We waste so much energy trying to cover up who we are when beneath every attitude is the want to be loved, and beneath every anger is a wound to be healed and beneath every sadness is the fear that there will not be enough time. When we hesitate in being direct, we unknowingly slip something on, some added layer of protection that keeps us from feeling the world, and often that thin covering is the beginning of a loneliness which, if not put down, diminishes our chances of joy. It’s like wearing gloves every time we touch something, and then, forgetting we chose to put them on, we complain that nothing feels quite real. Our challenge each day is not to get dressed to face the world but to unglove ourselves so that the doorknob feels cold and the car handle feels wet and the kiss goodbye feels like the lips of another being, soft and unrepeatable.

Mindfulness practice means that we commit fully in each moment to being present. There is no "performance." There is just this moment. We are not trying to improve or to get anywhere else. We are not even running after special insights or visions. Nor are we forcing ourselves to be non-judgmental, calm, or relaxed. And we are certainly not promoting self-consciousness or indulging in self-preoccupation. Rather, we are simply inviting ourselves to interface with this moment in full awareness, with the intentino to embody as best we can an orientation of calmness, mindfulness, and equanimity right here and now.Of course, with continued practice and the right kind of firm yet gentle effort, calmness and mindfulness and equanimity develop and deepen on their own, out of your commitment to dwell in stillness and to observe without reacting and judging. Realizatinos and insights, profound experiences of stillness and joy, do come. But it would be incorrect to say that we are practicing to make these experiences happen or that having more of them is better than having fewer of them.

I personally find that having a couple of projects going at once can be an aid to focus, refreshing my brain as I go back and forth between them – a book review and a novel at the same time, for example. But I’ve seen that writers who are starting out sometimes throw their energy in so many different directions that they can never finish any of the projects, much less all of them.To me a good test is this: what do you like to read? What kind of book moves and affects you the most? Is it the memoir, the novel, the long poem-collection? Personally, I find myself most immersed in the novel, and that’s why I write them – they have the most magic for me. The joy of self-expression is exhilarating, but ultimately choosing one venue for it can make your work much better – and same for your chances of actually finishing something.

There are all kinds of pedants around with more time to read and imitate Lynne Truss and John Humphrys than to write poems, love-letters, novels and stories it seems. They whip out their Sharpies and take away and add apostrophes from public signs, shake their heads at prepositions which end sentences and mutter at split infinitives and misspellings, but do they bubble and froth and slobber and cream with joy at language? Do they ever let the tripping of the tips of their tongues against the tops of their teeth transport them to giddy euphoric bliss? Do they ever yoke impossible words together for the sound-sex of it? Do they use language to seduce, charm, excite, please, affirm and tickle those they talk to? Do they? I doubt it. They’re too farting busy sneering at a greengrocer’s less than perfect use of the apostrophe. Well sod them to Hades. They think they’re guardians of language. They’re no more guardians of language than the Kennel Club is the guardian of dogkind.

That love, which is the highest joy, which is divine simplicity itself, is not for you moderns, you children of reflection. It works only evil in you. As soon as you wish to be natural, you becomecommon. To you nature seems something hostile; you have made devils out of the smiling gods of Greece, and out of me a demon. You can only exorcise and curse me, or slay yourselves in bacchantic madness before my altar. And if ever one of you has had the courage to kiss my red mouth, he makes a barefoot pilgrimage to Rome in penitential robes and expects flowers to grow from his withered staff, while under my feet roses, violets, and myrtles spring up every hour, but their fragrance does not agree with you. Stay among your northern fogs and Christian incense; let us pagans remain under the debris, beneath the lava; do not disinter us.

It's an unholy crusade against good people everywhere, all in my name. If I had a stomach, I'd be sick to it. You see now why so many good people just give up out there? You can only take so much evil pretending to be good. You can only handle so many broken souls acting as if good people are the evil ones, before you raise your hands and claim defeat. But I want you all to understand something. There is evil happening. There are spirits from Hell demonizing. There are even wars planned, and dark judgments justified by the self-righteous fanatics. But none of that means good can't also triumph. None of that means good cannot rise up against hatred, against judgment, against the armies of Hell itself, and bring about a tidal wave of joy and love. Evil does, but good always is.

C.S. Lewis in his second letter to me at Oxford, asked how it was that I, as a product of a materialistic universe, was not at home there. 'Do fish complain of the sea for being wet? Or if they did, would that fact itself not strongly suggest that they had not always been, or would not always be, purely aquatic creatures? Then, if we complain of time and take such joy in the seemingly timeless moment, what does that suggest? It suggests that we have not always been or will not always be purely temporal creatures. It suggests that we were created for eternity. Not only are we harried by time, we seem unable, despite a thousand generations, even to get used to it. We are always amazed by it--how fast it goes, how slowly it goes, how much of it is gone. Where, we cry, has the time gone? We aren't adapted to it, not at home in it. If that is so, it may appear as a proof, or at least a powerful suggestion, that eternity exists and is our home.

Such fatigues and hardship as these serve to wean me more from the earth; and, I trust, will make heaven the sweeter. Formerly, when I was thus exposed to cold, rain, etc., I was ready to please myself with the thoughts of enjoying a comfortable house, a warm fire, and other outward comforts; but now these have less place in my heart (through the grace of God) and my eye is more to God for comfort. In this world I expect tribulation; and it does not now, as formerly, appear strange to me; I don’t in such seasons of difficulty flatter myself that it will be better hereafter; but rather think how much worse it might be; how much greater trials others of God’s children have endured; and how much greater are yet perhaps reserved for me. Blessed be God that he makes the comfort to me, under my sharpest trials; and scarce ever lets these thoughts be attended with terror or melancholy; but they are attended frequently with great joy.

For at this stage in our youth we can hold two kinds of anticipation of love, which seem contradictory and yet coexist and reinforce each other. We can dream delicately because even to imagine it is to touch one of the most sacred of our hopes, of searching for the other part of ourselves, of the other being who will make us whole, of the ultimate and transfiguring union. At the same time we can gloat over any woman, become insatiably curious about the brute facts of the pleasures which we are then learning or which are just to come. In that phase we are coarse and naked, and anyone who has forgotten his youth will judge that we are too tangled with the flesh ever to forget ourselves in the ecstasy of romantic love. But in fact, at this stage in one's youth, the coarseness and nakedness, the sexual preoccupations, the gloating over delights to come, are - in the secret heart where they take place - themselves romantic. They are a promise of joy.

I hated seeing these spasmodic upside-down chicken heads stretching to puncture my flesh. I imagined once that they reached my groin and pecked out my penis and my huevos and kept pecking until they got to my gut and my eyes and my brain, until I was just a pecked-out piece of human meat surrounded by thousands of nervous, dirty white chickens. I think that was about the time I fucked up a pair of chicken heads against a warehouse wall when no one was looking. Well, almost no one. Rueben was right behind me, and that's when he grinned his stupid grin. Maybe he hated the chickens as much as I did. Maybe he just knew que ya me iba también a la chingada. Maybe I was going on my first joy ride to hell and back, and it was fun to watch.