEM IMMORTALEM
TESTANTUR TEMPUS, NATURA, COELUM:
MORTALEM
HOC MARMOR FATETUR.
Nature and Nature's laws lay hid in night
God said, Let Newton be! and all was light.
XIII. ON DR FRANCIS ATTERBURY,[84] BISHOP OF ROCHESTER, WHO DIED IN EXILE
AT PARIS, 1732.
SHE.
Yes, we have lived--one pang, and then we part!
May Heaven, dear father! now have all thy heart.
Yet ah! how once we loved, remember still,
Till you are dust like me.
HE.
Dear shade!
“Pride is still aiming at the best houses: Men would be angels, angels would be gods. Aspiring to be gods, if angels fell; aspiring to be angels men rebel.”
whose untutored mind
Sees God in clouds, or hears Him in the wind;
His soul, proud science never taught to stray
Far as the solar walk, or milky way;
Yet simple Nature to his hope has given,
Behind the cloud-topped hill, an humbler heaven;
Some safer world in depth of woods embraced,
Some happier island in the watery waste,
Where slaves once more their native land behold,
No fiends torment, no Christians thirst for gold.
To be, contents his natural desire,
He asks no angel's wing, no seraph's fire;
But thinks, admitted to that equal sky,
His faithful dog shall bear him company.
IV. Go, wiser thou! and, in thy scale of sense,
Weigh thy opinion against providence;
Call imperfection what thou fanciest such,
Say, here He gives too little, there too much;
Destroy all creatures for thy sport or gust,
Yet cry, if man's unhappy, God's unjust;
If man alone engross not Heaven's high care,
Alone made perfect here, immortal there:
Snatch from His hand the balance and the rod,
Re-judge His justice, be the God of God.
In pride, in reasoning pride, our error lies;
All quit their sphere, and rush into the skies.
Pride still is aiming at the blest abodes,
Men would be angels, angels would be gods.
Aspiring to be gods, if angels fell,
Aspiring to be angels, men rebel:
And who but wishes to invert the laws
Of order, sins against the Eternal Cause.
V. Ask for what end the heavenly bodies shine,
Earth for whose use? Pride answers, "'Tis for mine:
For me kind Nature wakes her genial power,
Suckles each herb, and spreads out every flower;
Annual for me, the grape, the rose renew
The juice nectareous, and the balmy dew;
For me, the mine a thousand treasures brings;
For me, health gushes from a thousand springs;
Seas roll to waft me, suns to light me rise;
My footstool earth, my canopy the skies."
But errs not Nature from this gracious end,
From burning suns when livid deaths descend,
When earthquakes swallow, or when tempests sweep
Towns to one grave, whole nations to the deep?
"No, ('tis replied) the first Almighty Cause
Acts not by partial, but by general laws;
The exceptions few; some change since all began;
And what created perfect?"--Why then man?
If the great end be human happiness,
Then Nature deviates; and can man do less?
“Know then thyself, presume not God to scan; The proper study of mankind is man”
The Limits of his
Capacity, v.19, etc. II. The two Principles of Man, Self-love and
Reason, both necessary, v.53, etc. Self-love the stronger, and why, v.67,
etc. Their end the same, v.81, etc. III. The Passions, and their use,
v.93 to 130. The predominant Passion, and its force, v.132 to 160. Its
Necessity, in directing Men to different purposes, v.165, etc. Its
providential Use, in fixing our Principle, and ascertaining our Virtue,
v.177. IV. Virtue and Vice joined in our mixed Nature; the limits near,
yet the things separate and evident: What is the Office of Reason, v.202
to 216. V. How odious Vice in itself, and how we deceive ourselves into
it, v.217. VI. That, however, the Ends of Providence and general Good
are answered in our Passions and Imperfections, v.238, etc. How usefully
these are distributed to all Orders of Men, v.241. How useful they are
to Society, v.251. And to the Individuals, v.263. In every state, and
every age of life, v.273, etc.
EPISTLE II.
I. Know, then, thyself, presume not God to scan;
The proper study of mankind is man.
Placed on this isthmus of a middle state,
A being darkly wise, and rudely great:
With too much knowledge for the sceptic side,
With too much weakness for the stoic's pride,
He hangs between; in doubt to act, or rest;
In doubt to deem himself a god, or beast;
In doubt his mind or body to prefer;
Born but to die, and reasoning but to err;
Alike in ignorance, his reason such,
Whether he thinks too little, or too much:
Chaos of thought and passion, all confused;
Still by himself abused, or disabused;
Created half to rise, and half to fall;
Great lord of all things, yet a prey to all;
Sole judge of truth, in endless error hurled:
The glory, jest, and riddle of the world!
