Like Pascal, Nietzsche, and Simone Weil, Kierkegaard is one of those writers whom it is very difficult to estimate justly. When one reads them for the first time, one is bowled over by their originality . . . and by the sharpness of their insights. . . . But with successive readings one’s doubts grow, one begins to react against their overemphasis on one aspect of the truth at the expense of all the others, and one’s first enthusiasm may all too easily turn to an equally exaggerated aversion. Of all such writers, one might say that one cannot imagine them as children. The more we read them, the more we become aware that something has gone badly wrong with their affective life; . . . it is not only impossible to imagine one of them as a happy husband or wife, it is impossible to imagine their having a single intimate friend to whom they could open their hearts.
The end is a mystery, therefore think and act well now! Be robust, be focused and run the race with tenacity! When you fall, arise, learn the lessons and use them well! Learn everyday for life is an arena for learning! No one can ever be perfect! When you are speeding, be careful, for excessive speed can sometimes be dangerous, though it can get you to your journey’s end faster, and it can also make you avoid certain attacks! Sometimes the best things come delayed; when there are delays, be patient and wait, for not all things that delay are dead; time will speak with time! When it is going smoothly, watch out never to let comfort lead you astray, for because of comfort, so many people are not who they were truly meant to be, and they are in wrong tracks to an end of no glory! When darkness comes, remember life is about day and night! When day comes, note that darkness puts people to sleep; use the day well then whilst you have it! No day stays forever and no night is ever permanent! Never rejoice because someone falls during the day for you do not know what will happen to you in the night! Serendipity exists, but try your very best to do all you can to ensure that you never faint nor fall, for life is a battle! Stand for what is a must and do what is truly needed to be done! Be vigilant enough never to slumber nor be trapped in another track! Guard your tongue, for no one can hear it until you say it! Mind your actions, for it is the oil that keeps your lamps brighter for a good journey! Mind your mind for it is an engine for life, and a good remote control that controls the entire body to a good or a bad end! Guard your heart, for it is the house of your being! Remember, however in all things that human strength, efforts, wisdom and understanding is always limited! Ask God therefore for that little insight and understanding to get to your journey’s end successfully with a successful story so as to win that awesome praises from His angels! You are here for a purpose! We shall all meet the end, but how we shall meet it is truly a mystery! As you take the journey, mind the end!
According to Melanie Klein, we develop moral responses in reaction to questions of survivability. My wager is that Klein is right about that, even as she thwarts her own insight by insisting that it is the ego's survivability that is finally at issue. Why the ego? After all, if my survivability depends on a relation to others, to a "you" or a set of "yous" without whom I cannot exist, then my existence is not mine alone, but is to be found outside myself, in this set of relations that precede and exceed the boundaries of who I am. If I have a boundary at all, or if a boundary can be said to belong to me, it is only because I have become separated from others, and it is only on condition of this separation that I can relate to them at all. So the boundary is a function of the relation, a brokering of difference, a negotiation in which I am bound to you in my separateness. If I seek to preserve your life, it is not only because I seek to preserve my own, but because who "I" am is nothing without your life, and life itself has to be rethought as this complex, passionate, antagonistic, and necessary set of relations to others. I may lose this "you" and any number of particular others, and I may well survive those losses. But that can happen only if I do not lose the possibility of any "you" at all. If I survive, it is only because my life is nothing without the life that exceeds me, that refers to some indexical you, without whom I cannot be.
When I composed those verses I was preoccupied less with music than with an experience—an experience in which that beautiful musical allegory had shown its moral side, had become an awakening and a summons to a life vocation. The imperative form of the poem which specially displeases you is not the expression of a command and a will to teach but a command and warning directed towards myself. Even if you were not fully aware of this, my friend, you could have read it in the closing lines. I experienced an insight, you see, a realization and an inner vision, and wished to impress and hammer the moral of this vision into myself. That is the reason why this poem has remained in my memory. Whether the verses are good or bad they have achieved their aim, for the warning has lived on within me and has not been forgotten. It rings anew for me again to-day, and that is a wonderful little experience which your scorn cannot take away from me.
