Some days I tell myself that my mission is to say something about the art and sometimes the bliss of limitation. And the legibility of landscape. Other days are more dismal. As if I were queueing in the rain outside confessional literature’s nudist colony, mirrors everywhere, blue with cold.
All around the world, tourist boards advertise trips to Britain with images of the great castles and cathedrals that occupy the commanding heights of our landscape. They seem timeless and typically English. It is rarely mentioned that they are predominately French - proud monuments to the invasion that signals the end of England's 'dark age'.
Yes, indeed. San Francisco was the perfect place for a walker between worlds like Jamie Hastings to grow up in. Her soul had chosen wisely before coming in, born to a visionary mother like Amanda, and situated in one of sunny California's most beautiful landscapes.
Cultural transformation announces itself in sputtering fits and starts sparked here and there by minor incidents warmed by new ideas that may smolder for decades. In many different places at different times the kindling is laid for the real conflagration-the one that will consume the old landmarks and alter the landscape forever.
It's interesting how people who were once fairly radical can become, later in life, kind of conservative, and not just in terms of politics - how, if you're an artist, you can start out being somewhat avant-garde and then end up doing landscapes.
The ouster of Jill Abramson as executive editor of 'The New York Times' sent shock waves through the media landscape. Reports that she was fired thanks in part to a soured relationship based on the 'Times' alleged sexist pay discrepancy only made those shock waves stronger.
“Eleven years ago, we were not able to even talk about immunity, because the police and the FBI were concerned with prosecution. But now, as I've said, the whole landscape has changed and we're just hopeful that on the occasion of the 15th [anniversary] that this just comes a rallying point for this to be over with.”
“What I fear and desire most in this world is passion. I fear it because it promises to be spontaneous, out of control, unnamed, beyond my reasonable self. I desire it because passion has color, like the landscape before me. It is not pale. It is not neutral. It reveals the backside of the heart.”
“I don't think our Beat Generation would even be known as that, had it not been for Ginsberg. You might say he put that whole concept together. Without it, we might have been known, but only as individuals. Separate, great writers, scattered across the landscape.”
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