The time came to put Iris Duarte back on the plane.It was a morning flight which made it difficult. I wasused to rising at noon; it was a fine cure for hangoversand would add 5 years to my life. I felt no sadnesswhile driving her to L.A. International. The sex hadbeen fine; there had been laughter. I could hardlyremember a more civilized time, neither of us makingany demands, yet there had been warmth, it had notbeen without feeling, dead meat coupled with deadmeat. I detested that type of swinging, the LosAngeles, Hollywood, Bel Air, Malibu, Laguna Beachkind of sex. Strangers when you meet, strangers whenyou part—a gymnasium of bodies namelesslymasturbating each other. People with no morals oftenconsidered themselves more free, but mostly theylacked the ability to feel or to love. So they becameswingers. The dead fucking the dead. There was nogamble or humor in their game—it was corpsefucking corpse. Morals were restrictive, but they weregrounded on human experience down through thecenturies. Some morals tended to keep peopleslaves in factories, in churches and true to the State.Other morals simply made good sense. It was like agarden filled with poisoned fruit and good fruit. Youhad to know which to pick and eat, which to leavealone.

An afternoon drive from Los Angeles will take you up into the high mountains, where eagles circle above the forests and the cold blue lakes, or out over the Mojave Desert, with its weird vegetation and immense vistas. Not very far away are Death Valley, and Yosemite, and Sequoia Forest with its giant trees which were growing long before the Parthenon was built; they are the oldest living things in the world. One should visit such places often, and be conscious, in the midst of the city, of their surrounding presence. For this is the real nature of California and the secret of its fascination; this untamed, undomesticated, aloof, prehistoric landscape which relentlessly reminds the traveller of his human condition and the circumstances of his tenure upon the earth. "You are perfectly welcome," it tells him, "during your short visit. Everything is at your disposal. Only, I must warn you, if things go wrong, don't blame me. I accept no responsibility. I am not part of your neurosis. Don't cry to me for safety. There is no home here. There is no security in your mansions or your fortresses, your family vaults or your banks or your double beds. Understand this fact, and you will be free. Accept it, and you will be happy.

We ought to be much more fearful of what we don’t know. We should really be fearful of an unconscious that inhabits us, that guides us, that influences our life and of which we don’t know the face and don’t know the message. Actually I have much less fear since I confronted fears. What’s frightening to me is people whose unconscious leads them, destroys them, and yet they will never stop and look at it. That’s the minotaur in the labyrinth, which many people never come face to face with. There was a very remarkable percussion composer, Edgar Varese, who always mocked psychology, mocked psychoanalysis, mocked psychiatry. He was satirical about it, wouldn’t have any of it. And yet his whole life pattern was self-destructive. He was an innovator and a tremendous musician. But he blocked himself. His biography is out now, and you can see the pattern. You can see this demon that was driving him, the origin of it. He seemed to be a very fearless, strong, tremendous tempered man with great force; he even looked like a Corsican bandit. But he had no power over the forces that were pushing him. That is what frightens me.

Bella Swan: Jasper? Are you sure there's nothing I can do to help? Jasper Hale: Well just your presence alone, your scent, will distract the newborns. Their hunting instinct will take over, and drive 'em crazy. Bella Swan: Good, I'm glad. [Jasper nods and begins to walk away] Bella Swan: . Bella Swan: Hey, [Jasper turns around] Bella Swan: how do you know so much about this? Jasper Hale: I didn't have quite the same upbringing as my adopted siblings. [Rolls up sleeves and shows Bella his arms, which have bite marks on them] Jasper Hale: . Bella Swan: [Hops off Jeep] Those bites are like mine. Jasper Hale: Battle scars [smiles] Jasper Hale: . All the training the Confederate Army gave me was useless against the newborns, but still, I never lost a fight. Bella Swan: Hey, this - this happened during the Civil War? Jasper Hale: I was the youngest major in the Texas Calvary, all without having seen any real battle. Bella Swan: Until...? Jasper Hale: Till I met a certain immortal... Maria

Ah, adventure! Ah, romance! Ah, courtly graces and the noble gestures! Don't you wish you knew people like that? Don't you wish we could still walk around in cloaks and boots and breeches, with leather doublets and flowing white dueling shirts and swords strapped around our waists? Of course, if we did, given the way things are today, there'd be people out there lobbying for sword control, and we'd need a National Sword Association and bumper stickers that would read "Swords don't kill people, knights kill people," and there would be a five-day waiting period and background check before you could buy a rapier. We'd have drive-by lungings and people would be afraid of children carrying broadswords to school. "Milady" would be regard as a sexist term and feminists would go absolutely berserk if any woman called a man "Milord." Ralph Nader would probably get quarter horses banned because they are too small and unsafe in a collision and someone would figure out a way to put seat belts and air bags on our saddles. That's why people join the SCA and read fantasy novels, because the real world sucks.