Go, wondrous creature! mount where science guides,
Go, measure earth, weigh air, and state the tides;
Instruct the planets in what orbs to run,
Correct old time, and regulate the sun;
Go, soar with Plato to th' empyreal sphere,
To the first good, first perfect, and first fair;
Or tread the mazy round his followers trod,
And quitting sense call imitating God;
As Eastern priests in giddy circles run,
And turn their heads to imitate the sun.
“Love, free as air at sight of human ties, spreads his light wings, and in a moment flies”
50
Heaven first taught letters for some wretch's aid,
Some banish'd lover, or some captive maid;
They live, they speak, they breathe what love inspires,
Warm from the soul, and faithful to its fires;
The virgin's wish without her fears impart,
Excuse the blush, and pour out all the heart,
Speed the soft intercourse from soul to soul,
And waft a sigh from Indus to the Pole.
Thou know'st how guiltless first I met thy flame,
When Love approach'd me under Friendship's name; 60
My fancy form'd thee of angelic kind,
Some emanation of the all-beauteous Mind.
Those smiling eyes, attempering every ray,
Shone sweetly lambent with celestial day.
Guiltless I gazed; Heaven listen'd while you sung;
And truths divine came mended from that tongue.
From lips like those, what precept fail'd to move?
Too soon they taught me 'twas no sin to love:
Back through the paths of pleasing sense I ran,
Nor wish'd an angel whom I loved a man. 70
Dim and remote the joys of saints I see;
Nor envy them that heaven I lose for thee.
How oft, when press'd to marriage, have I said,
Curse on all laws but those which Love has made!
Love, free as air, at sight of human ties,
Spreads his light wings, and in a moment flies.
Let wealth, let honour, wait the wedded dame,
August her deed, and sacred be her fame; 80
Before true passion all those views remove;
Fame, wealth, and honour! what are you to Love?
The jealous god, when we profane his fires,
Those restless passions in revenge inspires,
And bids them make mistaken mortals groan,
Who seek in love for aught but love alone.
Should at my feet the world's great master fall,
Himself, his throne, his world, I'd scorn them all:
Not Cæsar's empress would I deign to prove;
No, make me mistress to the man I love;
If there be yet another name more free,
More fond than mistress, make me that to thee! 90
Oh, happy state! when souls each other draw,
When love is liberty, and nature law:
All then is full, possessing and possess'd,
No craving void left aching in the breast:
Even thought meets thought, ere from the lips it part,
And each warm wish springs mutual from the heart.
This, sure, is bliss (if bliss on earth there be)
And once the lot of Abelard and me.
“This long disease, my life”
One dedicates in high heroic prose,
And ridicules beyond a hundred foes:
One from all Grubstreet will my fame defend,
And more abusive, calls himself my friend.
This prints my letters, that expects a bribe,
And others roar aloud, "Subscribe, subscribe."
There are, who to my person pay their court:
I cough like Horace, and, though lean, am short,
Ammon's great son one shoulder had too high,
Such Ovid's nose, and "Sir! you have an eye"--
Go on, obliging creatures, make me see
All that disgraced my betters, met in me.
Say for my comfort, languishing in bed,
"Just so immortal Maro held his head:"
And when I die, be sure you let me know
Great Homer died three thousand years ago.
Why did I write? what sin to me unknown
Dipped me in ink, my parents', or my own?
As yet a child, nor yet a fool to fame,
I lisped in numbers, for the numbers came.
I left no calling for this idle trade,
No duty broke, no father disobeyed.
The Muse but served to ease some friend, not wife,
To help me through this long disease, my life,
To second, Arbuthnot! thy art and care,
And teach the being you preserved, to bear.
But why then publish? Granville the polite,
And knowing Walsh, would tell me I could write;
Well-natured Garth, inflamed with early praise;
And Congreve loved, and Swift endured my lays;
The courtly Talbot, Somers, Sheffield, read;
Even mitred Rochester would nod the head,
And St. John's self (great Dryden's friends before)
With open arms received one poet more.
Happy my studies, when by these approved!
Happier their author, when by these beloved!
