It's 5:22pm you're in the grocery checkout line. Your three-year-old is writhing on the floor, screaming, because you have refused to buy her a Teletubby pinwheel. Your six-year-old is whining, repeatedly, in a voice that could saw through cement, "But mommy, puleeze, puleeze" because you have not bought him the latest "Lunchables," which features, as the four food groups, Cheetos, a Snickers, Cheez Whiz, and Twizzlers. Your teenager, who has not spoken a single word in the past foor days, except, "You've ruined my life," followed by "Everyone else has one," is out in the car, sulking, with the new rap-metal band Piss on the Parentals blasting through the headphones of a Discman. To distract yourself, and to avoid the glares of other shoppers who have already deemed you the worst mother in America, you leaf through People magazine. Inside, Uma thurman gushes "Motherhood is Sexy." Moving on to Good Housekeeping, Vanna White says of her child, "When I hear his cry at six-thirty in the morning, I have a smile on my face, and I'm not an early riser." Another unexpected source of earth-mother wisdom, the newly maternal Pamela Lee, also confides to People, "I just love getting up with him in the middle of the night to feed him or soothe him." Brought back to reality by stereophonic whining, you indeed feel as sexy as Rush Limbaugh in a thong.

The satyr, as the Dionysiac chorist, dwells in a reality sanctioned by myth and ritual. That tragedy should begin with him, that the Dionysiac wisdom of tragedy should speak through him, is as puzzling a phenomenon as, more generally, the origin of tragedy from the chorus. Perhaps we can gain a starting point for this inquiry by claiming that the satyr, that fictive nature sprite, stands to cultured man in the same relation as Dionysian music does to civilization. Richard Wagner has said of the latter that it is absorbed by music as lamplight by daylight. In the same manner, I believe, the cultured Greek felt himself absorbed into the satyr chorus, and in the next development of Greek tragedy state and society, in fact everything that separates man from man, gave way before an overwhelming sense of unity that led back into the heart of nature. This metaphysical solace (which, I wish to say at once, all true tragedy sends us away) that, despite every phenomenal change, life is at bottom indestructibly joyful and powerful, was expressed most concretely in the chorus of satyrs, nature beings who dwell behind all civilization and preserve their identity through every change of generations and historical movement.With this chorus the profound Greek, so uniquely susceptible to the subtlest and deepest suffering, who had penetrated the destructive agencies of both nature and history, solaced himself. Though he had been in danger of craving a Buddhistic denial of the will, he was saved through art, and through art life reclaimed him.

People never remember who helped them conquer their dreams. When they truly achieve a lot, they often forget me easily. I’ve noticed the same behavior in both children and adults, and even in family members. And it’s kind of interesting that they forget easily once taking ownership of their newly owned skills. Probably, if they remembered, they wouldn't take them as their own. They would probably not even comprehend them. That's why I believe that, if you wish to change the world, you have to do the opposite, you have to not need it. Because, if you are really good, people will never appreciate you, and you will disappear into a world that merely reflects you better. You will dissolve into the world. The most enlightened individuals are never remembered by history because they have dissolved themselves into the world. There’s no salt in their water, because the salty water has made them vanish from our records. We have neglected them from our history. That’s why a person can't bet egotistical and help others too. One thing has to give in. You either want to be humble and enlighten the world, or you want to be appreciated and reflect the darkness in the world. The most arrogant and admired people have a special kind of ignorance that the ignorant cannot see. The most humble people, have a special kind of wisdom that only the most enlightened or highly diabolical can feel. They make the soldiers of Satan tremble in fear, and the angels of God rejoice in their never-ending uplifting energy. The masses, however, will never know their prophets, not even when they are speaking to one.

Alain gazed at the old road, his expression uncharacteristically somber. "The Emperors believe they have the power to force their illusions on all others. This is part of that. The road itself is declared dead, never to be used, and no one dares dispute the Imperial will." "Not much better that the Great Guilds, is it?""No I do not think so. When you seek allies among the commons, Mari, I believe you should look to those who do not blindly accept the authority of their leaders.""Too much failure to accept authority and you end up with anarchy, like in Tiae," Mari pointed out."That is so," Alain agreed. "But as you told your elder, there is much that lies between total control and anarchy. The leaders of our Guilds and the rulers of the Empire would have us believe that only those two extremes exist, but I have been among the free cities and you have been in the confederation. Their governing systems are not perfect, but they work while still allowing their people freedom.""Freedom?" Mari turned to Alain, surprised. "I've never heard you use that word. Hardly anybody uses it.""I was taught that freedom is an illusion, only one more illusion which distracts from the path of wisdom." A flare of some deep emotion showed in Alain's eyes. "But I have felt freedom, Mari, as I walked the road beside you, and I know it is no illusion. The will of the Great Guilds, of the Emperor, those things are illusions, and their images will not endure.

There is something about understanding. Understanding with knowledge is a burden.You see, Man is always inclined to be intolerant towards the thing, or person, he hasn't taken the time adequately to understand...but once we get closer to people or have experiences of certain situations, we become tolerant of themThe way you react to a stranger over a particular thing might be different from the way you react to a friend, this is because as a friend, you know and understand much about him and could tell one or two reasons he had done what he did but for the stranger, you have no reason why he did whatever he did and would just react.It's normal though but with time, as we get closer, misunderstanding arises; from the misunderstanding, we get to know our individual limits and thus understanding springs.This is one of the reasons I always say we get to know someone better when we get closer to him or her. Once you understand someone, and if you like the person so much, I tell you, with your understanding, you can tolerate whatever the person does.With wisdom and knowledge, it is expected we seek first to understand than to be understood. Understanding brings about control and self disciplineWith understanding, you can tolerate whatever a person (especially someone you love) does cos we would love to put ourselves in their shoes and give excuses on their behalf.

