Here’s what happens when a single mom meets New York City’s hottest fireman…“Then…seductively…as if he received instruction not from the FDNY’s training school but at Chippendale’s…he slowly inches each suspender off his bare shoulders.”“You must know that exhilarating feeling of a man’s body on top of yours, all that power and muscle pressing you into the bed, the glorious taste of his tongue in your mouth, the manly scent that washes over you and makes you want to melt underneath him.”“Let’s not forget about his nine inches of shapely fireman hose dangling so close in front of my face the scent launches me into a blissful fever.”“Every place he touches contradicts his chosen profession, because instead of putting out a fire he surely starts one.”“I’m so darn helpless in the arms of this powerful, young, ripped personification of New York’s Bravest that I feel myself about to erupt in the most earth shattering explosion since Mount Vesuvius last announced her presence.”“I wonder if he could be enticed to show us a few maneuvers on the brass pole.”“He orchestrates his own personal opera, inspiring high notes with kisses and licks along my elongated nipples, and deep moans with hands that caress my belly.”“We are drawn uncontrollably to each other and have no power to resist, only the tremendous desire to experience everything in its most intense form.

I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!

Why did she do it? Nobody dared to ask. Because - what courage! Who had the courage to burn herself? Twenty aspirin, a little slit alongside the veins of the arm, maybe even a bad half hour standing on a roof: We've all had those. And somewhat more dangerous things, like putting a gun in your mouth. But you put it there, you taste it, it's cold and greasy, your finger is on the trigger, and you find that a whole world lies between this moment and the moment you've been planning, when you'll pull the trigger. That world defeats you. You put the gun back in the drawer. You'll have to find another way.What was that moment like for her? The moment she lit the match. Had she already tried roofs and guns and aspirins? Or was it just an inspiration?I had an inspiration once. I woke up one morning and I knew that today I had to swallow fifty aspirin. It was my task: my job for the day. I lined them up on my desk and took them one by one, counting. But it's not the same as what she did. I could have stopped, at ten, or at thirty. And I could have done what I did do, which was go onto the street and faint. Fifty aspirin is a lot of aspirin, but going onto the street and fainting is like putting the gun back in the drawer.She lit the match.

“I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!”

Lollipops and raindropsSunflowers and sun-kissed daisiesRolling surf and raging seaSailing ships and submarinesOld Glory and “purple mountain’s majesty”Screaming guitar and lilting rhymeFlight of fancy and high-steppin’ dancesSet free my mind to wander…Imagine the ant’s marching journeys.Fly, in my mind’s eye, on butterfly wings.Roam the distant depths of space.Unfurl tall sails and cross the ocean.Pictures made just to enthrallCreating images from my truthPainting hopes and dreams on my canvasCapturing, through my lens, the ephemeralLet me ruminate ‘pon sensual darkness…Tremble o’er Hollywood’s fluttering Gothics…Ride the edge of my seat with the hero…Weep with the heroine’s desperation.Yet… more than all these things…Give me words spun out masterfully…Terms set out in meter and rhyme…Phrases bent to rattle the soul…Prose that always miraculously inspires me!The trill runs up my spine, as I recall…A touch… a caress…a whispered kiss…Ebony eyes embracing my soul…Two souls united in beat of hearts.A butterfly flutter in my wombMy lover’s wonder o’er my swellingThe testament of our love given lifeNewly laid in my lover’s armsLuminous, sweet ebony eyesJust so much like his father’sA gaze of wonder and contentmentFrom my babe at mother’s breastWords of the Divine set down for meFaith, Hope, Love, and CharityGrace, Mercy, and undeserved Salvation“My Shepherd will supply my need”These are the things that inspire me.

“There is a vitality, a life force, a quickening that is translated through you into action, and there is only one of you in all time, this expression is unique, and if you block it, it will never exist through any other medium; and be lost. The world will not have it. It is not your business to determine how good it is, not how it compares with other expression. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep open and aware directly to the urges that motivate you. Keep the channel open. No artist is pleased. There is no satisfaction whatever at any time. There is on a queer, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

“[Rather than designating a leader before the race starts, Phonak is adopting a 'wait and see' policy.] We have a couple of guys that are very good right now, ... I think that Santos Gonzalez is good, Gutierrez is good and...Oscar [Pereiro], I don't know how motivated he is, but he looks fit. I don't think we are going to pick one person and say that we will work for them. There are other teams to control the race, just like the Tour. Discovery are here, and I think Roberto [Heras] wants to win, so I would expect that they will work. But the Vuelta is different, anyway, you have to be careful with the wind and so it is more a case that we have to stay together.”

Female Mercenary. This will be a companion on your Tour. She is usually tall, thin and wiry, silent, and neurotic. Sex scares her. This is because she either came from a nunnery or was raped as a child. Or both. Somehow this inspired her to become a mercenary and she is very good at her job. You can rely on her absolutely in a fight. She can usually kill two people at once while guarding your back in between. The rest of the time, she will irritate you with lots of punctilious weapons cleaning and a perpetual insistence that a proper watch be kept. Mostly, she will have no magic talents, but sometimes, in an emergency, she will come up with a gift or vision. You will end up grudgingly admiring her.

What the biblical narrative tells me – and, in particular the account of Christ’s passion- is that while I may not be able to trace the artists hand at all times, I can always trust his motives. The God who is in control of all things, who acts behind the scenes in all things, is also the God who willingly suffers. He is the one I can shout at, cry with and find comfort in. His heart, if not all his ways, is clear to me because the cross wore it on his sleeve for all to see. This God is able to sympathise with those who suffer not simply because his is 'all knowing' - an attribute ascribed to any version of divinity - because he has experienced pain first hand.

Artists are the flowers of our world. The best ones are those who can stand out from the crowd by becoming a memorable flower — one that moves us, inspires us, and makes us think hard. A flower with no smell to it is just something to look at. A flower that emits a beautiful fragrance is the one we want in our homes and on our walls. Your mission as an artist, is to become the best-smelling flower in the world, so that when the day finally comes when you are plucked from the ground, the world will cry for the loss of your mind-stimulating fragrance. Be different. Be original. Nobody will remember a specific flower in garden loaded with thousands of the same yellow flower, but they will remember the one that managed to change its color to purple.