From these the world will judge of men and books,
Not from the Burnets, Oldmixons, and Cookes.
Soft were my numbers; who could take offence,
While pure description held the place of sense?
Like gentle Fanny's was my flowery theme,
A painted mistress, or a purling stream.
Yet then did Gildon draw his venal quill;--
I wished the man a dinner, and sat still.
Yet then did Dennis rave in furious fret;
I never answered--I was not in debt.
“True ease in writing comes from art, not chance, as those who move easiest have learned to dance”
In vain bad rhymers all mankind reject,
They treat themselves with most profound respect;
'Tis to small purpose that you hold your tongue:
Each praised within, is happy all day long;
But how severely with themselves proceed
The men, who write such verse as we can read?
Their own strict judges, not a word they spare
That wants, or force, or light, or weight, or care,
Howe'er unwillingly it quits its place,
Nay though at Court, perhaps, it may find grace:
Such they'll degrade; and sometimes, in its stead,
In downright charity revive the dead;
Mark where a bold expressive phrase appears,
Bright through the rubbish of some hundred years;
Command old words that long have slept, to wake,
Words that wise Bacon or brave Raleigh spake;
Or bid the new be English, ages hence,
(For use will farther what's begot by sense)
Pour the full tide of eloquence along, }
Serenely pure, and yet divinely strong, }
Rich with the treasures of each foreign tongue; }
Prune the luxuriant, the uncouth refine,
But show no mercy to an empty line:
Then polish all, with so much life and ease,
You think 'tis nature, and a knack to please:
"But ease in writing flows from art, not chance;
As those move easiest who have learned to dance."
If such the plague and pains to write by rule,
Better, say I, be pleased and play the fool;
Call, if you will, bad rhyming a disease,
It gives men happiness, or leaves them ease.
There lived in primo Georgii, they record,
A worthy member, no small fool, a lord;
Who, though the House was up, delighted sate,
Heard, noted, answered, as in full debate:
In all but this, a man of sober life,
Fond of his friend, and civil to his wife;
Not quite a madman, though a pasty fell,
And much too wise to walk into a well.
Him, the damned doctors and his friends immured,
They bled, they cupped, they purged; in short, they cured.
Whereat the gentleman began to stare--
"My friends!" he cried, "plague take you for your care!
That from a patriot of distinguished note,
Have bled and purged me to a simple vote."
Well, on the whole, plain prose must be my fate:
Wisdom (curse on it) will come soon or late.
There is a time when poets will grow dull:
I'll e'en leave verses to the boys at school:
To rules of poetry no more confined,
I learn to smooth and harmonise my mind,
Teach every thought within its bounds to roll,
And keep the equal measure of the soul.
“The ruling passion, be it what it will, The ruling passion conquers reason still”
Congenial souls! whose life one av'rice joins,
And one fate buries in th' Asturian mines.
Much injured Blunt! why bears he Britain's hate?
A wizard told him in these words our fate:
"At length corruption, like a gen'ral flood
(So long by watchful Ministers withstood),
Shall deluge all; and av'rice, creeping on,
Spread like a low-born mist, and blot the sun;
Statesman and patriot ply alike the stocks,
Peeress and butler share alike the box,
And judges job, and bishops bite the town,
And mighty dukes pack cards for half-a-crown.
See Britain sunk in Lucre's sordid charms,
And France revenged of Anne's and Edward's arms!"
'Twas no Court-badge, great Scriv'ner! fired thy brain,
Nor lordly luxury, nor City gain:
No, 'twas thy righteous end, ashamed to see
Senates degen'rate, patriots disagree,
And, nobly wishing party-rage to cease,
To buy both sides, and give thy country peace.
"All this is madness," cries a sober sage:
But who, my friend, has reason in his rage?
"The ruling passion, be it what it will,
The ruling passion conquers reason still."
Less mad the wildest whimsey we can frame,
Than even that passion, if it has no aim;
For though such motives folly you may call,
The folly's greater to have none at all.
Hear then the truth: "'Tis Heaven each passion sends,
And different men directs to different ends.
Extremes in nature equal good produce,
Extremes in man concur to gen'ral use."
Ask we what makes one keep, and one bestow?
That POWER who bids the ocean ebb and flow,
Bids seed-time, harvest, equal course maintain,
Through reconciled extremes of drought and rain,
Builds life on death, on change duration founds,
And gives th' eternal wheels to know their rounds.
