When Suzie introduced Helen, she told the audience that one of the best things about books is that they are an interactive art form: that while the author may describe in some detail how a character looks, it is the reader's imagination that completes the image, making it his or her own. "That's why we so often don't like movies made from books, right?" Suzie said. "We don't like someone else's interpretation of what we see so clearly." She talked, too, about how books educate and inspire, and how they soothe the soul-"like comfort food without the calories," she said. She talked about the tactile joys of reading, the feel of a page beneath one's fingers; the elegance of typeface on a page. She talked about how people complain that they don't have time to read, and reminded them that if they gave up half an hour of television a day in favor of reading, they could finish twenty-five books a year. "Books don't take time away from us," she said. "They give it back. In this age of abstraction, of multitasking, of speed for speed's sake, they reintroduce us to the elegance-and the relief!-of real, tick-tock time.

Human beings across every culture I know about require such stories, stories with cool winds and wood smoke. They speak to something deep within us, the capacity to conceptualize, objectify and find patterns, thereby to create the flow of events and perceptions that find perfect expression in fiction. We are built this way, we create stories by reflex, unstoppably. But this elegant system really works best when the elements of the emerging story, whether is is being written or being read, are taken as literal fact. Almost always, to respond to the particulars of the fantastic as if they were metaphorical or allegorical is to drain them of vitality.

I have a different idea of elegance. I don't dress like a fop, it's true, but my moral grooming is impeccable. I never appear in public with a soiled conscience, a tarnished honor, threadbare scruples, or an insult that I haven't washed away. I'm always immaculately clean, adorned with independence and frankness. I may not cut a stylish figure, but I hold my soul erect. I wear my deeds as ribbons, my wit is sharper then the finest mustache, and when I walk among men I make truths ring like spurs.

It's not a remarkable note except for one thing. The typeface Tony used to print it is the exact typeface Kubrick used for the posters and title sequences of 'Eyes Wide Shut' and '2001'.'It's Futura Extra Bold,' explains Tony. 'It was Stanley's favorite typeface. It's sans serif. He liked Helvetica and Univers too. Clean and elegant.''Is this the kind of thing you and Kubrick used to talk about?' I asked.'God, yes,' says Tony. 'Sometimes late into the night. I was always trying to persuade him to turn away from them. But he was wedded to his sans serifs.

I am not a man of my time. In fact I find it hard not to declare myself its enemy. Not, as I often remark, that I fail to understand it. My comment is merely a pious one. Because I am easy-going I prefer not to be aggressive or hostile and therefore I say that I do not understand those matters which I ought to say I hate or despise. I have sharp hears but I pretend to be hard of hearing, finding as I do that is more elegant to feign this handicap than to admit that I have heard some vulgar sound

Really good films don't diminish anything, they don't close things off. On the contrary, they open up new insights, they make new thoughts thinkable. They crowd us, they deflate our slovenly lifestyle, our thoughtless way of chattering and pissing away our time and energy and passion. Believe me, films can teach us a huge amount. And they give us a true picture of the way life is."Mari laughed. "Of our slovenly lifestyle, you mean? You mean, maybe they teach us to piss our lives away with a little more intelligence, a little more elegance?

Despite his elegant appearance, Mr. Gweta’s most striking asset was his alluring personality. Professor Khupe had met few such men in his life. Their warmth made everyone feel like they were their best friend. They were good men. However, they tended to be morally ambidextrous. If a stranger confessed to having been involved in a horrible crime, they would reserve judgment until they found out whether the confessor was the victim or victimizer. Once they knew, they would immediately lend their sympathies to the confessor’s position. Their worldview was simple. They supported the first person to confide in them. Such men made good lawyers.

Hoffland, as it was called, was, next to Moda Polska (simply “Polish Fashion”) one of the rare examples of the quasi-private, though officially nationalized fashion companies in Poland. Both have survived communism, and Hoff kept designing well into the 90s. You could be sure, that if Hoff wrote about a new style for wearing a shawl in her column, the same afternoon there would already be dozens of girls on the streets trying to copy this style. Her flagship idea was blackening the “coffin shoes” (i.e. light, paper shoes, used as footwear for the deceased) which when colored black could pass as elegant “ballerinas”.

“[The Basque Table 's 130 recipes introduce American cooks to a cuisine that is as easy to prepare as it is elegant and satisfying. These delicious dishes are flavourful and healthful, as Basque cooking is based on fresh vegetables, fish and shellfish, lean meats, rice, potatoes, and the olive oil for which Spain is justly famous. These time-honoured recipes are perfect for today's sophisticated palate and health-conscious concern for a balanced diet that doesn't compromise on flavour.] It's a delight to encounter a book that revels in the honest flavours of the farm, garden, and sea, ... as I sit back and read Ms. Barrenechea's book, there unfolds a cuisine at once pure, simple, and joyful.”

Everything about us, everything around us, everything we know and can know of is composed ultimately of patterns of nothing; that’s the bottom line, the final truth. So where we find we have any control over those patterns, why not make the most elegant ones, the most enjoyable and good ones, in our own terms? Yes, we’re hedonists, Mr. Bora Horza Gobuchul. We seek pleasure and have fashioned ourselves so that we can take more of it; admitted. We are what we are. But what about you? What does that make you?