“Uh oh, maybe I’m hysterical. No, the look on his face had been so funny. Did he really think to kiss me into submission? That shit might work in romance novels, but not on me. If he wants to kiss me he’ll have to earn that privilege again.”

A dancer on break approached him. She smiled. Each tooth was angled in a different direction, as if her mouth were the masterwork of a mad orthodontist. "Hi," she said. "Hi." "You're really cute." "I don't have any money."She spun and walked away. Ah, romance.

Some individuals have the courage to make it, even feel the need to do so; for them the quest is a necessity, not an option. Most people setting out on such journeys are never heard from again, but part of the romance of any field lies in keeping the dream alive, in not settling for what is familiar and comfortable.

Recalling former years’ romances,Recalling love that time enhances,With tenderness, with not a care,Alive, at liberty once more,We drank, in mute intoxication,The breath of the indulgent night!Just as a sleepy convict mightBe carried from incarcerationInto a greenwood, so were weBorne to our youth by reverie.

I know that some endeavor to throw the mantle of romance over the subject and treat woman like some ideal existence, not liable to the ills of life. Let those deal in fancy who have nothing better to deal in; we have to do with sober, sad realities, with stubborn facts.

You'd think the very thought of a romance writer would bring a smile to people's lips. Ah, how nice. Love. Making love. Laughter. Kissing. But no, the world is upside down as far as I can see, and romances and their writers are ridiculed, hisses and generally spat upon. For what reason? One of my favorites is that women who read them might get mixed up about reality and imagine a man is going to rescue them from Life. According to this theory, women are so stupid that they can't tell a story from reality. Is anyone worried that the MEN who read spy thrillers are going to go after their neighbors with an automatic weapon? No, I don't remember anyone thinking that. Nor do I remember anyone worrying about murder mysteries or science fiction. It just seems to be dumb ol' women who might think some gorgeous, thoughtful, giving hunk is going to rescue them. Honey, if any woman thought a gorgeous hunk was going to rescue her, romance novels wouldn’t be forty percent of the publishing industry.

Modern romance, like Greek tragedy, celebrates the mystery of dismemberment, which is life in time. The happy ending is justly scorned as a misrepresentation; for the world, as we know it, as we have seen it, yields but one ending: death, disintegration, dismemberment, and the crucifixion of our heart with the passing of the forms that we have loved.

School children, who have enjoyed reading a romance or a detective thriller or a novel about terror and conquest, make the invariable mistake of studying literature in the college. They make the mistake of learning theory in place of art; they acquire impediments in their own enjoyment of the books by allowing a set of theories to govern their own reading.

I believe in unconditional love... I believe in dangerous unselfishness... I believe in daring to achieve... I believe in making mistakes... I believe in helping others... I believe in moving on... I believe in passionate romance... I believe in living the fullness of this human experience... I believe in ME...

It is the bane, and pleasure when creating Romance fiction, to know immersion and fulfillment for the reader are based on clarity. Clarity of plot, clarity of message, clarity of the characters, clarity of the changes going on inside of them, clarity of the darkest moment -- but don't you dare be obvious ~ Persuasion for the Endowment of Sex Appeal (Academic Paper)