Man knows himself as body, and what he knows of spirit comes through grace. The poet would call it inspiration. But the spirit bloweth where it listeth. Man has no control over his inspiration. If a piece of music or a poem has moved him once, he can never be certain that it will happen again. But man hates to think that he has no control over the spirit. It would discourage him too much. He likes to believe that he can summon the spirit by some ordinary act. Instead of striving to prepare himself for it through discipline and prayer, he tries to summon it arbitrarily through some physical act—drinking Düsseldorf beer, for instance. . . Stein said, chuckling:Which is the way all good Düsseldorfers summon the spirit, since our Dunkelbier is the best in Germany. The priest laughed with him, and for a moment Sorme had a curious impression that he was listening to an argument between two undergraduates instead of two men in their late sixties. He shrank deeper into his armchair, wanting them to forget his presence. The priest stopped laughing first, and Sorme had a glimpse of the tiredness that always lay behind his eyes. Stein also became grave again. He said: Very well. But what has this to do with the murderer? It has to do with sex. For sex is the favourite human device for summoning the spirit. And since it is also God's gift of procreation, it nearly always works. . . unlike music and poetry. Or beer, Stein said. Quite. But even sex is not infallible. And man hates to think that he has no power over the spirit. The more his physical methods fail him, the more voraciously he pursues them. His attempts to summon the spirit become more and more frenzied. If he is a drinker, he drinks more, until he has more alcohol than blood in his veins. If he is a sensualist, he invents sexual perversions. Ah, Stein said. There are many other ways, of course—the lust for money and power, for instance. All depend upon man's refusal to face the fact that the spirit bloweth where it listeth, that no physical act can be guaranteed to summon it. . .

Acceptance" is a very important word in our lives. People drive themselves into madness and death thinking about the chasm that exists between their ideals and their actual reality that they are living. There must be a balance between improvement of one's self and one's circumstances and the acceptance of reality. There is a beautiful dance that one must learn, which involves embracing the reality of your life as you would embrace a Latin dance partner on the ballroom floor, and moving that partner (your reality) in graceful strides, towards where you want to be situated, on that dance floor. If you dance with no partner (your current reality), you will arrive at your destination empty. Empty. That is, if you ever arrive at all. But when you dance with that partner, embracing and accepting it for all of its flaws and its redeeming qualities, you will be able to move across that dance floor as a full, whole person. Wherever you end up stopping in that ballroom, you will stop there as a whole person, not an empty one. So, accept the mistakes that have been done unto you and the mistakes that you have done. Accept the fact that you didn't grow up perfectly and you are not perfect now. Accept, embrace, love the people who are given to you to love. And love yourself just as you are.

I don't like forgetting, Elías," I said with my eyes closed. A single tear slipped down my cheek and I let it. "I don't want to forget these moments that constantly remind me of who I am, who I was, and who you are. I don't want to forget my past and all the things about this world that's brought me here. With you.""So then why do you try?" he asked, his gaze searching my face. "Be here with me, T. Exist with me, because there isn't any other way I'd love you more.""I-I don't belong to you.""Bullshit. You've belonged to me since that night on the alabaster hill. I had you then, and I swore to keep you.""You-""Just stop." Eli placed a finger to my lips as he held me closely and slid a hand down my back. He palmed my shoulder and the place where a piece of him would forever harbor. "Stop making up excuses. Stop hiding. Stop running from me. You're the light at the end of my tunnel, my saving grace, and you don't even know it, Trinity.

I knew your face before your heart, I saw your pain right from the start A stunning sight I won’t forget, Tears that flowed out of regret,   So take your time and take your spaceI’ll be here while you navigate My love for you alone will wait My love for you alone will wait   You captured me before I knew A rare reward, a heart so true How could it be with just one look, My world was changed, my love unhooked   So take your time and take your space I’ll be here while you navigate My love for you alone will wait My love for you alone will wait   I only want to see you freed Outside the walls you cannot see So break away from debts not yoursReceive the grace that's been out-poured   So take your time and take your space I’ll be here while you navigate My love for you alone will wait My love for you alone will wait”Deese, Nicole (2013-01-22). All For Anna (Letting Go) (p. 234-235). . Kindle Edition.

“The answer to the question - what causes gravity? - is Self desiring not to be by itself. So it is. The Cause of Gravity is Self (not wanting to be by Itself). Very true, truly simple. Now I am certain that Self is alone but desires not to feel alone. what does Self do? Self chases itself; its own tail. Remember my dog called Ouroboros? Ouroboros is a good dog. Ouroboros is by itself. Ouroboros does not like to be by itself. Ouroboros likes companionship. But Ouroboros is alone. What does a good dog like Ouroboros gotta do to get a girl in this town? Aha. That's where imagination comes in. Ouroboros sees its own tail and starts chasing it. Round and round Ouroboros goes. Merrily, merrily indeed for Big (badda) Bang; here's Grace called Earth. That's how Earth appears round by the way. But let's return to Ouroboros. Man and WoMan are Ouroboros. I kid you not. There is no separation. There is no division. All that is here is Ouroboros not wanting to be alone. All that is here is Ouroboros desiring Companionship. All that is here is Ouroboros seeking to Love and Be Loved in reTurn. Hence the name Universe. Is the above correct? Yes. Very correct. The fundamentals of astrophysics in a nutshell. The nature of the stars is Love. In conclusion. Gravity is caused by Self desiring Companionship aka Love.”

