To the bankrupt poet, to the jilted lover, to anyone who yearns to elude the doubt within and the din without, the tidal strait between Manhattan Island and her favorite suburb offers the specious illusion of easy death. Melville prepared for the plunge from the breakwater on the South Street promenade, Whitman at the railing of the outbound ferry, both men redeemed by some Darwinian impulse, maybe some epic vision, which enabled them to change leaden water into lyric wine. Hart Crane rejected the limpid estuary for the brackish swirl of the Caribbean Sea. In each generation, from Washington Irving’s to Truman Capote’s, countless young men of promise and talent have examined the rippling foam between the nation’s literary furnace and her literary playground, questioning whether the reams of manuscript in their Brooklyn lofts will earn them garlands in Manhattan’s salons and ballrooms, wavering between the workroom and the water. And the city had done everything in its power to assist these men, to ease their affliction and to steer them toward the most judicious of decisions. It has built them a bridge.
Can you imagine how incredibly quiet it was everywhere, when the gentlemen from this world" — he made a vague circular gesture towards the battalions of meditating Asians behind him — "were hatching and proclaiming their ideas? Anyone who now tries to follow these ideas in order to find the road back to what they were talking about, is faced with obstacles that would have driven an entire tribe of oriental ascetics into the ravine. The world from which they felt it so necessary to retreat would have seemed idyllic to us. We live in a vision of hell, and we have actually got used to it." He looked at his statues and continued, "We have become different people. We still look the same, but we have nothing in common with them any more. We are differently programmed. Anyone who now wants to become like them must acquire a big dose of madness first; otherwise he will no longer be able to bear the life of our world. We are not designed for their kind of life.
Evictions were deserved, understood to be the outcome of individual failure. They “helped get rid of the riffraff,” some said. No one thought the poor more undeserving than the poor themselves.In years past, renters opposed landlords and saw themselves as a “class” with shared interests and a unified purpose. During the early twentieth century, tenants organized against evictions and unsanitary conditions. When landlords raised rents too often or too steeply, tenants went so far as to stage rent strikes. Strikers joined together to withhold rent and form picket lines, risking eviction, arrest, and beatings by hired thugs. They were not an especially radical bunch, these strikers. Most were ordinary mothers and fathers who believed landlords were entitled to modest rent increases and fair profits, but not “price gouging.” In New York City, the great rent wars of the Roaring Twenties forced a state legislature to impose rent controls that remain the country’s strongest to this day.Petitions, picket lines, civil disobedience—this kind of political mobilization required a certain shift in vision.
Solo For Ear-Trumpet The carriage brushes through the brightLeaves (violent jets from life to light);Strong polished speed is plunging, heavesBetween the showers of bright hot leavesThe window-glasses glaze our facesAnd jar them to the very basis — But they could never put a polishUpon my manners or abolishMy most distinct disinclinationFor calling on a rich relation!In her house — (bulwark built betweenThe life man lives and visions seen) — The sunlight hiccups white as chalk,Grown drunk with emptiness of talk,And silence hisses like a snake — Invertebrate and rattling ache….Then suddenly EternityDrowns all the houses like a seaAnd down the street the Trump of DoomBlares madly — shakes the drawing-roomWhere raw-edged shadows sting forlornAs dank dark nettles. Down the hornOf her ear-trumpet I conveyThe news that 'It is Judgment Day!''Speak louder: I don't catch, my dear.'I roared: 'It is the Trump we hear!''The What?' 'THE TRUMP!' 'I shall complain!…. the boy-scouts practising again.
The decision to create a book trailer is entirely up to you. I can remember when "video killed the radio star" on MTV and how excited I was with some music videos (the ones that lived up to or exceeded my imagined vision of the song) and the ones I disliked so much, I even stopped listening to the song (the imagery just ruined it for me!) Some people argue that in a visual landscape, a book trailer is a must, while others stand firm that books should be read and not seen; unless of course it gets made into a screenplay and then a film. The most practical advice is to trust your instinct. You know what you want to say with your book and if it aligns congruently with your brand, then for a non-fiction book it may be a strategic move. On the other hand, it may come off as too "salesy" and go in the opposite direction. As you can see, I still have a love / hate relationship with matching someone else's images to my own imagination. No matter what you decide, remember to keep it aligned with your brand.
