You live," I said, "Knowing you will die. Everyone lives every day knowing they could die at any moment. And yet they carry on. They lift their heads high and carry on and build a beautiful, amazing world. What for, if there is no point? Bravery. Courage. To live knowing death hangs over you. Sweet misery, fragile threads of life and existence, and you still fight for every moment, to be alive and to be as alive as possible.""And the point?""The point, Jane, is for beauty. Simplistic, joyous beauty; complicated, twisted beauty-- the beauty of courage, the beauty of loss. For if there is a Something Else out there, it is surely hidden among the beauty of this world.

Yes, I hate orthodox criticism. I don't mean great criticism, like that of Matthew Arnold and others, but the usual small niggling, fussy-mussy criticism, which thinks it can improve people by telling them where they are wrong, and results only in putting them in straitjackets of hesitancy and self-consciousness, and weazening all vision and bravery....I hate it because of all the potentially shining, gentle, gifted people of all ages, that it snuffs out every year. It is a murderer of talent. And because the most modest and sensitive people are the most talented, having the most imagination and sympathy, these are the very first ones to get killed off. It is the brutal egotists that survive.

And when he got through I felt for the first time that there had really been a war and that the man I was listening had been in it and that despite his bravery the war had made him a coward and that if he did any more killing it would be wide-awake and in cold blood, and nobody would have the guts to send him to the electric chair because he had performed his duty toward his fellow men, which was to deny his own sacred instincts and so everything was just and fair because one crime washes away the other in the name of God, country and humanity, peace be with you all.

We are all in wires, eventually, reduced to what we said, or didn't say, and what we wrote or didn't write, who loved or didn't love, or loved and lost and never told it except for writing in or to a book. We are all discarded, discordant, confusingly, and so I salute your bravery, book inscriber. Your heart is big enough for both of us, so that there is no room for mockery in me. Anyone willing to strip themselves this bare this fast this way deserves our breathlessness and our hearts' attention. Let's spend an hour, then longer, in contemplation. If you open, open all the way, or as much as you can bear, or else there's nothing here at all.

Love is fragile at best and often a burden or something that blinds us. It's fodder for poets and song writers and they build it into something beyond human capacity. Falling in love means enrolling yourself in the school of disappointment. Being human means failing each other often, and no two people fail each other more than two people who pledge to do things for each other that they'll never do because they are just incapable of it...That's why art is enduring. The look of love or hope, or the look of compassion, bravery, whatever, is captured forever. We spend our lives trying to get someone to be as enduring as a painting or a sculpture and we can't because feelings crumble as quickly as the flesh.

You are now 18standing on the precipice,trembling before your own greatness.This is your call to leap.There will always being those who say you are too young and delicate to make anything happen for yourself. They don’t see the part of you that smolders.Don’t let their doubting drown out the sound of your own heartbeat.You are the first drop of a hurricane.Your bravery builds beyond youYou are needed by all the little girls still living in secret, writing oceans made of monsters andthrowing like lightening.You don’t need to grow up to find greatness.You are stronger than the world has ever believed you to be.The world is waiting for you to set it on fireTrust in yourselfand burn.

Growing up seems easier for men, maybe because their rites of passage are clearer. They perform acts of bravery on the battlefield or show they're men through physical labor or by making money. For women, it's more confusing. We have no rites of passage. Do we become women when a man first makes love to us? If so, why do we refer to it as a loss of virginity? Doesn't the word 'loss' imply that we are better off before? I abhor the idea that we become women only through the physical act of a man. No, I think we become women when we learn what is important in our lives, when we learn to give and to take with a loving heart.

With a glance back towards the house, he pulled the secret sketches from within. He'd been working at them on and off for a fortnight now, ever since he'd come across Cousin Eliza's fairy tales among Rose's things. Though they were written for children, magical stories of bravery and morality, they had made their way beneath his skin. The characters had seeped inside his mind and come alive, their simple wisdom a balm for his swirling mind, his ugly adult troubles. He had found himself in moments of distraction scribbling lines that had turned themselves into a crone at a spinning wheel, the Fairy Queen with her long thick plait, the Princess bird trapped in her golden cage.

“Growing up seems easier for men, maybe because their rites of passage are clearer. They perform acts of bravery on the battlefield or show they're men through physical labor or by making money. For women, it's more confusing. We have no rites of passage. Do we become women when a man first makes love to us? If so, why do we refer to it as a loss of virginity? Doesn't the word 'loss' imply that we are better off before? I abhor the idea that we become women only through the physical act of a man. No, I think we become women when we learn what is important in our lives, when we learn to give and to take with a loving heart.”

The levelling of the European man is the great process which cannot be obstructed; it should even be accelerated. The necessity of cleaving gulfs, distance, order of rank, is therefore imperative —not the necessity of retarding this process. This homogenizing species requires justification as soon as it is attained: its justification is that it lies in serving a higher and sovereign race which stands upon the former and can raise itself this task only by doing this. Not merely a race of masters whose sole task is to rule, but a race with its own sphere of life, with an overflow of energy for beauty, bravery, culture, and manners, even for the most abstract thought; a yea-saying race that may grant itself every great luxury —strong enough to have no need of the tyranny of the virtue-imperative, rich enough to have no need of economy or pedantry; beyond good and evil; a hothouse for rare and exceptional plants.