Riches, like insects, when concealed they lie,
Wait but for wings, and in their season fly.
Who sees pale Mammon pine amidst his store,
Sees but a backward steward for the poor;
This year a reservoir, to keep and spare;
The next, a fountain, spouting through his heir,
In lavish streams to quench a country's thirst,
And men and dogs shall drink him till they burst.
“Men must be taught as if you taught them not, and things unknown proposed as things forgot.”
with your darts engage,
Here point your thunder, and exhaust your rage!
Yet shun their fault, who, scandalously nice,
Will needs mistake an author into vice;
All seems infected that the infected spy,
As all looks yellow to the jaundiced eye.
* * * * *
PART III.
Learn, then, what morals critics ought to show,
For 'tis but half a judge's task to know.
'Tis not enough, taste, judgment, learning, join;
In all you speak, let truth and candor shine:
That not alone what to your sense is due
All may allow, but seek your friendship too.
Be silent always, when you doubt your sense;
And speak, though sure, with seeming diffidence:
Some positive persisting fops we know,
Who, if once wrong will needs be always so;
But you, with pleasure, own your errors past,
And make each day a critique on the last.
'Tis not enough your counsel still be true;
Blunt truths more mischief than nice falsehoods do;
Men must be taught as if you taught them not,
And things unknown proposed as things forgot.
Without good breeding truth is disapproved;
That only makes superior sense beloved.
Be niggards of advice on no pretense;
For the worst avarice is that of sense
With mean complacence, ne'er betray your trust,
Nor be so civil as to prove unjust
Fear not the anger of the wise to raise,
Those best can bear reproof who merit praise.
'Twere well might critics still this freedom take,
But Appius reddens at each word you speak, [585]
And stares, tremendous with a threatening eye,
Like some fierce tyrant in old tapestry
Fear most to tax an honorable fool
Whose right it is uncensured to be dull
Such, without wit are poets when they please,
As without learning they can take degrees
Leave dangerous truths to unsuccessful satires,
And flattery to fulsome dedicators
Whom, when they praise, the world believes no more,
Than when they promise to give scribbling o'er.
'Tis best sometimes your censure to restrain,
And charitably let the dull be vain
Your silence there is better than your spite,
For who can rail so long as they can write?
“Charms strike the sight, but merit wins the soul”
round our coaches crowd the white-gloved beaux?
Why bows the side-box from its inmost rows?
How vain are all these glories, all our pains,
Unless good sense preserve what beauty gains:
That men may say, when we the front-box grace,
Behold the first in virtue as in face!
Oh! if to dance all night, and dress all day,
Charm'd the small-pox, or chased old-age away; 20
Who would not scorn what housewife's cares produce,
Or who would learn one earthly thing of use?
To patch, nay ogle, might become a saint,
Nor could it, sure, be such a sin to paint.
But since, alas! frail beauty must decay,
Curl'd or uncurl'd, since locks will turn to gray;
Since painted, or not painted, all shall fade,
And she who scorns a man, must die a maid;
What then remains, but well our power to use,
And keep good-humour still, whate'er we lose? 30
And trust me, dear! good-humour can prevail,
When airs, and flights, and screams, and scolding fail.
Beauties in vain their pretty eyes may roll;
Charms strike the sight, but merit wins the soul.'
So spoke the dame, but no applause ensued;
Belinda frown'd, Thalestris call'd her prude.
'To arms, to arms!' the fierce virago cries,
And swift as lightning to the combat flies.
All side in parties, and begin the attack;
Fans clap, silks rustle, and tough whalebones crack; 40
Heroes' and heroines' shouts confusedly rise,
And bass and treble voices strike the skies.
No common weapons in their hands are found,
Like gods they fight, nor dread a mortal wound.
So when bold Homer makes the gods engage,
And heavenly breasts with human passions rage;
'Gainst Pallas, Mars; Latona, Hermes arms,
And all Olympus rings with loud alarms:
Jove's thunder roars, heaven trembles all around,
Blue Neptune storms, the bellowing deeps resound: 50
Earth shakes her nodding towers, the ground gives way,
And the pale ghosts start at the flash of day!
Triumphant Umbriel on a sconce's height
Clapp'd his glad wings, and sat to view the fight;
Propp'd on their bodkin spears, the sprites survey
The growing combat, or assist the fray.