Prayer of an Anonymous Abbess:Lord, thou knowest better than myself that I am growing older and will soon be old. Keep me from becoming too talkative, and especially from the unfortunate habit of thinking that I must say something on every subject and at every opportunity.Release me from the idea that I must straighten out other peoples' affairs. With my immense treasure of experience and wisdom, it seems a pity not to let everybody partake of it. But thou knowest, Lord, that in the end I will need a few friends.Keep me from the recital of endless details; give me wings to get to the point.Grant me the patience to listen to the complaints of others; help me to endure them with charity. But seal my lips on my own aches and pains -- they increase with the increasing years and my inclination to recount them is also increasing.I will not ask thee for improved memory, only for a little more humility and less self-assurance when my own memory doesn't agree with that of others. Teach me the glorious lesson that occasionally I may be wrong.Keep me reasonably gentle. I do not have the ambition to become a saint -- it is so hard to live with some of them -- but a harsh old person is one of the devil's masterpieces.Make me sympathetic without being sentimental, helpful but not bossy. Let me discover merits where I had not expected them, and talents in people whom I had not thought to possess any. And, Lord, give me the grace to tell them so.Amen

The safest course for an Infinite Way student to follow is to admit freely that he does not know how to pray, how to go out or come in, or what to pray for, and then open himself in receptivity to that still small Voice which is within, closer than breathing, and let It pray through him, let It utter Its voice, let It have Its way. If you are praying for someone else, let It inform you, let It inform your patient or your student.Do not try to be Omniscience yourself in your praying, because you can be Omniscience only when you are completely absent from the personal sense of self, when you are absent from any knowledge, when you have attained that place of unknowing in which you definitely know that you do not know, and do not even want to know, but are willing and open to receive spiritual wisdom, spiritual guidance, spiritual strength.When you are praying or meditating for someone else, do not try to transfer thoughts to him, do not try to know what is right for him or best for him, but sit in a state of complete receptivity, and then let the Father function as your consciousness. You may not receive any message for your patient or student, but you do not need any. He will receive it, and he will receive it not from you, but from the Source of you. Your consciousness acts only as the instrument of contact, and you yourself may never know what the message is, or even whether any message has been received

I am a runaway, lost at sea. I am a broken bird, yearning to fly free. I am a sinner, unworthy and unholy. I am a rose, wilting slowly. I am a raindrop, touching your cheek.I am a child who plays hide and seek. I am nothing, and yet I am everything. I am contradictions and complexities. I am a face with a hundred entities. I am love and I am hate. I am the voice that cannot communicate. I am a melody, haunting and sad. I am a soul that has slowly gone mad. I am death in a living body. I am a dangerous opium poppy. I am rage, running through my veins. I am pain, bound in chains.I am isolation, imprisoned in my mind. I am abandoned and left behind. I am tenderness, soft and kind. I am trust, naïve and blind. I am remorse, shattered and frozen. I am the path I have not chosen. I am sadness, drowning in an ocean. I am faith, yearning for devotion. I am madness, rebellious and wild. I am sanity, safely filed. I am wisdom, cursed and blessed. I am a name that will burn in your chest. I am a journey, destination unknown. I am a heart turned to stone. I am forever alone.

If you think about it, the public perception of funky brain chemistry has been as varied and weird as the symptoms, historically speaking. If I had been born a Native American in another time, I might have been lauded as a medicine man. My voices would have been seen as the voices of ancestors imparting wisdom. I would have been treated with great mystical regard. If I had lived in biblical times, I might have been seen as a prophet, because, let’s face it, there are really only two possibilities: either prophets were actually hearing God speaking to them, or they were mentally ill. I’m sure if an actual prophet surfaced today, he or she would receive plenty of Haldol injections, until the sky opened up and the doctors were slapped silly by the Hand of God. In the Dark Ages my parents would have sent for an exorcist, because I was clearly possessed by evil spirits, or maybe even the Devil himself. And if I lived in Dickensian England, I would have been thrown into Bedlam, which is more than just a description of madness. It was an actual place—a “madhouse” where the insane were imprisoned in unthinkable conditions. Living in the twenty-first century gives a person a much better prognosis for treatment, but sometimes I wish I’d lived in an age before technology. I would much rather everyone think I was a prophet than some poor sick kid.

It's a poem about moths. But it's also a poem about psychopaths.I get it copied. And stick it in a frame. And now it glowers redoubtably above my desk:an entomological keepsake of the horizons of existence.And the brutal, star-crossed wisdom of those who seek them out.i was talking to a moththe other eveninghe was trying to break intoan electric bulband fry himself on the wireswhy do you fellowspull this stunt i asked himbecause it is the conventionalthing for moths or whyif that had been an uncoveredcandle instead of an electriclight bulb you wouldnow be a small unsightly cinderhave you no senseplenty of it he answeredbut at times we get tiredof using itwe get bored with routineand crave beautyand excitementfire is beautifuland we know that if we gettoo close it will kill usbut what does that matterit is better to be happyfor a momentand be burned up with beautythan to live a long timeand be bored all the whileso we wad all our life upinto one little rolland then we shoot the rollthat is what life is forit is better to be part of beautyour attitude toward lifeis come easy go easywe are like human beingsused to be before they becametoo civilized to enjoy themselvesand before i could argue himout of his philosophyhe went and immolated himselfon a patent cigar lighteri do not agree with himmyself i would rather havehalf the happiness and twicethe longevitybut at the same time i wishthere was something i wantedas badly as he wanted to fry himself