A cultured society that has fallen away from its religious traditions expects more from art than the aesthetic consciousness and the 'standpoint of art' can deliver. The Romantic desire for a new mythology... gives the artist and his task in the world the consciousness of a new consecration. He is something like a 'secular saviour' for his creations are expected to achieve on a small scale the propitiation of disaster for which an unsaved world hopes.

Beauty surrounds us, but oftentimes it takes a person with a poetic perception, an artist’s way of looking at the world, to first notice the sublime, and then stagecraft the splendor of nature so that other people can perceive their synoptic vision. The spirit and aesthetic intention behind the work is what assigns the work its artistic quality. Great works of poetry and writing, for instance, express not simply a criticism of life, but also encompass a philosophy for living.

...and it's that time of the day when the fatigue sets in. No, not the physical type of fatigue that goes with a stretching of limbs or a session in my sauna ~which in fact is sparkling signifying it's existence for sheer aesthetics rather that practical use!It was that mental fatigue , when my soul was exhausted and weary; that I needed a shot of Gatorade;just to calm my nerves,stopping me from hallucinationsand let me fall asleep!

...and it's that time of the day when the fatigue sets in. No, not the physical type of fatigue that goes with a stretching of limbs or a session in my sauna;which in fact is sparkling signifying it's existence for sheer aesthetics rather that practical use!It was that mental fatigue , when my soul was exhausted and weary; that I needed a shot of Gatorade;just to calm my nerves,stopping me from hallucinationsand let me fall asleep!

“As long as our culture continues to fawn over its downward-aspiring lowest common denominators, the United States will remain a social and political punch line. As long as we continue tracking the every deed and fart of the Paris Hiltons and Kevin Federlines among us, we will continue to come out sixteenth best with regard to producing and introducing to the human race things of true substance worth appreciating for their aesthetic ingenuity.”

THIS IS WHAT A MAN LOOKS LIKE. HE DOES NOT HAVE TO BE AESTHETICALLY PLEASING; HE DOES NOT HAVE TO BE MUSCULAR; HE DESERVES NOT TO BE PHOTOSHOPPED. HE IS HUMAN, AND HE HAS BLEMISHES. HERE HE STANDS, VISIBLE. HE SEES YOU ALL, COUNTLESS INVISIBLE OTHERS LIKE HIM. THIS BODY IS ACCEPTABLE — PUBESCENT, AWKWARD, MARRED. YOU DON’T HAVE TO BE INVISIBLE. WE ARE ALL GOOD ENOUGH. THERE IS NOTHING WRONG WITH OUR BODIES.

Because we have for millenia made moral, aesthetic, religious demands on the world, looked upon it with blind desire, passion or fear, and abandoned ourselves to the bad habits of illogical thinking, this world has gradually become so marvelously variegated, frightful, meaningful, soulful, it has acquired color - but we have been the colorists: it is the human intellect that has made appearances appear and transported its erroneous basic conceptions into things.

Art is not, as the metaphysicians say, the manifestation of some mysterious idea of beauty or God; it is not, as the aesthetical physiologists say, a game in which man lets off his excess of stored-up energy; it is not the expression of man's emotions by external signs; it is not the production of pleasing objects; and, above all, it is not pleasure; but it is a means of union among men, joining them together in the same feelings, and indispensable for the life and progress toward well-being of individuals and of humanity.

I've had many more thousands of books in my possession than my shelves at home would indicate. At one time, I tried to keep them all, but that quest soon became impossible; I now only keep the ones I'm sure I'm going to reread, the ones I'm definitely going to read before I die, and the ones I can't bear to part with because of an aesthetic or emotional attachment.

“We want to get our students out there. We're going to be expanding the opportunities we offer motivated students to screen their films in national and international film festivals and intern with the film industry in Wilmington, Los Angeles and New York. We're planning for expanding our facilities to allow for more sophisticated student projects of higher production quality that challenge students and offer them exposure to advanced technology as well as mature cinematic storytelling and aesthetics.”