Beauvoir was quiet, watching the Chief, taking in the gleam in his eye, the enthusiasm as he described what he'd found. Not the physical landscape, but the emotional. The intellectual.Many might have thought the Chief Inspector was a hunter. He tracked down killers. But Jean Guy knew he wasn't that. Chief Inspector Gama he was an explorer by nature. He was never happier than when he was pushing the boundaries, exploring the internal terrain. Areas even the person themselves hadn't explored. Had never examined. Probably because it was too scary.

Contemplate for a moment hiking up a wild and rugged mountain. The mountain itself is a challenge, as well as the experience of beauty and danger. To reach the top, a person must persevere. The higher one goes up the mountain the more one can see of the landscape around. There is, in seeing an expansive view, a natural delight and exhilaration that anyone who makes the effort feels. This natural delight corresponds to the spiritual joy of gaining a higher perception of life. Mountains correspond to heaven. The delight of gaining an elevated view on a mountain is the reflection (correspondence) of spiritually gaining wisdom in one’s soul.

The course of the Rhine below Mainz becomes much more picturesque. The river descends rapidly and winds between hills, not high, but steep, and of beautiful forms. We saw many ruined castles standing on the edges of precipices, surrounded by black woods, high and inaccessible. This part of the Rhine, indeed, presents a singularly variegated landscape. In one spot you view rugged hills, ruined castles overlooking tremendous precipices, with the dark Rhine rushing beneath; and on the sudden turn of a promontory, flourishing vineyards with green sloping banks and a meandering river and populous towns occupy the scene.

Winters are a desolate time where all senses are wiped away, and here in Canada, this is especially true. All smells are sucked clean from the air, leaving only a harsh, icy crispness. Colours are stripped away, leaving a stark white landscape, a sky which stays black at night and gray in the day, a world of only three shades. Stay outside too long, and your hands will get so cold that they’ll go numb and turn red, like the claws of a lobster. During a whiteout, even sight itself is reduced to nothingness.

I am in awe of the perpetual tumult of the sea. I am moved by the still place on the horizon where the sky begins. I am stirred by the soaring and dipping fields that make the landscape into a rumpled green counterpane. I thought I would never have such powerful feelings again. I thought I would live through the rest of my life having experiences, and thoughts, but I never thought I would again feel deeply-- I was convinced that my wounds had healed and become thick scars, essentially numb.

When I left Queen's my future seemed to stretch out before me like a straight road. I thought I could see along it for many a milestone. Now there is a bend in it. I don't know what lies around the bend, but I am going to believe that the best does. It has a fascination of its own, that bend, Marilla. I wonder how the road beyond it goes - what there is of green glory and soft, checkered light and shadows - what new landscapes - what new beauties - what curves and hills and valleys farther on.

We are not encouraged, on a daily basis, to pay careful attention to the animals we eat. On the contrary, the meat, dairy, and egg industries all actively encourage us to give thought to our own immediate interest (taste, for example, or cheap food) but not to the real suffering involved. They do so by deliberately withholding information and by cynically presenting us with idealized images of happy animals in beautiful landscapes, scenes of bucolic happiness that do not correspond to anything in the real world. The animals involved suffer agony because of our ignorance. The least we owe them is to lessen that ignorance.

Paulo noticed the creature’s swift and frantic breathing and the drop of red staining the ground beneath, but above all he saw the bird’s uppermost eye, wide open and fixed on his. That single eye reflected panic and despair on a scale he had never before witnessed. It was both tiny and enormous, and with every passing moment it seemed to expand, encompassing the trees, the landscape, the sky. That look stilled the wind and darkened the day and, at a glance, transformed a moment of ecstasy into a bottomless pit of guilt."From "The Algorithm of Power", Part 3: The Paulo Fontana Story

Each time I walk into a classroom, I can choose the place within myself from which my teaching will come, just as I can choose the place within my students toward which my teaching will be aimed. I need not teach from a fearful place: I can teach from my curiosity or hope or empathy or honesty, places that are as real within me as are my fears. I can have fear, but I need not be fear - if I am willing to stand somewhere else in my inner landscape.

The human species – mammalian primates though undoubtedly (s)he is, and made out of the dust of exploded suns - does have the need for the transcendent, the numinous, even the ecstatic. I wouldn’t trust anyone who hadn’t had this. This has to do with landscape, light, music, love and an awareness of the transience of all things, and the melancholy that invests all this. So it isn’t just gaping happily at the sunset while listening to music, and doing that while knowing that it can’t last very long. But there is no need for the supernatural in this at all. There is no dimension of the supernatural of which this gives one a share.