London? Paris? Berlin? Zurich? Maybe Brussels, center of the young union? They all strive to outdo one another culturally, architecturally, politically, fiscally. But Rome, it should be said, has not bothered to join the race for status. Rome doesn't compete. Rome just watches all the fussing and striving, completely unfazed, exuding an air like: 'Hey- do whatever you want, but I'm still Rome. I am inspired by the regal self-assurance of this town, so grounded and rounded, so amused and monumental, knowing that she is held securely in the palm of history. I would like to be Rome when I am an old lady.
Given the obstacles to merging these fragile and diverse forms of storytelling into a single tale, it is, paradoxically, by venturing in the opposite direction -- by listening for the silences between accounts; by discovering what each genre of recordkeeping cannot tell us -- that we can capture most fully the human struggle to understand our elusive past. What this past asks of us in return is a willingness to recount all our stories -- our darkest tales as well as our most inspiring ones -- and to ponder those stories that violence has silenced forever. For until we recognize our shared capacity for inhumanity, how can we ever hope to tell stories of our mutual humanity?
Consistently, [Yves] Congar emphasized the distinction between Tradition and traditionalism. The latter was an unyielding commitment to the past. The former was a living principle of commitment to the Beginning, a process that required creativity, inspiration, and a spirit of openness to the present as well as respect for the past. Two of Congar's works, on reform in the church and on the theology of the laity, proved especially controversial...Congar believed that reform was a vital and necessary dimension of the church. This was rooted in the distinction between the church and the kingdom of God and in the intermingling in the church of both divine and human elements. In light of the church's constant temptation to revert to institutionalism, it was always necessary to allow room for the prophetic voice, issuing from the margins, even though this might mean attending to uncomfortable truths.
True love is not:A person’s looksA person’s career or accomplishmentsLongevity of a relationshipChildren together Memories madeWords spoken or declaredChance meetings you feel are fateHobbies and interests sharedOr, Religious beliefs in commonTrue love is:Seeing the potential in someone and helping them to rise and meet it. It is selfless. It doesn’t care about being right or winning. It cares about you choosing right. It is your heart breaking when they go against the goodness in their nature and it is your heart rejoicing when he or she does something so generous and kind for others, that it inspires you to be even better. It is confidence that doesn’t seek to possess, rather to set your soul free.
Batshit Kind of LoveThe type of love that can’t be described with words…The type of love that can’t be measured by time…The type of love that inspires haters to hate…The type of love that makes no sense to those around you…The type of love that exists in the beautiful eyes in which you can see all of your tomorrows… all of your children and grandchildren…The type of love that makes you feel like forever will not be long enough…The type of love that is born out of a relationship that is built on honor, respect, and truth...That is our love... That is our connection...The batshit kind of love that makes no sense at all… and at the same time… all the sense in the world…That is us…You and me; a “WE.
Don’t wait. Writers are the only artists I know of who expect to get somewhere by waiting. Everyone knows you have to dance to be a dancer, you have to sing to be a singer, you have to act to be an actor, but far too many people seem to believe that you. don’t have to write to be a writer. So, instead of writing, they wait. Isaac Asimov said it beautifully in just six words: “It’s the writing that teaches you.” Writing is what teaches you. Writing is what leads to “inspiration.” Writing is what generates ideas. Nothing else-and nothing less. Don’t meditate, don’t do yoga, don’t do drugs. Just write.
Don’t hold back because you’re afraid of hurting someone else. If your best friend wants to be a cheerleader and you make the team but she doesn’t, don’t feel guilty. If you end up earning more than your sister, it’s not a betrayal. Your success might be an inspiration for someone else, while limiting yourself to avoid upsetting the balance doesn’t help anyone. Equally, rather than being paralysed by jealousy when someone else is coming out on top, use it to spur you on to greater things. Some of our best achievements will be triggered by envy at seeing someone else fulfilling our secret ambitions.
Sometimes our enemies are disguise as family and friends. You must forgive yourself for having chosen to trust those people who don't care about your life and seek nothing but failure for you. Stop wasting your precious time in trying to make those people see you, understand you, respect you, value you and love you because in the end it all becomes a pointless negative fight for validation that will drain your happiness. Enjoy life by surrounding yourself with those who inspire you and truly demonstrate their love for you. It gets complicated at times but eventually, you will know your worth & leave the trash behind.
“In the case of Michel Angelo we have an artist who with brush and chisel portrayed literally thousands of human forms; but with this peculiarity, that while scores and scores of his male figures are obviously suffused and inspired by a romantic sentiment, there is hardly one of his female figures that is so,—the latter being mostly representative of woman in her part as mother, or sufferer, or prophetess or poetess, or in old age, or in any aspect of strength or tenderness, except that which associates itself especially with romantic love. Yet the cleanliness and dignity of Michel Angelo's male figures are incontestable, and bear striking witness to that nobility of the sentiment in him, which we have already seen illustrated in his sonnets.”
“Those whose acquaintance with scientific research is derived chiefly from its practical results easily develop a completely false notion of the mentality of the men who, surrounded by a skeptical world, have shown the way to kindred spirits scattered wide through the world and through the centuries. Only one who has devoted his life to similar ends can have a vivid realization of what has inspired these men and given them the strength to remain true to their purpose in spite of countless failures. It is cosmic religious feeling that gives a man such strength. A contemporary has said, not unjustly, that in this materialistic age of ours the serious scientific workers are the only profoundly religious people.”