Rebecca's eyes were like faith,—"the substance of things hoped for, the evidence of things not seen." Under her delicately etched brows they glowed like two stars, their dancing lights half hidden in lustrous darkness. Their glance was eager and full of interest, yet never satisfied; their steadfast gaze was brilliant and mysterious, and had the effect of looking directly through the obvious to something beyond, in the object, in the landscape, in you. They had never been accounted for, Rebecca's eyes. The school teacher and the minister at Temperance had tried and failed; the young artist who came for the summer to sketch the red barn, the ruined mill, and the bridge ended by giving up all these local beauties and devoting herself to the face of a child,—a small, plain face illuminated by a pair of eyes carrying such messages, such suggestions, such hints of sleeping power and insight, that one never tired of looking into their shining depths, nor of fancying that what one saw there was the reflection of one's own thought.
I had a neat stock of fixed opinions, but they dropped away one by one; and the further I get the less sure I am. I doubt if I have anything more for my present rule of life than following inclinations which do me and nobody else any harm, and actually give pleasure to those I love best. There, gentlemen, since you wanted to know how I was getting on, I have told you. Much good may it do you! I cannot explain further here. I perceive there is something wrong somewhere in our social formulas: what it is can only be discovered by men or women with greater insight than mine--if, indeed, they ever discover it-- at least in our time. 'For who knoweth what is good for man in this life?--and who can tell a man what shall be after him under the sun?
We have seen, therefore, that I am not allowed even to *assume*, for the sake of the necessary practical use of my reason *God, freedom, immortality*, unless at the same time *I deprive* speculative reason of its pretensions to transcendent insights. Reason, namely, in order to arrive at these, must employ principles which extend only to objects of possible experience, and which, if in spite of this they are applied also to what cannot be an object of experience, actually always change this into an appearance, thus rendering all practical *expansion* of pure reason impossible. Hence I had to suspend *knowledge* in order to make room for *belief*. For the dogmatism of metaphysics without a preceding critique of pure reason, is the source of all that disbelief which opposes morality and which is always very dogmatic." ―from_Critique of Pure Reason_. Preface to the Second Edition. Translated, edited, and with an Introduction by Marcus Weigelt, based on the translation by Max Müller, pp. 25-26
How do the day’s event(s) compare with the famous quote you’ve picked to write about in So This Just Happened: The Journal for USA Current Events?Journal your thoughts on current events inside, in light of the 101 famous and thought-provoking quotes about the United States of America, democracy and more.Abnormal times call for first person accounts: witness current events compared to the United States of America’s values, laws, and principles. So This Just Happened: The Journal for USA Current Events includes 101 thought-provoking and insightful quotes by Founding Fathers’, famous historical figures, past Presidents and more for you to compare and contrast with current events.With a quote on every other lined journal page; you can write in order or flip to the most relevant quote for the day’s events to write about. Each lined page for you to write on has a spot to write the date at the top.
Such is the strange situation in which modern philosophy finds itself. No former age was ever in such a favourable position with regard to the sources of our knowledge of human nature. Psychology, ethnology, anthropology, and history have amassed an astoundingly rich and constantly increasing body of facts. Our technical instruments for observation and experimentation have been immensely improved, and our analyses have become sharper and more penetrating. We appear, nonetheless, not yet to have found a method for the mastery and organization of this material. When compared with our own abundance the past may seem very poor. But our wealth of facts is not necessarily a wealth of thoughts. Unless we succeed in finding a clue of Ariadne to lead us out of this labyrinth, we can have no real insight into the general character of human culture; we shall remain lost in a mass of disconnected and disintegrated data which seem to lack all conceptual unity.
We write our life stories detailing our worldly experiences in order to expose the unconscious mind to the world of conscious appreciation. By extending our consciousness, we bring material insights to our emotional forefront. Words lay the foundation for truth telling. The music of our words allows us to train the lightness of language upon the darkness of our own humanity. The taxonomy of the human mind empowers us to employ the magic of language to share information, suggest action, speculate upon the future, reminisce about pastimes, lance our most ragged feelings, and pontificate, with a drunkard’s sense of punchy assuredness, upon any topic that fits our fancy. We tell stories in order to mark our existence, to share both our triumphs and failures, and teach wisdom gained from our previous skirmishes in a convoluted world. In absence of our stories, we do not exist in our own minds or in the minds of our people.