“Fixed like a plant on his peculiar spot, To draw nutrition, propagate, and rot”
man's superior part
Unchecked may rise, and climb from art to art;
But when his own great work is but begun,
What reason weaves, by passion is undone.
Trace Science, then, with Modesty thy guide;
First strip off all her equipage of pride;
Deduct what is but vanity or dress,
Or learning's luxury, or idleness;
Or tricks to show the stretch of human brain,
Mere curious pleasure, or ingenious pain;
Expunge the whole, or lop th' excrescent parts
Of all our vices have created arts;
Then see how little the remaining sum,
Which served the past, and must the times to come!
II. Two principles in human nature reign;
Self-love to urge, and reason, to restrain;
Nor this a good, nor that a bad we call,
Each works its end, to move or govern all
And to their proper operation still,
Ascribe all good; to their improper, ill.
Self-love, the spring of motion, acts the soul;
Reason's comparing balance rules the whole.
Man, but for that, no action could attend,
And but for this, were active to no end:
Fixed like a plant on his peculiar spot,
To draw nutrition, propagate, and rot;
Or, meteor-like, flame lawless through the void,
Destroying others, by himself destroyed.
Most strength the moving principle requires;
Active its task, it prompts, impels, inspires.
Sedate and quiet the comparing lies,
Formed but to check, deliberate, and advise.
Self-love still stronger, as its objects nigh;
Reason's at distance, and in prospect lie:
That sees immediate good by present sense;
Reason, the future and the consequence.
Thicker than arguments, temptations throng.
At best more watchful this, but that more strong.
The action of the stronger to suspend,
Reason still use, to reason still attend.
Attention, habit and experience gains;
Each strengthens reason, and self-love restrains.
Let subtle schoolmen teach these friends to fight,
More studious to divide than to unite;
And grace and virtue, sense and reason split,
With all the rash dexterity of wit.
Wits, just like fools, at war about a name,
Have full as oft no meaning, or the same.
Self-love and reason to one end aspire,
Pain their aversion, pleasure their desire;
But greedy that, its object would devour,
This taste the honey, and not wound the flower:
Pleasure, or wrong or rightly understood,
Our greatest evil, or our greatest good.
“Tis not enough your counsel still be true; Blunt truths more mischief than nice falsehoods do.”
Encouraged thus, wit's Titans braved the skies, [552]
And the press groaned with licensed blasphemies.
These monsters, critics! with your darts engage,
Here point your thunder, and exhaust your rage!
Yet shun their fault, who, scandalously nice,
Will needs mistake an author into vice;
All seems infected that the infected spy,
As all looks yellow to the jaundiced eye.
* * * * *
PART III.
Learn, then, what morals critics ought to show,
For 'tis but half a judge's task to know.
'Tis not enough, taste, judgment, learning, join;
In all you speak, let truth and candor shine:
That not alone what to your sense is due
All may allow, but seek your friendship too.
Be silent always, when you doubt your sense;
And speak, though sure, with seeming diffidence:
Some positive persisting fops we know,
Who, if once wrong will needs be always so;
But you, with pleasure, own your errors past,
And make each day a critique on the last.
'Tis not enough your counsel still be true;
Blunt truths more mischief than nice falsehoods do;
Men must be taught as if you taught them not,
And things unknown proposed as things forgot.
Without good breeding truth is disapproved;
That only makes superior sense beloved.
Be niggards of advice on no pretense;
For the worst avarice is that of sense
With mean complacence, ne'er betray your trust,
Nor be so civil as to prove unjust
Fear not the anger of the wise to raise,
Those best can bear reproof who merit praise.
'Twere well might critics still this freedom take,
But Appius reddens at each word you speak, [585]
And stares, tremendous with a threatening eye,
Like some fierce tyrant in old tapestry
Fear most to tax an honorable fool
Whose right it is uncensured to be dull
Such, without wit are poets when they please,
As without learning they can take degrees
Leave dangerous truths to unsuccessful satires,
And flattery to fulsome dedicators
Whom, when they praise, the world believes no more,
Than when they promise to give scribbling o'er.
“The hungry judges soon the sentence sign, and wretches hang that jury-men may dine”
46:--
The rest the winds dispersed in empty air;
all after, to the end of this canto, being additional.
CANTO III.
Close by those meads, for ever crown'd with flowers,
Where Thames with pride surveys his rising towers,
There stands a structure of majestic frame,
Which from the neighb'ring Hampton takes its name.