There is a paradox about tribulation in Christianity. Blessed are the poor, but by judgement (i.e., social justice) and alms we are to remove poverty wherever possible. Blessed are we when persecuted, but we may avoid persecution by flying city to city, and may pray to be spared it as. Our Lord prayed in Gethsemane. But if suffering is good, ought it not to be pursued rather than avoided? I answer that suffering is not good in itself. What is good in any painful experience is for the sufferer, his submission to the will of God, and for the spectators, the compassion aroused and the acts of mercy to which it leads. In the fallen and partially redeemed universe, we may distinguish (1) the simple good descending from God, (2) the simple evil produced by rebellious creatures, and (3) the exploitation of that evil by God for His redemptive purpose, which produces (4) the complex good out of simple evil does not excuse - though by mercy it may save -- those who do simple evil. And this distinction is central. Offences must come, but woe to those whom they come; sins do cause grace to abound, but we must not make that excuse for continuing to sin. The crucifixion itself is the best, as well as the worst, of all historical events, but the role of Judas remains simply evil...For you will certainly carry out God's purpose, however you act, but it makes a difference to you whether you serve like Judas or like John.

Lark’s SongThat child who from Diana’s thought is bornA huntress swift, who doth the world adornWith strength and passion worthy of the GreenMay wax, and one day rise to be a queen.That child who in the eye of Phoebus growsOf visage fair, that none would dare opposeMay in her hand hold light and glory too,And to the Light hold sternly staunch and true.That child who with the face of Venus smiles,Will bear a heart of mischief and of wiles,And may in time love’s faithful bonds fulfilWhile bending lesser hearts unto her will.That child who with Athena’s grace doth moveMay to all eyes her worldly wisdom proveAnd make right wise and fulsome use thereofTo measure all who seek to win her love.That child who with grim Circe’s tongue foretells Enmeshing faithful hearts within her spellsBy dint of sly mendacity and guile,All innocence and virtue may defile.That child who by her cunning doth conniveMay by fair Tyche’s fortune wax and thriveAnd come in time to sit upon a throne;Or fail and fall, forsaken and alone.That child may choose to hark to glory’s callAnd shine in splendour, loved by one and all;Or cleave to darkness, hated and reviled:Chance crafts the fate of every fate-touched child.

It was in her garden that whatever physical grace Abigail St. Croix possessed asserted itself. She moved among her flowers with consummate natural fluidity, enjoying the incommunicable pleasures of growing things with the patience and concentration of a watchmaker. In this, her small, green country, surrounded by an embrasure of old Charleston brick, there were camellias of distinction, eight discrete varieties of azaleas, and a host of other flowers, but she directed her prime attention to the growing of roses. She had taught me to love flowers since I had known her; I had learned that each variety had its own special personality, its own distinctive and individual way of presenting itself to the world. She told me of the shyness of columbine, the aggression of ivy, and the diseases that affected gardenias. Some flowers were arrogant invaders and would overrun the entire garden if allowed too much freedom. Some were so diffident and fearful that in their fragile reticence often lived the truest, most infinitely prized beauty. She spoke to her flowers unconsciously as we made our way to the roses in the rear of the garden. “You can learn a lot from raising roses, Will. I’ve always told you that.” “I’ve never raised a good weed, Abigail. I could kill kudzu.”“Then one part of your life is empty,” she declared. “There’s a part of the spirit that’s not being fed.

Under Christianity neither morality nor religion has any point of contact with actuality. It offers purely imaginary causes ("God" "soul," "ego," "spirit," "free will" -- "unfree will" for that matter), and purely imaginary effects ("sin," "salvation," "grace," "punishment," "forgiveness of sins"). Intercourse between imaginary beings ("God," "spirits," "souls"); an imaginary natural science (anthropocentric; a total denial of the concept of natural causes); an imaginary psychology (misunderstandings of self, misinterpretations of agreeable or disagreeable general feelings -- for example, of the states of the nervus sympathicus with the help of the sign-language of religio-ethical balderdash -- , "repentance," "pangs of conscience," "temptation by the devil," "the presence of God"); an imaginary teleology (the "kingdom of God," "the last judgment," "eternal life"). -- This purely fictitious world, greatly to its disadvantage, is to be differentiated from the world of dreams; the later at least reflects reality, whereas the former falsifies it, cheapens it and denies it. Once the concept of "nature" had been opposed to the concept of "God," the word "natural" necessarily took on the meaning of "abominable" -- the whole of that fictitious world has its sources in hatred of the natural (-- the real! --), and is no more than evidence of a profound uneasiness in the presence of reality. . . . This explains everything. Who alone has any reason for lying his way out of reality? The man who suffers under it. But to suffer from reality one must be a botched reality. . . . The preponderance of pains over pleasures is the cause of this fictitious morality and religion: but such a preponderance also supplies the formula for decadence...

Too often we only identify the crucial points in our lives in retrospect. At the time we are too absorbed in the fetid detail of the moment to spot where it is leading us. But not this time. I was experiencing one of my dad’s deafening moments. If my life could be understood as a meal of many courses (and let’s be honest, much of it actually was), then I had finished the starters and I was limbering up for the main event. So far, of course, I had made a stinking mess of it. I had spilled the wine. I had dropped my cutlery on the floor and sprayed the fine white linen with sauce. I had even spat out some of my food because I didn’t like the taste of it.“But it doesn’t matter because, look, here come the waiters. They are scraping away the debris with their little horn and steel blades, pulled with studied grace from the hidden pockets of their white aprons. They are laying new tablecloths, arranging new cutlery, placing before me great domed wine glasses, newly polished to a sparkle. There are more dishes to come, more flavors to try, and this time I will not spill or spit or drop or splash. I will not push the plate away from me, the food only half eaten. I am ready for everything they are preparing to serve me. Be in no doubt; it will all be fine.” (pp.115-6)