The journey of the hero is about the courage to seek the depths; the image of creative rebirth; the eternal cycle of change within us; the uncanny discovery that the seeker is the mystery which the seeker seeks to know. The hero journey is a symbol that binds, in the original sense of the word, two distant ideas, the spiritual quest of the ancients with the modern search for identity, always the one, shape-shifting yet marvelously constant story that we find.
A mind that is racing over worries about the future or recycling resentments from the past is ill equipped to handle the challenges of the moment. By slowing down, we can train the mind to focus completely in the present. Then we will find that we can function well whatever the difficulties. That is what it means to be stress-proof: not avoiding stress but being at our best under pressure, calm, cool, and creative in the midst of the storm.
Creative people, as I see them, are distinguished by the fact that they can live with anxiety, even though a high price may be paid in terms of insecurity, sensitivity, and defenselessness for the gift of the “divine madness,” to borrow the term used by the classical Greeks. They do not run away from non-being, but by encountering and wrestling with it, force it to produce being. They knock on silence for an answering music; they pursue meaninglessness until they can force it to mean.
They are full of wonder and awe and can play creatively. Sometimes they can sense things that adults often take time to perceive or know. For example, young children are able to make quick intuitive decisions about whom they will be friendly with. However, when this aspect of a child is not affirmed and noticed, it becomes hidden and repressed. As a result, young children can lose touch with a part of themselves that is already quite well developed.
And hoops, like rings aflame set to jump through for a world fit for someone elseThe cold harsh feel of steel on skin, the unloved touch of an industry used to deprave all mankind of its creativity and cast us out as a solider of fortune. Working to build an empire of dirt until the grave of another unknown warrior lays dead and buried amongst the masses of a billion unknowns before him.
Even in sin, the act of love -done with love- is shadowed with divinity. Its conformity may be at fault, but its nature is not altered, and its nature is creative, communicative, splendid in surrender. It was in the splendor of my surrender to Nina and she to me, that I first understood how a man might surrender himself to God -if a God existed. The moment of love is a moment of union -of body and spirit- and the act of faith is mutual and implicit.
Every culture that has lost myth has lost, by the same token, its natural healthy creativity. Only a horizon ringed about with myths can unify a culture. The forces of imagination and the Apollonian dream are saved only by myth from indiscriminate rambling. The images of myth must be the daemonic guardians, ubiquitous but unnoticed, presiding over the growth of the child's mind and interpreting to the mature man his life and struggles.
I lay in bed last night and thought of G.P. I thought of being in bed with him. I wanted to be in bed with him. I wanted the marvellous, the fantastic ordinariness of him. His promiscuity is creative. Vital. Even though it hurts. He creates love and life and excitement around him; he lives; the people he loves always remember him.I've always felt like it sometimes. Promiscuous. Anyone I see, even just some boy in the Tube, some man, I think what he would be like in bed. I look at their mouths and their hands, put on a prim expression and think about them having me in bed.Even Toinette, getting into bed with anyone. I used to think it was messy. But love is beautiful, any love. Even just sex.
I faced people from all walks of business who fully disregarded design (though they were completely influenced by it). I also met fine artists who drowned in their own work and the dense creative universe in their minds.Then I met designers. And instantly fell in love. Let me tell you why.Designers are familiar with critiques. They not only tolerate them but actively look out for them. They honestly believe in iterations and learn to edit down their work. They embrace simplicity and create beauty based on requirements other than their own. Design education teaches you to run away from assumptions and to have the stomach to scrap your work often.I’m bringing this up because it’s time to bridge the gap between design and business.
“The marketing industry is in the middle of an extreme make-over, and who loves the magic of a good make-over more than women? This is an exciting time for creative marketers to try something new and to change our industry forever. Advertising is becoming more contextual in our lives. 'Out of Home' Television is just one of the ways that strategic marketing leaders are reaching consumers. Reaching women today requires a comprehensive 360 degree approach.”