Here Britain's statesmen oft the fall foredoom
Of foreign tyrants, and of nymphs at home;
Here thou, great Anna! whom three realms obey,
Dost sometimes counsel take--and sometimes tea.
Hither the heroes and the nymphs resort,
To taste awhile the pleasures of a court; 10
In various talk the instructive hours they pass'd,
Who gave the ball, or paid the visit last;
One speaks the glory of the British Queen,
And one describes a charming Indian screen;
A third interprets motions, looks, and eyes;
At every word a reputation dies.
Snuff, or the fan, supply each pause of chat,
With singing, laughing, ogling, and all that.
Meanwhile, declining from the noon of day,
The sun obliquely shoots his burning ray; 20
The hungry judges soon the sentence sign,
And wretches hang that jurymen may dine;
The merchant from the Exchange returns in peace,
And the long labours of the toilet cease.
Belinda now, whom thirst of fame invites,
Burns to encounter two adventurous knights,
At ombre singly to decide their doom,
And swells her breast with conquests yet to come.
Straight the three bands prepare in arras to join,
Each band the number of the sacred Nine. 30
Soon as she spreads her hand, the aërial guard
Descend, and sit on each important card:
First Ariel perch'd upon a Matadore,
Then each, according to the rank they bore;
For Sylphs, yet mindful of their ancient race,
Are, as when women, wondrous fond of place.
Behold, four Kings in majesty revered,
With hoary whiskers and a forky beard;
And four fair Queens, whose hands sustain a flower,
Th' expressive emblem of their softer power; 40
Four Knaves in garbs succinct, a trusty band,
Caps on their heads, and halberts in their hand;
And particolour'd troops, a shining train,
Draw forth to combat on the velvet plain.
“Not chaos-like together crushed and bruised, But as the world, harmoniously confused, Where order in variety we see, And where, though all things differ, all agree”
For, after all the murders of your eye,
When, after millions slain, yourself shall die;
When those fair suns shall set, as set they must,
And all those tresses shall be laid in dust,
This lock the Muse shall consecrate to fame,
And 'midst the stars inscribe Belinda's name. 150
* * * * *
WINDSOR-FOREST.[38]
TO THE RIGHT HONOURABLE GEORGE LORD LANSDOWNE.
'Non injussa cano: te nostrae, Vare, myricae,
Te nemus omne canet; nee Phoebo gratior ulla est,
Quam sibi quae Vari praescripsit pagina nomen.'
VIRG.
Thy forests, Windsor! and thy green retreats,
At once the Monarch's and the Muse's seats,
Invite my lays. Be present, sylvan Maids!
Unlock your springs, and open all your shades.
Granville commands; your aid, O Muses, bring!
What Muse for Granville can refuse to sing?
The groves of Eden, vanish'd now so long,
Live in description, and look green in song:
These, were my breast inspired with equal flame,
Like them in beauty, should be like in fame. 10
Here hills and vales, the woodland and the plain,
Here earth and water seem to strive again;
Not chaos-like, together crush'd and bruised,
But, as the world, harmoniously confused;
Where order in variety we see,
And where, though all things differ, all agree.
Here waving groves a chequer'd scene display,
And part admit, and part exclude the day;
As some coy nymph her lover's warm address
Nor quite indulges, nor can quite repress. 20
There, interspersed in lawns and opening glades,
Thin trees arise that shun each other's shades.
Here in full light the russet plains extend:
There, wrapt in clouds the bluish hills ascend.
Ev'n the wild heath displays her purple dyes,
And 'midst the desert fruitful fields arise,
That crown'd with tufted trees and springing corn,
Like verdant isles the sable waste adorn.
Let India boast her plants, nor envy we
The weeping amber or the balmy tree, 30
While by our oaks the precious loads are born,
And realms commanded which those trees adorn.
Not proud Olympus yields a nobler sight,
Though gods assembled grace his towering height.
Than what more humble mountains offer here,
Where, in their blessings, all those gods appear.
See Pan with flocks, with fruits Pomona crown'd,
Here blushing Flora paints the enamell'd ground,
Here Ceres' gifts in waving prospect stand,
And nodding tempt the joyful reaper's hand; 40
Rich industry sits smiling on the plains,
And peace and plenty tell a Stuart[39] reigns.
