It is, I think, particularly in periods of acknowledged crisis that scientists have turned to philosophical analysis as a device for unlocking the riddles of their field. Scientists have not generally needed or wanted to be philosophers. Indeed, normal science usually holds creative philosophy at arm's length, and probably for good reason. To the extent that normal research work can be conducted by using the paradigm as a model, rules and assumptions need not be made explicit. The full set of rules sought by philosophical analysis need not even exist.

so that it isn't upsetting to anybody. It's something we've always known about fairy tales – they talk about incest, the Oedipus complex, about psychotic mothers, like those of Snow White and Hansel and Gretel, who throw their children out. They tell things about life which children know instinctively, and the pleasure and relief lie in finding these things expressed in language that children can live with. You can't eradicate these feelings – they exist and they're a great source of creative inspiration.

Last words? I'm sure it has been an eventful journey. Someone will want to make your eulogy creative, I have no doubt. I can only wonder what will happen to the mind of the person that is forcefully debugged with their consciousness this deep into the WoAnLiNe. It's going to make an interesting case study for some boring old zero that has that kind of time. I should erase your Animus while I'm at it. It would keep these sorts of problems from happening in the future, troublemaker.

There is a difference between what I actually want and what I want to have fantasies about. (...) There is a part of my imagination which is a playground, a playground in which I am queen. It fulfils my need to have a fantasy land, and that need may be born of creativity as well as lack or repression. Our fantasies are about exploration and experimentation and the power of the imagination. Looked at intelligently, they can reveal a great deal. But there is a difference between fantasising and thinking about our hopes for the future.

The problem for a lot of people is that they don't really know what they want. They have vague desire: to 'do something creative' or to earn more money or 'to be free', but they can't really pin down what it is precisely that they want. So they drift from one thing to another, enjoying some moments and hating others, but never really finding fulfillment or success. (..)This is why it's hard to lead a successful life (whatever that means to you) when you don't know what you want.

The artistic life is a long and lovely suicide precisely because it involves the negation of self; as Highsmith imagined herself as her characters, so Ripley takes on the personae of others and in doing so metamorphoses himself into a 'living' work of art. A return to the 'real life' after a period of creativity resulted in a fall in spirits, an agony Highsmith felt acutely. She voiced this pain in the novel via Bernard's quotation of an excerpt from Derwatt's notebook: 'There is no depression for the artist except that caused by a return to the self'.

Every year when i travel around the world, i wonder if it’ll be diferent, maybe one year won’t come to the show or you’ll be less festival, but what i realized during ARTPOP is that we belong together and some stories have no end. I will follow you around the world as long as you’ll have me because i love making music, i love making art and i love, love meeting all you beautiful, creative people“.

Presence is not a question of judging or evaluating a client or a client’s situation. Presence is to see the client’s situation in a positive and creative light with a vision for how the present situation of the client relates to his further spiritual development. It is to accept a person as he is. It is to understand that the person is exactly where he needs to be in order to take the next step in his spiritual development. It is not about fighting with problems, darkness, drama and defences on the personality level, it is about becoming aware. It is about lighting the light in the inner being of another person.

There must have been moments even that afternoon when Daisy tumbled short of his dreams -- not through her own fault, but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his ghostly heart.

“Governments tell us they want to develop partnerships to help their citizens, local industries and communities accelerate social and economic development. Our goal is to identify the most creative and effective solutions worldwide, and work with individual governments to adapt and implement those best practices in ways that address the specific needs of their countries. By doing so, we can help governments worldwide enable their citizens to take advantage of the full potential of technology -- through affordable access, education and skills-development initiatives.”