Why give a robot an order to obey orders—why aren't the original orders enough? Why command a robot not to do harm—wouldn't it be easier never to command it to do harm in the first place? Does the universe contain a mysterious force pulling entities toward malevolence, so that a positronic brain must be programmed to withstand it? Do intelligent beings inevitably develop an attitude problem? (…) Now that computers really have become smarter and more powerful, the anxiety has waned. Today's ubiquitous, networked computers have an unprecedented ability to do mischief should they ever go to the bad. But the only mayhem comes from unpredictable chaos or from human malice in the form of viruses. We no longer worry about electronic serial killers or subversive silicon cabals because we are beginning to appreciate that malevolence—like vision, motor coordination, and common sense—does not come free with computation but has to be programmed in. (…) Aggression, like every other part of human behavior we take for granted, is a challenging engineering problem!
TRIAD supernal, both super-God and super-good, Guardian of the Theosophy of Christian men, direct us aright to the super-unknown and super-brilliant and highest summit of the mystic Oracles, where the simple and absolute a!nd changeless mysteries of theology lie hidden within the super-luminous gloom of the silence, revealing hidden things, which in its deepest darkness shines above the most super-brilliant, and in the altogether impalpable and invisible, fills to overflowing the eyeless minds with glories of surpassing beauty. This then be my prayer; but thou, O dear Timothy, by thy persistent commerce with the mystic visions, leave behind both sensible perceptions and intellectual efforts, and all objects of sense and intelligence, and all things not being and being, and be raised aloft unknowingly to the union, as far' as attainable, with Him Who is above every essence and knowledge. For by the resistless and absolute ecstasy in all purity, from thyself and all, thou wilt be carried on high, to the superessential ray of the Divine darkness, when thou hast cast away all, and become free from all.
Out of the fog that shrouded the countryside, softening the outlines of people and things, demonstrators emerged, flags waved and speakers rose spontaneously to address spontaneous gatherings. Mostly they were people who had not been allowed to speak for years. They clambered on to piles of rock, balanced on the rims of fountains and on pedestals of statues whose removal they demanded, just as they demanded the removal of those who had bowed down before these statues. They spun visions of how everyone's life, including Pavel's own, would quickly be transformed and rise above the poverty in which it had for so long been mired. Others, who preferred actions to words, climbed onto rooftops to remove the snow-covered symbols of yesterday's power. They pulled down street signs and fastened in their place new plaques scrawled with names that until recently had been unmentionable, and they sometimes gathered threateningly under the windows of abandoned Party secretariats, ready to break in and begin, or rather complete, the purging. In every face he saw a kind of ecstasy that looked almost sexual.
I will say that the cross of materialism is that it never quite succeeds in believing what it preaches, in thinking its own thought. This may sound complicated, but is in fact simple: the materialist says, for example, that we are not free, though he is convinced, of course, that he asserts this freely, that no one is forcing him to state this view of the matter — neither parents, not social milieu, nor biological inheritance. He says that we are wholly determined by our history, but he never stops urging us to free ourselves, to change our destiny, to revolt where possible! He says that we must love the world as it is, turning our backs on past and future so as to live in the present, but he never stops trying, like you or me, when the present weighs upon us, to change it in hope of a better world. In brief, the materialist sets forth philosophical these that are profound, but always for you and me, never for himself. Always, he reintroduces transcendence — liberty, a vision for society, the ideal — because in truth he cannot not believe himself to be free, and therefore answerable to values higher than nature and history.
He looked at them and saw their faces did not fit. The skin on the skulls crawled and twitched like half-solid paste. All the heads in his angle of vision seemed irregular lumps, like potatoes but without a potato’s repose: potatoes with crawling surfaces punctured by holes which opened and shut, holes blocked with coloured jelly or fringed with bone stumps, elastic holes through which air was sucked or squirted, holes secreting salt, wax, spittle and snot. He grasped a pencil in his trouser pocket, wishing it were a knife he could thrust through his cheek and use to carve his face down to the clean bone. But that was foolish. Nothing clean lay under the face. He thought of sectioned brains, palettes, eyeballs and ears seen in medical diagrams and butcher’s shops. He thought of elastic muscle, pulsing tubes, gland sacks full of lukewarm fluid, the layers of cellular and fibrous and granular tissues inside a head. What was felt as tastes, caresses, dreams and thoughts could be seen as a cleverly articulated mass of garbage.