“Such labored nothings, in so strange a style, Amaze th unlearned, and make the learned smile”
Others for language all their care express,
And value books, as women men, for dress.
Their praise is still--"the style is excellent,"
The sense they humbly take upon content [308]
Words are like leaves, and where they most abound
Much fruit of sense beneath is rarely found.
False eloquence, like the prismatic glass. [311]
Its gaudy colors spreads on every place,
The face of nature we no more survey.
All glares alike without distinction gay:
But true expression, like the unchanging sun,
Clears and improves whate'er it shines upon;
It gilds all objects, but it alters none.
Expression is the dress of thought, and still
Appears more decent, as more suitable,
A vile conceit in pompous words expressed,
Is like a clown in regal purple dressed
For different styles with different subjects sort,
As several garbs with country town and court
Some by old words to fame have made pretense,
Ancients in phrase, mere moderns in their sense;
Such labored nothings, in so strange a style,
Amaze the unlearned, and make the learned smile.
Unlucky, as Fungoso in the play, [328]
These sparks with awkward vanity display
What the fine gentleman wore yesterday;
And but so mimic ancient wits at best,
As apes our grandsires in their doublets dressed.
In words as fashions the same rule will hold,
Alike fantastic if too new or old.
Be not the first by whom the new are tried,
Nor yet the last to lay the old aside
But most by numbers judge a poet's song
And smooth or rough, with them is right or wrong.
In the bright muse though thousand charms conspire,
Her voice is all these tuneful fools admire,
Who haunt Parnassus but to please their ear,
Not mend their minds, as some to church repair,
Not for the doctrine but the music there
These equal syllables alone require,
Though oft the ear the open vowels tire;
While expletives their feeble aid do join;
And ten low words oft creep in one dull line,
While they ring round the same unvaried chimes,
With sure returns of still expected rhymes,
Where'er you find "the cooling western breeze,"
In the next line it "whispers through the trees"
If crystal streams "with pleasing murmurs creep"
The reader's threatened (not in vain) with "sleep"
Then, at the last and only couplet fraught
With some unmeaning thing they call a thought,
A needless Alexandrine ends the song [356]
That, like a wounded snake drags its slow length along.
“Hope travels through, nor quits us when we die”
Heaven forming each on other to depend,
A master, or a servant, or a friend,
Bids each on other for assistance call,
Till one man's weakness grows the strength of all.
Wants, frailties, passions, closer still ally
The common interest, or endear the tie.
To these we owe true friendship, love sincere,
Each home-felt joy that life inherits here;
Yet from the same we learn, in its decline,
Those joys, those loves, those interests to resign;
Taught half by reason, half by mere decay,
To welcome death, and calmly pass away.
Whate'er the passion, knowledge, fame, or pelf,
Not one will change his neighbour with himself.
The learned is happy nature to explore,
The fool is happy that he knows no more;
The rich is happy in the plenty given,
The poor contents him with the care of Heaven.
See the blind beggar dance, the cripple sing,
The sot a hero, lunatic a king;
The starving chemist in his golden views
Supremely blest, the poet in his muse.
See some strange comfort every state attend,
And pride bestowed on all, a common friend;
See some fit passion every age supply,
Hope travels through, nor quits us when we die.
Behold the child, by Nature's kindly law,
Pleased with a rattle, tickled with a straw:
Some livelier plaything gives his youth delight,
A little louder, but as empty quite:
Scarves, garters, gold, amuse his riper stage,
And beads and prayer-books are the toys of age:
Pleased with this bauble still, as that before;
Till tired he sleeps, and life's poor play is o'er.
Meanwhile opinion gilds with varying rays
Those painted clouds that beautify our days;
Each want of happiness by hope supplied,
And each vacuity of sense by pride:
These build as fast as knowledge can destroy;
In folly's cup still laughs the bubble, joy;
One prospect lost, another still we gain;
And not a vanity is given in vain;
Even mean self-love becomes, by force divine,
The scale to measure others' wants by thine.
See! and confess, one comfort still must rise,
'Tis this, though man's a fool, yet God is wise.
ARGUMENT OF EPISTLE III.
Of the Nature and State of Man with respect to Society.
“While pensive poets painful vigils keep - Sleepless themselves to give their readers sleep”
She sees a mob of metaphors advance,
Pleased with the madness of the mazy dance;
How Tragedy and Comedy embrace;
How Farce and Epic[252] get a jumbled race; 70
How Time himself stands still at her command,
Realms shift their place, and ocean turns to land.