It was not my intention - it never was - to invent a character who should speak for me, the author, in person. A character is in a story to fill a role there, and the character's life along with its expression of life is defined by that surrounding - indeed is created by its own story. Yet, it seems to me now, years after I wrote The Golden Apples, that I did bring forth a character with whom I came to feel oddly in touch. She derived from what I already knew for myself, even felt I had always known. What I have put into her is my passion for my own life work, my own art. Exposing yourself to risk is a truth that Mrs. Eckhart and I had in common. What animates and possesses me is what drives Mrs. Eckhart, the love of her art and the love of giving it, the desire to give it until there is no more left. Of course any writer is in part all of his characters. How otherwise would they be known to him, occur to him, become what they are? In the making of her character out of my most inward and most deeply felt self, I would say I have found my voice in my own fiction.

I was headed out down a long bone-white road, straight as a string and smooth as glass and glittering and wavering in the heat and humming under the tires like a plucked nerve. I was doing seventy-five but I never seemed to catch up with the pool which seemed to be over the road just this side of the horizon. Then, after a while, the sun was in my eyes, for I was driving west. So I pulled the sun screen down and squinted and put the throttle to the floor. And kept on moving west. For West is where we all plan to go some day. It is where you go when the land gives out and the old-field pines encroach. It is where you go when you get the letter saying: Flee, all is discovered. It is where you go when you look down at the blade in your hand and the blood on it. It is where you go when you are told that you are a bubble on the tide of empire. It is where you go when you hear that thar's gold in them-thar hills. It is where you go to grow up with the country. It is where you go to spend your old age. Or it is just where you go.It was just where I went.

A love of neighbor manifests itself in the tolerance not only of opinions of others but, what is more important, of the essence and uniqueness of others, when we subscribe to that religious philosophy of life that insists that God has made each man and woman an individual sacred personality endowed with a specific temperament, created with differing needs, hungers, dreams. This is a variegated, pluralistic world where no two stars are the same and every snowflake has its own distinctive pattern. God apparently did not want a regimented world of sameness. That is why creation is so manifold. So it is with us human beings. Some are born dynamic and restless; others placid and contemplative…One man’s temperament is full throated with laughter; another’s tinkles with the sad chimes of gentle melancholy. Our physiques are different, and that simple difference oftentimes drives us into conflicting fulfillment of our natures, to action or to thought, to passion or to denial, to conquest or to submission. There is here no fatalism of endowment. We can change and prune and shape the hedges of our being, but we must rebel against the sharp shears being wielded by other hands, cutting off the living branches of our spirits in order to make our personalities adornments for their dwellings.

Knowing what causes differentiation in human skin pigmentation, fascinating though that is, does not furnish a satisfactory explanation for the phenomenon of racism. Similarly, the biological explanation for why one person is right-handed whilst another is left-handed, is of less interest than why, even recently, being left-handed was considered such a stigma (…).Do we need to know what ‘causes’ homosexuality or heterosexuality? (…)Would the discovery of a genetic basis to sexual attraction finally undermine discrimination against non-heterosexual people by establishing that variations of sexual orientation are all equally rooted in nature? Or would it furnish powerful homophobic forces with a new weapon in their drive to undermine and remove the rights of non-heterosexual people, perhaps even the right to life itself? The infamous remarks of a senior religious leader (a former Chief Rabbi) in the UK a few years ago that, if a gay gene could be discovered, he would consider it morally acceptable to test pregnant women and offer them the option of aborting any foetus likely to develop into a non-heterosexual person - homophobic extermination in the womb - indicate that the huge moral and cultural debates around sexuality and human identity will not be solved either way by the biological sciences alone

In fairy tales, monsters exist to be a manifestation of something that we need to understand, not only a problem we need to overcome, but also they need to represent, much like angels represent the beautiful, pure, eternal side of the human spirit, monsters need to represent a more tangible, more mortal side of being human: aging, decay, darkness and so forth. And I believe that monsters originally, when we were cavemen and you know, sitting around a fire, we needed to explain the birth of the sun and the death of the moon and the phases of the moon and rain and thunder. And we invented creatures that made sense of the world: a serpent that ate the sun, a creature that ate the moon, a man in the moon living there, things like that. And as we became more and more sophisticated and created sort of a social structure, the real enigmas started not to be outside. The rain and the thunder were logical now. But the real enigmas became social. All those impulses that we were repressing: cannibalism, murder, these things needed an explanation. The sex drive, the need to hunt, the need to kill, these things then became personified in monsters. Werewolves, vampires, ogres, this and that. I feel that monsters are here in our world to help us understand it. They are an essential part of a fable.