She knew half of the correspondents had broken under the excruciating pressure. And the other half who said they had made it, simply lied. She also knew there was a good chance she would too. But it was still worth it. Because if Viola wanted anything approaching a deeper meaning, she knew it existed in moments filled with injustice and cruelty. That’s where true human nature lay for her. Not because of the ferocity itself but because of what came with it, true human heart and compassion.
Nature is a hanging judge," goes an old saying. Many tragedies come from our physical and cognitive makeup. Our bodies are extraordinarily improbable arrangements of matter, with many ways for things to go wrong and only a few ways for things to go right. We are certain to die, and smart enough to know it. Our minds are adapted to a world that no longer exists, prone to misunderstandings correctable only by arduous education, and condemned to perplexity about the deepest questions we can ascertain.
If the goal of feminism is to end patriarchy and gender-based oppression, then transgender politics supplies us one of the most important perspectives from which to view - and challenge - binary gender and gender-based oppression. As mentioned in previous chapters, if no clear distinction exists between "male" and "female," it becomes impossible to oppress people according to their gender. If we have no sole criterion for determining who is "man" and who is "woman," we can't know whose role it is to be oppressor, and whose to be oppressed.
so that it isn't upsetting to anybody. It's something we've always known about fairy tales – they talk about incest, the Oedipus complex, about psychotic mothers, like those of Snow White and Hansel and Gretel, who throw their children out. They tell things about life which children know instinctively, and the pleasure and relief lie in finding these things expressed in language that children can live with. You can't eradicate these feelings – they exist and they're a great source of creative inspiration.
Memory is an artist, an impressionist. She adds colour, sound, smell and emotion to events at her whim. She adds, subtracts and embellishes until the event she started documenting is quite unrecognisable to the others who also experienced it, but at the same time, is more truthful to the owner of the memory. There is no reality. There are only impres- sions of past events, made by a million selves, all interacting with each other, vying for superiority. Reality doesn’t exist, perhaps in the end, that’s my only truth.
For I’m neither a submitter nor a hating retaliator, I acknowledge the boundaries of my existence; yet, I still care. I care regardless of the way they choose to reduce me to the brand that is the birthmark of the accident of my conception. I care less about what that brand signifies in terms of my character, potential, and intentions. For the harmed I care. For the real victims. It’s the most basic of my mandatory civil duties. Only in caring, am I a citizen of the world.
Yves Klein said it was the essence of colour itself: the colour that stood for all other colours. A man once spent his entire life searching for a particular shade of blue that he remembered encountering in childhood. He began to despair of ever finding it, thinking he must have imagined that precise shade, that it could not possibly exist in nature. Then one day he chanced upon it. It was the colour of a beetle in a museum of natural history. He wept for joy.’- "Zima Blue" by Alastair Reynolds
Find joy in the faces of children who view life as so magical. Give thanks every day for your life and for your existence. Your life matters, you matter. So many people think and care about you and you’re never really alone! Remember your loved ones are the real gift. I care about you; you have a friend in me. Look forward to knowing that next year is going to be even better than the last…
We have to imagine something before we can build the infrastructure that will allow it to exist. We have failed here on both fronts: in imagination and in reality. Our great weirdos, from Emily Dickinson to Simone Weil to Coco Chanel, are seen as outliers, as not relevant to the way we think through what we want out of life. It's the same way we discuss radical feminist writers like Dworkin and Firestone. Dworkin is unhinged, Firestone is too eccentric to be taken seriously.
That Detroit ultimately concentrated on automobiles could be traced to one genius, Henry Ford.... But that the necessary human energy for this development existed in Detroit could be proven through its early history.... I told him what I knew of the settlement in Detroit and of the climate, certainly almost the worst in the United States. Only the very strong could survive.... To defeat the conditions imposed by earth and sky at Detroit required intensive labor by energetic men who were not tempted by pleasure and play.