Here gay Description Egypt glads with showers,
Or gives to Zembla fruits, to Barca flowers;
Glittering with ice here hoary hills are seen,
There painted valleys of eternal green;
In cold December fragrant chaplets blow,
And heavy harvests nod beneath the snow.
All these, and more, the cloud-compelling queen
Beholds through fogs that magnify the scene. 80
She, tinsell'd o'er in robes of varying hues,
With self-applause her wild creation views;
Sees momentary monsters rise and fall,
And with her own fools-colours gilds them all.
'Twas on the day,[253] when Thorold rich and grave,
Like Cimon, triumphed both on land and wave:
(Pomps without guilt, of bloodless swords and maces,
Glad chains,[254] warm furs, broad banners, and broad faces.)
Now night descending, the proud scene was o'er,
But lived, in Settle's numbers, one day more.[255] 90
Now mayors and shrieves all hushed and satiate lay,
Yet eat, in dreams, the custard of the day;
While pensive poets painful vigils keep,
Sleepless themselves, to give their readers sleep.
Much to the mindful queen the feast recalls
What city swans once sung within the walls;
Much she revolves their arts, their ancient praise,
And sure succession down from Heywood's[256] days.
She saw, with joy, the line immortal run,
Each sire impress'd and glaring in his son: 100
So watchful Bruin forms, with plastic care,
Each growing lump, and brings it to a bear.
She saw old Pryn in restless Daniel[257] shine,
And Eusden[258] eke out Blackmore's endless line;
She saw slow Philips creep like Tate's[259] poor page,
And all the mighty mad in Dennis rage.[260]
In each she marks her image full express'd,
But chief in Bayes's monster-breeding breast;
Bayes formed by nature stage and town to bless,
And act, and be, a coxcomb with success. 110
Dulness with transport eyes the lively dunce,
Remembering she herself was pertness once.
Now (shame to Fortune![261]) an ill run at play
Blank'd his bold visage, and a thin third day;
Swearing and supperless the hero sate,
Blasphemed his gods, the dice, and damn'd his fate.
“Believe him, he has known the world too long, and seen the death of much immortal song.”
informer of the poet's art,
Whose force alone can raise or melt the heart,
Thou art his guide; each passion, every line,
Whate'er he draws to please, must all be thine. 30
Be thou his judge: in every candid breast
Thy silent whisper is the sacred test.
PROLOGUE, DESIGNED FOR MR D'URFEY'S LAST PLAY.
Grown old in rhyme, 'twere barbarous to discard
Your persevering, unexhausted bard;
Damnation follows death in other men,
But your damn'd poet lives and writes again.
The adventurous lover is successful still,
Who strives to please the fair against her will:
Be kind, and make him in his wishes easy,
Who in your own despite has strove to please ye.
He scorn'd to borrow from the wits of yore,
But ever writ, as none e'er writ before. 10
You modern wits, should each man bring his claim,
Have desperate debentures on your fame;
And little would be left you, I'm afraid,
If all your debts to Greece and Rome were paid.
From this deep fund our author largely draws,
Nor sinks his credit lower than it was.
Though plays for honour in old time he made,
'Tis now for better reasons--to be paid.
Believe him, he has known the world too long,
And seen the death of much immortal song. 20
He says, poor poets lost, while players won,
As pimps grow rich, while gallants are undone.
Though Tom the poet writ with ease and pleasure,
The comic Tom abounds in other treasure.
Fame is at best an unperforming cheat;
But 'tis substantial happiness to eat.
Let ease, his last request, be of your giving,
Nor force him to be damn'd to get his living.
PROLOGUE TO 'THE THREE HOURS AFTER MARRIAGE'
Authors are judged by strange capricious rules;
The great ones are thought mad, the small ones fools:
Yet sure the best are most severely fated;
For fools are only laugh'd at, wits are hated.
Blockheads with reason men of sense abhor;
But fool 'gainst fool, is barbarous civil war.
Why on all authors, then, should critics fall?
Since some have writ, and shown no wit at all.
Condemn a play of theirs, and they evade it;
Cry, 'Damn not us, but damn the French, who made it.' 10
By running goods these graceless owlers gain;
Theirs are the rules of France, the plots of Spain;
But wit, like wine, from happier climates brought,
Dash'd by these rogues, turns English common draught.